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The author of, "FACETING HISTORY: CUTTING DIAMONDS AND COLORED STONES" has for a long time had a deep interest in learning how the early faceters (cutters) of diamonds and colored gemstones were able to complete their work. What methods did they use? What equipment did they have to make success possible? How soon did they discover how to complete the many phases necessary to accomplish their work? How did the equipment and methods differ between fashioning diamonds and faceting colored stones? These are just a few of the questions that the author wanted to find the answers for. In looking for answers to these and other questions, the author found that there were bits and pieces of information available in many previous books, but there was not a good book available that would answer most of his questions. Upon hearing the author ́s remarks about this fact, one of the librarians at the wonderful library located at the Gemological Institute of America ́s Carlsbad campus said that if such a book was not available, "maybe you should write the book!" Well, the author had been thinking of doing just that, but the remark caused the author to see the light and agree to get started on the project. Little did he know then that the project would require many months of eight hour days over seven day weeks to get the book completed. He decided to write a book that would answer these and other related questions that he had. The thought also occurred to him that such a book would be a valuable volume to be placed in libraries of individual faceters around the world. He realized that such a book would also be of great value to anyone who works behind a Jewelry store counter. A successful sales person is one who is knowledgeable about the products that they are selling. A book of faceting information would be extremely valuable if read and re-read from time to time. A customer in the Jewelry store will no doubt be favorably impressed by a sales presentation that is made with the use of interesting and informative information about diamonds and the various colored gemstones. The customer will be convinced that the sales person knows about what they are talking. The author has spent nearly three years on the project of researching the GIA library and other libraries, along with the extensive personal library of gemstone related books that he personally possesses. Many conflicting reports were noted in his study. He has made the statements in his book reflect the most commonly accepted opinions, of the most respected authors ́ works that he has found in his research. History is only obtainable from the earlier works of other authors. We cannot go back to the long past centuries ourselves, to see first hand what really happened and when it happened. A study of faceting history requires making the best choices of the information that is available. This completed book answers questions as to why the fashioning of diamonds was/is so different from the faceting of colored gemstones. The book compares the needed equipment and the methods that have brought the greatest successes. In addition, a great deal of other information connected to faceting is included. There are seven chapters in the book and there are over 125 photographs of the early equipment and methods that were used. The photographs show the faceters, the workroom conditions, and the tools and equipment that they used to complete beautiful and lasting gemstones. The book chapters are titled: An Introduction to Faceting, Early Man ́s Stone Appreciation, Diamond Fashioning Procedure and Equipment, Colored Stone Faceting Procedure and Equipment, The Evolution of Cut Designs, Famous and Historic Gemstones, Sources of Diamond and Colored Stone Rough, and lastly, Advances in Faceting Over the Past One Hundred Years. By books end, the reader will be well informed as to what is r
A lavishly illustrated, in-depth early history covering two thousand years of diamond jewelry and commerce, from the Indian mines to European merchants, courts, and workshops This richly illustrated history of diamonds illuminates myriad facets of the “king of gems,” including a cast of larger-than-life characters such as Alexander the Great, the Mughal emperor Jahangir, and East India Company adventurers. It’s an in-depth study tracing the story of diamonds from their early mining and trade more than two thousand years ago to the 1700s, when Brazil displaced India as the world’s primary diamond supplier. Jack Ogden, a historian and gemologist specializing in ancient gems and jewelry, describes the early history of diamond jewelry, the development of diamond cutting, and how diamonds were assessed and valued. The book includes more than one hundred captivating images, from close-up full-color photographs of historic diamond-set jewelry (some previously unpublished), to photomicrographs of individual gems and illustrations of medieval manuscripts, as well as diagrams depicting historical methods of cutting and polishing diamonds.
Amateur faceter Tom Herbst lays out the steps necessary to transform a shapeless lump of rock into a glittering jewel that is unique and valuable. Along the way, he explains not only the "how" but also the "why," and provides helpful tips in dealing with many of the pitfalls that confront the beginning gem cutter.
The paragon of physical perfection and a sparkling example of Earth's forces at work, the diamond has fascinated all realms of society, from Russian tsars and Hollywood stars to scientists and brides-to-be. The Nature of Diamonds is an authoritative and richly illustrated look at nature's most coveted gem. Leading geologists, gemologists, physicists, and cultural observers cover every facet of the stone, from its formation in the depths of the Earth and its explosive ascent to the surface, to its economic, regal, social, and technological roles. The book takes the reader to cutting-edge research on the frontiers of diamond exploration and exploitation, from Arctic wastes to laboratories that create industrial diamonds for cutting tools that slice through rock. Charting the history of mining from its origins in India and Brazil, the book follows the diamond rush in South Africa to today's high-tech enterprises. It provides a glimpse into the economics of the diamond trade, and an overview of diamond cutting, from the rough uncut stones in early Indian and Roman jewelry to the multifaceted stones we see today. The cultural history of the diamond as both a revered and a social symbol is explored, from its early history as the exclusive property of royalty to today's brilliant-laden jewelry as an emblem of wealth and status. The engaging text is complemented by more than 200 lavish illustrations which span fine art, earth science, and cultural studies and capture the brilliance and beauty of this extraordinary gem.
Finally the real truth about how master jewellers, gemmologists and major auction houses value diamonds and colored gemstones.
To most laymen, diamond cutting is an art steeped in mystery. In fact, it is a skill to which many semi-professional and amateur coloured-stone faceters can aspire. This book incorporates the major changes currently taking place in the world diamond market.
Excerpt from Diamond Design: A Study of the Reflection and Refraction and Refraction of Light in a Diamond This book is written principally for students of precious stones and jewellers, and more particularly, for' diamond manufacturers and diamond cutters and polishers. The author will follow the evolution of the shape given to a cut diamond, and discuss the values of the various shapes and the reason for' the discarding of the old shapes and the practically universal adoption of the brilliant.' About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.