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Pulitzer-Prize-winning author Bernard Bailyn brings us a book that combines portraits of American revolutionaries with a deft exploration of the ideas that moved them and still shape our society today.
King's Three Faces: The Rise and Fall of Royal America, 1688-1776
A sweeping exploration of why and how we look at ourselves through art
This commemoration of African-Americans in the U.S. military includes contributions from W. Stephen Morris and Luther H. Smith, one of the most-celebrated Tuskegee Airmen. Other black military heroes featured in the book include Crispus Attucks, the first man to die in the Revolutionary War; Lt. James Reese Europe, who brought jazz music to Europe in 1918; Lt. Charity Adams, commander of the only all-black Women's Army Corps unit during World War II; and Gen. Colin Powell, who served with distinction in Vietnam, became the first African-American Chairman of the Joint Chiefs of Staff during the Gulf War, and retired a four-star general before becoming the first African-American Secretary of State.
Seyom Brown's authoritative account of U.S. foreign policy from the end of the Second World War to the present challenges common assumptions about American presidents and their struggle with power and purpose. Brown shows Truman to be more anguished than he publicly revealed about the use of the atomic bomb; Eisenhower and George W. Bush to be more immersed in the details of policy formulation and implementation than generally believed; Reagan to be more invested in changing his worldview while in office than any previous president; and Obama to have modeled his military exit from Iraq and Afghanistan more closely to Nixon and Kissinger's exit strategy from Vietnam than he would like to admit. Brown's analyses of Obama's policies for countering terrorist threats at home and abroad, dealing with unprecedented upheavals in the Middle East, preventing the proliferation of nuclear weapons, and containing new territorial expansion by China and Russia reinforce the book's "constancy and change" theme, which shows that serving the interests of the most powerful country in the world transforms the Oval Office's occupant more than its occupant can transform the world. Praise for previous editions: "Systematic and informative... [Brown] has a gift for clear analysis that makes his book a useful contribution to the Cold War literature."—The Journal of American History "Comprehensive and clear... thorough without ever becoming dull, providing detailed analysis of decisions while never neglecting the environment within which they are made."—International Affairs "An excellent reference for those interested in United States foreign policy.... Well-written and well-researched, it is appropriate for use in both undergraduate and graduate courses."—International Journal "An analysis with difference—an important difference. Seyom Brown discusses United States policy from the perspective of how decision makers in the United States viewed their adversaries and the alternatives as those decision makers saw them.... Well worth the effort of a careful reading."—American Political Science Review
The meaning of the American Revolution has always been a much contested question, and asking it is particularly important today: the standard, easily digested narrative puts the Founding Fathers at the head of a unified movement, failing to acknowledge the deep divisions in Revolutionary-era society and the many different historical interpretations that have followed. Whose American Revolution Was It? speaks both to the ways diverse groups of Americans who lived through the Revolution might have answered that question and to the different ways historians through the decades have interpreted the Revolution for our own time. As the only volume to offer an accessible and sweeping discussion of the period's historiography and its historians, Whose American Revolution Was It? is an essential reference for anyone studying early American history. The first section, by Alfred F. Young, begins in 1925 with historian J. Franklin Jameson and takes the reader through the successive schools of interpretation up to the 1990s. The second section, by Gregory H. Nobles, focuses primarily on the ways present-day historians have expanded our understanding of the broader social history of the Revolution, bringing onto the stage farmers and artisans, who made up the majority of white men, as well as African Americans, Native Americans, and women of all social classes.
Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. For two hundred years, as Britain shipped over three million Africans to the New World, popular images of blacks as slaves and servants proliferated in London art, both highbrow and low. Catherine Molineux assembles a surprising array of sources in her exploration of this emerging black presence, from shop signs, tea trays, trading cards, board games, playing cards, and song ballads to more familiar objects such as William Hogarth's graphic satires. By idealizing black servitude and obscuring the brutalities of slavery, these images of black people became symbols of empire to a general populace that had little contact with the realities of slave life in the distant Americas and Caribbean. The earliest images advertised the opulence of the British Empire by depicting black slaves and servants as minor, exotic characters who gazed adoringly at their masters. Later images showed Britons and Africans in friendly gatherings, smoking tobacco together, for example. By 1807, when Britain abolished the slave trade and thousands of people of African descent were living in London as free men and women, depictions of black laborers in local coffee houses, taverns, or kitchens took center stage. Molineux's well-crafted account provides rich evidence for the role that human traffic played in the popular consciousness and culture of Britain during the seventeenth and eighteenth centuries and deepens our understanding of how Britons imagined their burgeoning empire.