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Published in conjunction with an exhibition at The Metropolitan Museum of Art, NY, February-May 2000, the first major showing in North America of stunning painted mummy portraits that represent a confluence of ancient Egyptian and Roman cultures and the Graeco-Roman painting tradition. The catalog concentrates closely on the paintings, their artistry, and their social context and meaning. Seven contributed essays set the context. The 122 color and 23 bandw illustrations are fully discussed and described by editor Walker, who is affiliated with the British Museum. Annotation copyrighted by Book News, Inc., Portland, OR
A lavish celebration of the lives of a wonderful people. For ten years, photographer Deborah Shea Doyle traveled throughout Egypt—from bustling Cairo to remote parts of the Sinai region—to explore the landscape and learn about the lives of ordinary Egyptians, especially the Bedouins. She visited large cities and small villages and traversed through the country's inaccessible areas, which presented her with a gold mine of opportunities to capture and record interesting faces of people she encountered along the way. Her splendid collection of photographs of ordinary Egyptian men, women, and children as they work and play in their everyday lives invites readers to discover Egypt and its people as they have not been seen before. The humanity captured through her expert lens is matched by an engaging text and observations that give readers insight into the local customs and habits.
At the end of the 19th century Egyptologists discovered, in two robbed tombs at Luxor, the remains of over 40 mummies dating from the 17th to the 21st Dynasties (1580 BC to 940 BC). These included the bodies of Ahmose, Thutmose III, Amenhotep II and III, Seti I, Ramesses II and III, and Merneptah. This book brings together for the first time all the photographs of the unique collection of mummies and coffins found in the two `Royal Caches' and other royal burials which include Yuya, Thuya and Tutankhamun. Each mummy and coffin is described in detail with brief information about the tomb. Diseases and ailments, mummification techniques and the very origins of the process are covered. Other topics featured are the problems of identification, conservation of remains, and reconstructing lifetime appearance.
This publication presents fascinating new findings on ancient Romano-Egyptian funerary portraits preserved in international collections. Once interred with mummified remains, nearly a thousand funerary portraits from Roman Egypt survive today in museums around the world, bringing viewers face-to-face with people who lived two thousand years ago. Until recently, few of these paintings had undergone in-depth study to determine by whom they were made and how. An international collaboration known as APPEAR (Ancient Panel Paintings: Examination, Analysis, and Research) was launched in 2013 to promote the study of these objects and to gather scientific and historical findings into a shared database. The first phase of the project was marked with a two-day conference at the Getty Villa. Conservators, scientists, and curators presented new research on topics such as provenance and collecting, comparisons of works across institutions, and scientific studies of pigments, binders, and supports. The papers and posters from the conference are collected in this publication, which offers the most up-to-date information available about these fascinating remnants of the ancient world. The free online edition of this open-access publication is available at www.getty.edu/publications/mummyportraits/ and includes zoomable illustrations and graphs. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
Little is known about Nefertiti, the Egyptian queen whose name means “a beautiful woman has come.” She was the wife of Akhenaten, the pharaoh who ushered in the dramatic Amarna Age, and she bore him at least six children. She played a prominent role in political and religious affairs, but after Akhenaten’s death she apparently vanished and was soon forgotten. Yet Nefertiti remains one of the most famous and enigmatic women who ever lived. Her instantly recognizable face adorns a variety of modern artifacts, from expensive jewelry to cheap postcards, t-shirts, and bags, all over the world. She has appeared on page, stage, screen, and opera. In Britain, one woman has spent hundreds of thousands of pounds on plastic surgery in hope of resembling the long-dead royal. This enduring obsession is the result of just one object: the lovely and mysterious Nefertiti bust, created by the sculptor Thutmose and housed in Berlin’s Neues Museum since before World War II. In Nefertiti’s Face, Egyptologist Joyce Tyldesley tells the story of the bust, from its origins in a busy workshop of the late Bronze Age to its rediscovery and controversial removal to Europe in 1912 and its present status as one of the world’s most treasured artifacts. This wide-ranging history takes us from the temples and tombs of ancient Egypt to wartime Berlin and engages the latest in Pharaonic scholarship. Tyldesley sheds light on both Nefertiti’s life and her improbable afterlife, in which she became famous simply for being famous.
A compact edition of this highly acclaimed survey of the Fayum paintings, the enigmatic and compelling funerary portraits created by the inhabitants of Roman Egypt in the first century CE.
On May 1st, 1998 Professor P.W.Pestman retired from academic teaching. His contributions to the field of papyrology are well known: he has continually stressed the importance of Egyptian sources for the study of Greek and Roman Egypt, and the importance of studying the Greek and Egyptian documentation together, in context. Indeed, he has been among the first to link the formerly separate Greek and Egyptian documentation, establishing modern papyrological practice. He has thus given an Egyptian face to Graeco-Roman society, to complement the Greek face that had previously dominated papyrology. The present volume contains twelve contributions by members and alumni of the Papyrologisch Instituut that illustrate the two faces of Graeco-Roman Egypt and show how they may be tied together.
Herakleides was a young man who lived and died in Roman Egypt almost 2000 years ago. This multidisciplinary study of his mummy highlights the funerary practices and religious beliefs of his world.
The Graeco-Roman mummy portraits remain one of the British Musuem's popular and intimate collections. This compact book presents glorious colour photos of some of the best, alongside commentary and a more general introduction to the techniques and practice of the portraiture.
The Middle Kingdom (ca. 2030–1650 B.C.) was a transformational period in ancient Egypt, during which older artistic conventions, cultural principles, religious beliefs, and political systems were revived and reimagined. Ancient Egypt Transformed presents a comprehensive picture of the art of the Middle Kingdom, arguably the least known of Egypt’s three kingdoms and yet one that saw the creation of powerful, compelling works rendered with great subtlety and sensitivity. The book brings together nearly 300 diverse works— including sculpture, relief decoration, stelae, jewelry, coffins, funerary objects, and personal possessions from the world’s leading collections of Egyptian art. Essays on architecture, statuary, tomb and temple relief decoration, and stele explore how Middle Kingdom artists adapted forms and iconography of the Old Kingdom, using existing conventions to create strikingly original works. Twelve lavishly illustrated chapters, each with a scholarly essay and entries on related objects, begin with discussions of the distinctive art that arose in the south during the early Middle Kingdom, the artistic developments that followed the return to Egypt’s traditional capital in the north, and the renewed construction of pyramid complexes. Thematic chapters devoted to the pharaoh, royal women, the court, and the vital role of family explore art created for different strata of Egyptian society, while others provide insight into Egypt’s expanding relations with foreign lands and the themes of Middle Kingdom literature. The era’s religious beliefs and practices, such as the pilgrimage to Abydos, are revealed through magnificent objects created for tombs, chapels, and temples. Finally, the book discusses Middle Kingdom archaeological sites, including excavations undertaken by the Metropolitan Museum over a number of decades. Written by an international team of respected Egyptologists and Middle Kingdom specialists, the text provides recent scholarship and fresh insights, making the book an authoritative resource.