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One of the odder (and uglier or cuter dependent on your point of view) styles of Roman pottery is clearly the face pot - literally pots with facial features attatched in relief.
Deeply stratified settlements are a distinctive site type featuring prominently in diverse later prehistoric landscapes of the Old World. Their massive materiality has attracted the curiosity of lay people and archaeologists alike. Nowadays a wide variety of archaeological projects are tracking the lifestyles and social practices that led to the building-up of such superimposed artificial hills. However, prehistoric tell-dwelling communities are too often approached from narrow local perspectives or discussed within strict time- and culture-specific debates. There is a great potential to learn from such ubiquitous archaeological manifestations as the physical outcome of cross-cutting dynamics and comparable underlying forces irrespective of time and space. This volume tackles tells and tell-like sites as a transversal phenomenon whose commonalities and divergences are poorly understood yet may benefit from cross-cultural comparison. Thus, the book intends to assemble a representative range of ongoing theory – and science –based fieldwork projects targeting this kind of sites. With the aim of encompassing a variety of social and material dynamics, the volume’s scope is diachronic – from the Earliest Neolithic up to the Iron Age–, and covers a very large region, from Iberia in Western Europe to Syria in the Middle East. The core of the volume comprises a selection of the most remarkable contributions to the session with a similar title celebrated in the European Association of Archaeologists Annual Meeting held at Barcelona in 2018. In addition, the book includes invited chapters to round out underrepresented areas and periods in the EAA session with relevant research programmes in the Old World. To accomplish such a cross-cultural course, the book takes a case-based approach, with contributions disparate both in their theoretical foundations – from household archaeology, social agency and formation theory – and their research strategies – including geophysical survey, microarchaeology and high-resolution excavation and dating.
The first comprehensive monograph surveying the expansive twenty-five-plus-year career of the highly influential artist, known for his rainbow-colored paintings, drawings, and emotive ceramic facepots. McCarthy is known for his gestural and intuitive artwork. His brightly colored paintings, with loose brushwork, depict figures in action: dancing, surfing, fishing, and skateboarding often against a rainbow-colored background. His ongoing series of ceramic facepots delight with their hand-built immediacy and invested emotionality. McCarthy who worked on fishing boats near Catalina Island and cites the Pacific Ocean as a lasting influence on his work. The beautifully curated book includes an 8-page gatefold and a French-fold jacket, which opens up to a collectible foldout poster.
For over 25,000 years, humans across the globe have shaped, decorated, and fired clay. Despite great differences in location and time, universal themes appear in the world's ceramic traditions, including religious influences, human and animal representations, and mortuary pottery. In Global Clay: Themes in World Ceramic Traditions, noted pottery scholar John A. Burrison explores the recurring artistic themes that tie humanity together, explaining how and why those themes appear again and again in worldwide ceramic traditions. The book is richly illustrated with over 200 full-color, cross-cultural illustrations of ceramics from prehistory to the present. Providing an introduction to different styles of folk pottery, extensive suggestions for further reading, and reflections on the future of traditional pottery around the world, Global Clay is sure to become a classic for all who love art and pottery and all who are intrigued by the human commonalities revealed through art.
Greek vases and Peruvian bottles, Chinese bronzes and African masks, Tel Brak idols and Egyptian tomb paintings—artifacts ancient and modern reveal man's universal fascination with the eye and his awe before its mysterious powers. In this wide-ranging and richly illustrated essay Albert M. Potts considers the special properties the human mind has ascribed to the eye over the millenia and seeks out its peculiar significance as symbol. Amulets against the Evil Eye persist today in nearly every part of the world. Almost as pervasive is the conception of the Good Eye, itself used as a protective amulet. The Eye of Horus, for example, was one of the holiest symbols of the ancient Egyptian religion, and its descendants can still be found in the Mediterranean basin. Using artifacts and texts, the folklore of our own times, and aspects of the unconscious revealed by Jungian psychology, Potts reveals the diverse forms and meanings of this powerful symbol.
The first book to give self-taught art the same degree of scholarly attention and critical thinking that mainstream art traditionally receives
This massive three volume set publishes the proceedings of the 2006 Limes conference which was held in Leon, a total of 138 contributions. Naturally these cover a vast range of topics related to Roman military archaeology and the Roman frontiers. The archaeology of the Roman military in Spain, and contributions by Spanish scholars are prominent, whilst other themes include the internal frontiers, the end of the frontiers and the barbarians in the empire, the fortified town in the late Roman period, soldiers on the move and the early development of frontiers . Further sessions had a regional focus. Majority of essays in English, some in Spanish, German and Italian
This volume presents papers given at the 3rd and 4th scientific editions of the conference “Methodology and Archaeometry” held in 2015 and 2016 at the Faculty of Humanities and Social Sciences of the University of Zagreb, Croatia. It covers topics in archaeometry and archaeological methodology, which represent an essential part of collecting and processing data, which defines the validity of archaeological interpretation. Contributions explore non-destructive archaeology (geophysics and field survey), different aspects of artifact analysis, and experimental archaeology. The text brings together new research from scientists from various disciplines based on a range of methodological, analytical and theoretical perspectives, thus providing new insights and approaches, as well as new theoretical and methodological frameworks in contemporary archaeological science.
“Beautiful . . . an essential book for anyone with an interest in the material culture of the Roman frontier in its wider context.” —Current Archaeology Dr. Rob Collins and the curators of the remarkable collections from Hadrian’s Wall present a striking new contribution to understanding the archaeology of a Roman frontier. This highly illustrated volume showcases the artifacts recovered from archaeological investigations along Hadrian’s Wall in order to examine the daily lives of those living along the Northern Frontier of the Roman Empire. Presented by theme, no other book offers such a diverse and thorough range of the rich material culture of the Wall. The accompanying text provides an ethnographic perspective, guiding us through the everyday lives of the people of frontier communities, from the Commanding Officer to the local farmer. This holistic view allows us an insight into the homes and communities, how people dressed, what they ate and drank, their religions and beliefs, domestic and military forms of security, and how they conducted their business and pleasure. “With so many of the objects described and set in context in this fine book, it gives no more than a brief bright flash of lives once led, and yet provides such a spark for the imagination.” —Hexham Local History Society Newsletter
From the gold of the shaft graves of Mycenae to an undecorated Late Roman lekythos, and from facade statuary in Roman Ephesus to electroplated teapots in present-day household assemblages on the island of Kythera, this volume presents a selection of essays on the complex and ever-progressing relationships between things and people across time and space. Past and present advances in the discourse on materialisms are approached from a case study perspective through the lens of two different but complementary themes: object biography and materiality in relation to medium. Each essay offers a distinct insight into the always shifting meanings, values, and relational connections of things, exploring a diversity of concepts, contexts, and material elements from prehistory to today.