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In the Red

United States. Congress. Senate. Committee on Homeland Security and Governmental Affairs. Subcommittee on Federal Financial Management, Government Information, Federal Services, and International Security

Published: 2009

Total Pages: 200


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The events of 9/11 had a profound impact on American society, but they had an even more lasting effect on Muslims living in the United States. Once practically invisible, they suddenly found themselves overexposed. By describing how Islam in America began as a strange cultural object and is gradually sinking into familiarity, Finding Mecca in America illuminates the growing relationship between Islam and American culture as Muslims find a homeland in America. Rich in ethnographic detail, the book is an up-close account of how Islam takes its American shape. In this book, Mucahit Bilici traces American Muslims’ progress from outsiders to natives and from immigrants to citizens. Drawing on the philosophies of Simmel and Heidegger, Bilici develops a novel sociological approach and offers insights into the civil rights activities of Muslim Americans, their increasing efforts at interfaith dialogue, and the recent phenomenon of Muslim ethnic comedy. Theoretically sophisticated, Finding Mecca in America is both a portrait of American Islam and a groundbreaking study of what it means to feel at home.
“There is a connection, hard to explain logically but easy to feel, between achievement in public life and progress in the arts. The age of Pericles was also the age of Phidias. The age of Lorenzo de Medici was also the age of Leonardo da Vinci. The age of Elizabeth was also the age of Shakespeare, and the new frontier for which I campaign in public life can also be a new frontier for American art.” —John F. Kennedy When the John F. Kennedy Center for the Performing Arts opened in our nation’s capital on September 8, 1971, its mission was to be the “national center for the performing arts.” Forty years later the Center has succeeded in that mission and continues to celebrate it—countless times over—in every state and country around the world, and in the hearts and minds of millions of audience members, performers, and artists. In The Nation’s Stage, that history comes alive through a stirring historical and pictorial narrative. An incubator and springboard for some of the most memorable and important theater, dance, opera, and musical productions of the past four decades, the Center has hosted plays by Tennessee Williams, Arthur Miller, Tom Stoppard, and August Wilson, as well as theater for young people with Debbie Allen; dance by Antony Tudor, Agnes de Mille, Mark Morris, and Jerome Robbins; orchestral scores by Leonard Bernstein, Aaron Copland, Dmitri Shostakovich, and John Cage; and breathtaking performances from the world’s most notable actors, musicians, and dancers. Every year, millions of Americans and people from around the globe gather at the Center to enjoy the arts. This book, an introduction to the Center’s accomplishments and abilities and a commemorative artifact for those who have enjoyed those gifts over the years, is a historical narrative with hundreds of colorful archival photos that allow past audiences to relive the most magical moments at the Center. Those who’ve never been inside receive a backstage pass to all the glamour and wonder this national treasure has to offer.
This collection offers original, state-of-the-art contributions from leading authorities in children's televisual media. International researchers from communication and psychology provide readers with ready access to current televisual research, trends, and policymaking/political climate issues pertaining to children. This second edition provides a current summary of studies on content, viewing patterns, comprehension, effects, and individual differences in instructional and educational programming, televisual entertainment and violence programming, and televisual advertising to children. Editors Edward L. Palmer and Brian M. Young have structured the volume into three sections examining the "faces" of television: the Teaching (instructional/educational) Face, the Violent Face, and the Selling (advertising) Face. Chapters within each section identify and focus recurrent themes while integrating them topically into a coherent whole. Each area incorporates new technologies and considers their potentials, effects, and future. Subjects featured in the various chapters include: *cross-cultural and historical comparisons with an in-depth perspective on the BBC and other European/Asian televisual media roots, as well as America's formative televisual media roots; *an examination of key differences between developed and developing countries; *implications of emerging instructional/educational media for children's education--addressing both cognitive and multi-ethnic aspects; and * prominent, informed challenge to the prevailing popular view that children are unaffected and unharmed by exposure to media violence. This volume informs ongoing debates across a broad spectrum of current, critical issues, and suggests avenues for future research. It is pertinent and provocative for the most sophisticated scholar in the field, as well as for students in areas of developmental or social psychology, communication, education, sociology, marketing, broadcasting and film, public policy, advertising, and medicine/pediatrics. It is also appropriate for courses in children, media, and society.
Fully revised and updated, the eighth edition of The World News Prism analyzes the changing role of transnational news media in the 21st-century globalized world and its impact on rapidly changing news events. Includes a new chapter dedicated to evolving traditional and new social media in Middle East Expands the discussion of news systems in developing nations, comparing media growth in India and Africa Explores the impact of digital media on traditional societies Features important updates on the decline of print media in the West and the challenges this poses to global reporting Surveys the latest developments in new media and forecasts future developments
In his various guises, the British comedian Sacha Baron Cohen has threatened Uzbekistan with catapults, driven a U.N. Secretary-General to profanity, and ruined New York's Fashion Week. Evincing shades of Jonathan Swift, Monty Python, and Andy Kaufman, Baron Cohen has consistently demonstrated a singular talent for crafting outrageous personae, a ruthless dedication to staying in character, and an uncanny ability to parlay controversy into professional success. Now, in his lively and often humorous study The Many Faces of Sacha Baron Cohen: Politics, Parody, and the Battle over Borat, Robert A. Saunders explores the striking cultural resonance and far-reaching political ramifications of Baron Cohen's portrayals of Borat, Ali G, and Bruno. In Ali G, a wannabe gangsta rapper from the leafy English suburb of Staines, the Cambridge-educated humorist tackled the prickly questions of race, ethnicity, and identity in 'Cool Britannia.' As Bruno, a campy Austrian fashionista with a Nazi fetish, he tapped into a wellspring of homophobia simmering beneath the sheen of political correctness. Most dramatically, as the roving Kazakhstani reporter Borat, Baron Cohen offended the world's ninth largest nation, provoked the ire of the Anti-Defamation League, triggered dozens of lawsuits, and became the subject of presidential summits. Part biography and part political analysis, Saunders traces Baron Cohen's rise from a small-time comedian-one who might have easily been forgotten in the pre-Internet era-to a cultural lightning rod who set tongues wagging from Vancouver to Vladivostok. Through a probing discussion of the identity politics that mold this jester's unique brand of humor, the author navigates the eclectic socio-political climate that gave rise to the cable television hit Da Ali G Show and the international blockbuster Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan. The end result is a sublime synthesis of cultural history and contemporary politics that affirms the undeniable power of imagery in the global village.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.