Download Free Fabula Book in PDF and EPUB Free Download. You can read online Fabula and write the review.

Examining a variety of texts ranging from the Ancient Near East to the nineteenth century, this book deals with the inevitable presence of both fact and fiction in historical thought and investigates when, where and to what degree they were distinguished.
Describes authors, works, and literary terms from all eras and all parts of the world.
Brian Chan's poetry goes beyond everyday appearance to the inner space where the consciousness "begins to question the power of space it has fictioned". In staring into the abyss over which such fictions are spun, Fabula Rasa challenges all comfortable and solid assumptions. Thus, those poems which affirm the power of love or celebrate those moments 'brimming with light', seem both more powerful and more movingly vulnerable in their act of affirmation. Chan's poetry requires close attention but has a pellucid quality: "Plumbing my darkest heart, I shape the glass/ of plain mind in which you may taste your own". Brian Chan grew up in Guyana. He is an accomplished musician and painter, and now lives in Edmonton, Canada.
The Concept of History reflects on the presuppositions behind the contemporary understanding of history that often remain implicit and not spelled out. It is a critique of the modern understanding of history that presents it as universal and teleological, progressively moving forward to an end. Although few contemporary philosophers and historians maintain the view that there is strict universality and teleology in history, the remnants of these positions still affect our understanding of history. But if history is not universal and singular, evolving toward an objective universal end, it should be possible to admit of multiple histories, some of which we appropriate as our own. An another important aspect of this book is that if provides an account of history that is itself both historical and rooted in attempts to narrate and explain history from its inception in antiquity. The book seeks to establish features or constituents of history that might be found in any historical account and might themselves be considered historical invariants in history.
"Describes how the present tense was invented and why the poetics of the present tense novel is essential for an understanding of contemporary literature and the evolution of the novel since modernism"--
In this, the first study of its kind to appear in English, the author - a professor of Romance Languages at Harvard University - discusses the concepts which determined the nature and function of French humanist tragedy and the importance of those concepts with regard to the genre's relationship to medieval, ancient and French classical drama. The emphasis on conceptual rather than formal considerations reveals strong ties between tragedy and other sixteenth century genres, now largely neglected. The book also shows that the formal changes in tragedy introduced by the humanists are less consequential than once thought, and in his last chapter suggests that a deeper appreciation of the character of French humanist tragedy can shed new light on the coming of classicism.