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As a function of its corporate duties, the Consolidation Coal Company had photographers take hundreds of pictures of nearly every facet of its operations. Here, geographer Geoffrey L. Buckley examines the company's photograph collection housed at the Smithsonian Institution's National Museum of American History.
An ethnography of coal country in southern West Virginia.
Annotation "The Consolidation Coal Company, one of the largest coal-mining operations in the United States during the first half of the twentieth century, had photographers take hundreds of pictures of nearly every facet of its operations." "Historical geographer Geoffrey L. Buckley examines the company's photograph collection housed at the Smithsonian Institution's National Museum of American History. Included in the collection are images of mine openings, mining equipment, and mine accidents, as well as scenes of the company towns, including schools, churches, recreational facilities, holiday celebrations, and company stores."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.
Written in Blood features the work of Appalachia’s leading scholars and activists making available an accurate, ungilded, and uncensored understanding of our history. Combining new revelations from the past with sketches of a sane path forward, this is a deliberate collection looking at our past, present, and future. Sociologist Wess Harris (When Miners March) further documents the infamous Esau scrip system for women, suggesting an institutionalized practice of forced sexual servitude that was part of coal company policy. In a conversation with award-winning oral historian Michael Kline, federal mine inspector Larry Layne explains corporate complicity in the 1968 Farmington Mine disaster which killed seventy-eight men and became the catalyst for the passage of major changes in U.S. mine safety laws. Mine safety expert and whistleblower Jack Spadaro speaks candidly of years of attempts to silence his courageous voice and recalls government and university collaboration in covering up details of the 1972 Buffalo Creek flooding disaster, which killed over a hundred people and left four thousand homeless. Moving to the next generation of thinkers and activists, attorney Nathan Fetty examines current events in Appalachia and musician Carrie Kline suggests paths forward for people wishing to set their own course rather than depend on the kindness of corporations.
Richard Drake has skillfully woven together the various strands of the Appalachian experience into a sweeping whole. Touching upon folk traditions, health care, the environment, higher education, the role of blacks and women, and much more, Drake offers a compelling social history of a unique American region. The Appalachian region, extending from Alabama in the South up to the Allegheny highlands of Pennsylvania, has historically been characterized by its largely rural populations, rich natural resources that have fueled industry in other parts of the country, and the strong and wild, undeveloped land. The rugged geography of the region allowed Native American societies, especially the Cherokee, to flourish. Early white settlers tended to favor a self-sufficient approach to farming, contrary to the land grabbing and plantation building going on elsewhere in the South. The growth of a market economy and competition from other agricultural areas of the country sparked an economic decline of the region's rural population at least as early as 1830. The Civil War and the sometimes hostile legislation of Reconstruction made life even more difficult for rural Appalachians. Recent history of the region is marked by the corporate exploitation of resources. Regional oil, gas, and coal had attracted some industry even before the Civil War, but the postwar years saw an immense expansion of American industry, nearly all of which relied heavily on Appalachian fossil fuels, particularly coal. What was initially a boon to the region eventually brought financial disaster to many mountain people as unsafe working conditions and strip mining ravaged the land and its inhabitants. A History of Appalachia also examines pockets of urbanization in Appalachia. Chemical, textile, and other industries have encouraged the development of urban areas. At the same time, radio, television, and the internet provide residents direct links to cultures from all over the world. The author looks at the process of urbanization as it belies commonly held notions about the region's rural character.
In 2016, headlines declared Appalachia ground zero for America's "forgotten tribe" of white working class voters. Journalists flocked to the region to extract sympathetic profiles of families devastated by poverty, abandoned by establishment politics, and eager to consume cheap campaign promises. What You Are Getting Wrong About Appalachia is a frank assessment of America's recent fascination with the people and problems of the region. The book analyzes trends in contemporary writing on Appalachia, presents a brief history of Appalachia with an eye toward unpacking Appalachian stereotypes, and provides examples of writing, art, and policy created by Appalachians as opposed to for Appalachians. The book offers a must-needed insider's perspective on the region.
In the fall of 1865, two Union officers stationed in East Tennessee during the Civil War - Hiram Chamberlain and John Wilder -- decided to stay in the South to pursue business careers. They recognized potential in the "untapped" resources they had seen during military operations in this part of the state. Within the space of four years, Chamberlain and Wilder had recruited business partners, built an operating iron furnace in the Upper Tennessee River Valley (the Roane Iron Company), and established a company town at Rockwood, Tennessee. Twenty years later, in some parts of Appalachia, new planned towns were being established by land companies that wanted to develop model industrial real estate ventures. In the Upper Tennessee River Valley, these new towns - Cardiff, Harriman, and Lenoir City, Tennessee - were planned to be the quintessential places for industrial production and urban living as they were characterized by urban/sanitary reform ideals, temperance tenets, and distinctive urban landscapes. In Appalachian Aspirations, John Benhart presents the story of the evolution of capitalism and regional development in the Upper Tennessee River Valley in the late nineteenth and early twentieth centuries.
The Index of American Design was one of the most significant undertakings of the Federal Art Project—the visual arts arm of the Works Progress Administration. Part of President Franklin D. Roosevelt's New Deal, this ambitious initiative set out to discover and document an authentic American style in everyday objects. The curators of the Index combed the country for art of the machine age—from carved carousel horses to engraved powder horns to woven coverlets—created by artisans for practical use. In their search for a true American artistic identity, they also sought furniture designed by regional craftsmen laboring in isolation from European traditions. Kentucky by Design offers the first comprehensive examination of the objects from the Bluegrass State featured in this historic venture. It showcases a wide array of offerings, including architecture, furniture, ceramics, musical instruments, textiles, clothing, and glass- and metalworks. The Federal Art Project played an important role in documenting and preserving the work of Shaker artists from the Pleasant Hill and South Union communities, and their creations are exhibited in this illuminating catalog. Beautifully illustrated with both the original watercolor depictions and contemporary, art-quality photographs of the works, this book is a lavish exploration of the Commonwealth's distinctive contribution to American culture and modern design. Features contributions from Jean M. Burks, Erika Doss, Jerrold Hirsch, Lauren Churilla, Larrie Currie, Michelle Ganz, Tommy Hines, Lee Kogan, Ron Pen, Janet Rae, Shelly Zegart, Mel Hankla, Philippe Chavance, Kate Hesseldenz, Madeleine Burnside, and Allan Weiss.