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Since the early 1800s, people have made a living fishing and harvesting mussels in the lower Ohio Valley. These river folk are conscious of an occupational and social identity separate from those who earn their living from the land. Sustained by a shared love of the river, deriving joy from the beauty of their chosen environment, and feeling great pride in their ability to subsist on its wild resources and to master the skills required to make a living from it, many still identify with the nomadic houseboat-dwelling subculture that flourished on the river from the early nineteenth century to the 1950s. Today's community of fisherfolk is small and economically marginal, but their activities sustain a complex set of traditional skills and a body of verbal folklore associated with river life. In Flatheads and Spoonies, Jens Lund describes the activities, boats, gear, verbal lore, and sense of identity of the fisher folk of the lower Ohio River Valley and provides historical and ethnobiological background for their way of life. Lund connects the importance of river fish in the diet of inhabitants of the valley to local fishing activities and explores the relationship between river people and those whose culture is primarily land-based, painting a colorful portrait of river fishing and river life. This book offers a look—historical and ethnographic—at a little-known aspect of traditional life in the American Midwest, still surviving today despite immense changes in environment, resources, and economic base.
No other region in America is so fraught with projected meaning as Appalachia. Many people who have never set foot in Appalachia have very definite ideas about what the region is like. Whether these assumptions originate with movies like Deliverance (1972) and Coal Miner's Daughter (1980), from Robert F. Kennedy's widely publicized Appalachian Tour, or from tales of hiking the Appalachian Trail, chances are these suppositions serve a purpose to the person who holds them. A person's concept of Appalachia may function to reassure them that there remains an "authentic" America untouched by consumerism, to feel a sense of superiority about their lives and regions, or to confirm the notion that cultural differences must be both appreciated and managed. In Selling Appalachia: Popular Fictions, Imagined Geographies, and Imperial Projects, 1878-2003, Emily Satterwhite explores the complex relationships readers have with texts that portray Appalachia and how these varying receptions have created diverse visions of Appalachia in the national imagination. She argues that words themselves not inherently responsible for creating or destroying Appalachian stereotypes, but rather that readers and their interpretations assign those functions to them. Her study traces the changing visions of Appalachia across the decades from the Gilded Age (1865-1895) to the present and includes texts such as John Fox Jr.'s Trail of the Lonesome Pine (1908), Harriet Arnow's Hunter's Horn (1949), and Silas House's Clay's Quilt (2001), charting both the portrayals of Appalachia in fiction and readers' responses to them. Satterwhite's unique approach doesn't just explain how people view Appalachia, it explains why they think that way. This innovative book will be a noteworthy contribution to Appalachian studies, cultural and literary studies, and reception theory.
“A well-organized and concise introduction to the war’s major battles” (The Journal of America’s Military Past). Winner of the Gold Star Book Award for History from the Military Writers Society of America This is the first comprehensive account of every engagement of the Revolution, a war that began with a brief skirmish at Lexington Green on April 19, 1775, and concluded on the battlefield at the Siege of Yorktown in October 1781. In between were six long years of bitter fighting on land and at sea. The wide variety of combats blanketed the North American continent from Canada to the Southern colonies, from the winding coastal lowlands to the Appalachian Mountains, and from the North Atlantic to the Caribbean. Every entry begins with introductory details including the date of the battle, its location, commanders, opposing forces, terrain, weather, and time of day. The detailed body of each entry offers both a Colonial and a British perspective of the unfolding military situation, a detailed and unbiased account of what actually transpired, a discussion of numbers and losses, an assessment of the consequences of the battle, and suggestions for further reading. Many of the entries are supported and enriched by original maps and photos.
Washington was rarely isolated from the world during his eventful life. His diary for 1751-52 relates a voyage to Barbados when he was nineteen. The next two accounts concern the early phases of the French and Indian War, in which Washington commanded a Virginia regiment. By the 1760s when Washington's diaries resume, he considered himself retired from public life, but George III was on the British throne and in the American colonies the process of unrest was beginning that would ultimately place Washington in command of a revolutionary army. Even as he traveled to Philadelphia in 1787 to chair the Constitutional Convention, however, and later as president, Washington's first love remained his plantation, Mount Vernon. In his diary, he religiously recorded the changing methods of farming he employed there and the pleasures of riding and hunting. Rich in material from this private sphere, The Diaries of George Washington offer historians and anyone interested in Washington a closer view of the first president in this bicentennial year of his death.
In his youth Daniel Trabue (1760–1840) served as a Virginia soldier in the Revolutionary War. After three years of service on the Kentucky frontier, he returned home to participate as a sutler in the Yorktown campaign. Following the war he settled in the Piedmont, but by 1785 his yearning to return westward led him to take his family to Kentucky, where they settled for a few years in the upper Green River country. He recorded his narrative in 1827, in the town of Columbia, of which he was a founder. A keen observer of people and events, Trabue captures experiences of everyday life in both the Piedmont and frontier Kentucky. His notes on the settling of Kentucky touch on many important moments in the opening of the Bluegrass region.