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Detailed new account of the historical emergence and conceptual reach of the sublime both before and after Longinus.
An expert in rhetoric offers a new perspective on the ancient concept of sophistry, exploring why Plato, Isocrates, and Aristotle found it objectionable. In Sophistical Rhetoric in Classical Greece, John Poulakos argues that a proper understanding of sophistical rhetoric requires a grasp of three cultural dynamics of the fifth century B.C.: the logic of circumstances, the ethic of competition, and the aesthetic of exhibition. Traced to such phenomena as everyday practices, athletic contests, and dramatic performances, these dynamics defined the role of sophistical rhetoric in Hellenic culture and explain why sophistry has traditionally been understood as inconsistent, agonistic, and ostentatious. In his discussion of ancient responses to sophistical rhetoric, Poulakos observes that Plato, Isocrates, and Aristotle found sophistry morally reprehensible, politically useless, and theoretically incoherent. At the same time, they produced their own version of rhetoric that advocated ethical integrity, political unification, and theoretical coherence. Poulakos explains that these responses and alternative versions were motivated by a search for solutions to such historical problems as moral uncertainty, political instability, and social disorder. Poulakos concludes that sophistical rhetoric was as necessary in its day as its Platonic, Isocratean, and Aristotelian counterparts were in theirs.
This book argues that narrations of rhetorical performances in late antique literature can be interpreted as a reflection of the ongoing debates of the time. Competition among cultural elites, strategies of self-presentation and the making of religious orthodoxy often took the shape of narrations of rhetorical performances in which comments on the display of oratorical skills also incorporated moral and ethical judgments about the performer. Using texts from late antique authors (in particular, Themistius, Synesius of Cyrene, and Libanius of Antioch), this book proposes that this type of narrative should be understood as a valuable way to decipher the cultural and religious landscape of the fourth century AD. The volume pays particular attention to narrations of deficient rhetorical deliveries, arguing that the accounts of flaws and mistakes in oratorical displays and rhetorical performances reveal how late antique literature echoed the concerns of the time. Criticisms of deficient deliveries in different speaking occasions (declamations, public speeches, oratorical agones, school exercises, sermons) were often disguised as accusations of practising magic, heresy or cultural apostasy. A close reading of the sources shows that these oratorical deficiencies hid struggles over religious, cultural and political issues.
This collection of essays is a Festschrift for Naymond Keathley, honoring his many contributions to Baylor as Associate Dean of the College of Arts and Sciences, as Senior Vice-Provost, as Interim Director of the Center for International Education, as Interim Chair of the Religion Department, as Professor, and as Director of Undergraduate Studies. He also served as president of the Southwest Region of the NABPR and was a long-time member of the Society of Biblical Literature. The authors of the essays include Naymond’s friends, colleagues, and students. All of the essays are (broadly) in biblical studies and biblical reception, including essays exploring the intersection between biblical studies and popular culture. Most of the essays take up various New Testament texts.
Tracing the development of Greek romances from 200 B.C. through twelfth-century Byzantium, Tomas Hägg analyses the content, plot and narrative techniques of the ancient novel, and explores the social and literary milieu in which the genre flourished.