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Taking a theoretical and multidisciplinary perspective, the essays in this collection provide compelling insight into contemporary Cambodian culture at home and abroad. The book represents the first sustained exploration of the relationship between cultural productions and practices, the changing urban landscape and the construction of identity and nation building twenty-five years after the fall of the Khmer Rouge regime. As such, the team of international contributors address the politics of development and conservation, tradition and modernity within the global economy, and transmigratory movements of the twenty-first century. Expressions of Cambodia presents a new dimension to the Cambodian studies by engaging the country in current debates about globalization and the commodification of culture, post-colonial politics and identity constructions. Timely and much-needed, this volume brings Cambodia back into dialogue with its neighbours, and in so doing, valuably contributes to the growing field of Southeast Asian cultural studies.
"Provides English and Cambodian equivalents for more than seven thousand terms, and includes synonyms, style levels, and negatives." Amazon.com viewed 7/9/2020
A stunning, powerful debut novel set against the backdrop of the Cambodian War, perfect for fans of Chris Cleave and Chimamanda Ngozi Adichie For seven-year-old Raami, the shattering end of childhood begins with the footsteps of her father returning home in the early dawn hours bringing details of the civil war that has overwhelmed the streets of Phnom Penh, Cambodia's capital. Soon the family's world of carefully guarded royal privilege is swept up in the chaos of revolution and forced exodus. Over the next four years, as she endures the deaths of family members, starvation, and brutal forced labour, Raami clings to the only remaining vestige of childhood - the mythical legends and poems told to her by her father. In a climate of systematic violence where memory is sickness and justification for execution, Raami fights for her improbable survival. Displaying the author's extraordinary gift for language, In the Shadow of the Banyanis testament to the transcendent power of narrative and a brilliantly wrought tale of human resilience. 'In the Shadow of the Banyanis one of the most extraordinary and beautiful acts of storytelling I have ever encountered' Chris Cleave, author of The Other Hand 'Ratner is a fearless writer, and the novel explores important themes such as power, the relationship between love and guilt, and class. Most remarkably, it depicts the lives of characters forced to live in extreme circumstances, and investigates how that changes them. To read In the Shadow of the Banyan is to be left with a profound sense of being witness to a tragedy of history' Guardian 'This is an extraordinary debut … as beautiful as it is heartbreaking' Mail on Sunday
In her debut collection, Monica Sok uses poetry to reshape a family’s memory about the Khmer Rouge regime—memory that is both real and imagined—according to a child of refugees. Driven by myth-making and fables, the poems examine the inheritance of the genocide and the profound struggles of searing grief and PTSD. Though the landscape of Cambodia is always present, it is the liminal space, the in-betweenness of diaspora, in which younger generations must reconcile their history and create new rituals. A Nail the Evening Hangs On seeks to reclaim the Cambodian narrative with tenderness and an imagination that moves towards wholeness and possibility.
While the United States battled the Communists of North Vietnam in the 1960s and '70s, the neighbouring country of Cambodia was attacked from within by dictator Pol Pot and the Khmer Rouge. The Khmer Rouge imprisoned, enslaved, and murdered the educated and intellectual members of the population, resulting in the harrowing "killing fields"–rice paddies where the harvest yielded nothing but millions of skulls. Young Sichan Siv–a target since he was a university graduate–was told by his mother to run and "never give up hope!" Captured and put to work in a slave labor camp, Siv knew it was only a matter of time before he would be worked to death–or killed. With a daring escape from a logging truck and a desperate run for freedom through the jungle, including falling into a dreaded pungi pit, Siv finally came upon a colorfully dressed farmer who said, "Welcome to Thailand." He spent months teaching English in a refugee camp in Thailand while regaining his strength, eventually Siv was allowed entry into the United States. Upon his arrival in the U.S., Siv kept striving. Eventually rising to become a U.S. ambassador to the United Nations, Siv returned with great trepidation to the killing fields of Cambodia in 1992 as a senior representative of the U.S. government. It was an emotionally overwhelming visit.
A Pulitzer Prize-winning journalist describes how Cambodia emerged from the harrowing years when a quarter of its population perished under the Khmer Rouge. A generation after genocide, Cambodia seemed on the surface to have overcome its history -- the streets of Phnom Penh were paved; skyscrapers dotted the skyline. But under this façe lies a country still haunted by its years of terror. Although the international community tried to rebuild Cambodia and introduce democracy in the 1990s, in the country remained in the grip of a venal government. Pulitzer Prize-winning journalist Joel Brinkley learned that almost a half of Cambodians who lived through the Khmer Rouge era suffered from P.T.S.D. -- and had passed their trauma to the next generation. His extensive close-up reporting in Cambodia's Curse illuminates the country, its people, and the deep historical roots of its modern-day behavior.
How do the people of a morally shattered culture and nation find ways to go on living? Cambodians confronted this challenge following the collective disasters of the American bombing, the civil war, and the Khmer Rouge genocide. The magnitude of violence and human loss, the execution of artists and intellectuals, the erasure of individual and institutional cultural memory all caused great damage to Cambodian arts, culture, and society. Author Boreth Ly explores the “traces” of this haunting past in order to understand how Cambodians at home and in the diasporas deal with trauma on such a vast scale. Ly maintains that the production of visual culture by contemporary Cambodian artists and writers—photographers, filmmakers, court dancers, and poets—embodies traces of trauma, scars leaving an indelible mark on the body and the psyche. Her book considers artists of different generations and family experiences: a Cambodian-American woman whose father sent her as a baby to the United States to be adopted; the Cambodian-French filmmaker, Rithy Panh, himself a survivor of the Khmer Rouge, whose film The Missing Picture was nominated for an Oscar in 2014; a young Cambodian artist born in 1988—part of the “post-memory” generation. The works discussed include a variety of materials and remnants from the historical past: the broken pieces of a shattered clay pot, the scarred landscape of bomb craters, the traditional symbolism of the checkered scarf called krama, as well as the absence of a visual archive. Boreth Ly’s poignant book explores obdurate traces that are fragmented and partial, like the acts of remembering and forgetting. Her interdisciplinary approach, combining art history, visual studies, psychoanalysis, cultural studies, religion, and philosophy, is particularly attuned to the diverse body of material discussed, including photographs, video installations, performance art, poetry, and mixed media. By analyzing these works through the lens of trauma, she shows how expressions of a national trauma can contribute to healing and the reclamation of national identity.
"Angkor, the temple and palace complex of the ancient Khmer capital in Cambodiais one of the world's most famous monuments. Hundreds of thousands oftourists from all over the globe visit Angkor Park, one of the finest UNESCO WorldHeritage Sites, every year. Since its UNESCO listing in 1992, the Angkor regionhas experienced an overwhelming mushrooming of hotels and restaurants; theinfrastructure has been hardly able to cope with the rapid growth of mass tourismand its needs. This applies to the access and use of monument sites as well. The authors of this book critically describe and analyse the heritage nominationprocesses in Cambodia, especially in the case of Angkor and the temple ofPreah Vihear on the Cambodian/Thai border. They examine the implications theUNESCO listings have had with regard to the management of Angkor Park andits inhabitants on the one hand, and to the Cambodian/Thai relationships on theother. Furthermore, they address issues of development through tourism thatUNESCO has recognised as a welcome side-effect of heritage listings. They raisethe question whether development through tourism deepens already existinginequalities rather than contributing to the promotion of the poor"--Publisher's description.
This book narrates the establishment of a cultural project in post-war Cambodia. It depicts a country at the crossroads of conflicting imaginaries, and shows, through the Centre for Khmer Studies’ story, how the neoliberal agenda of ‘northern’ academic institutions effectively constrain alternative ‘southern’ visions of development.
“Lightman’s best book since Einstein’s Dreams . . . a piercing story of social dissolution in damaged Cambodia . . . an important story of global women’s rights.” —Annie Proulx The stories of one Cambodian family are intricately braided together in Alan Lightman’s first work of fiction in seven years. Three Flames portrays the struggles of a Cambodian farming family against the extreme patriarchal attitudes of their society and a cruel and dictatorial father, set in a rural community that is slowly being exposed to the modern world and its values. Ryna is a mother fighting against memories of her father’s death at the hands of the Khmer Rouge and her powerful desire for revenge. Daughter Nita is married off at sixteen to a wandering husband, while her sister Thida is sent to the city to work in the factories to settle their father’s gambling debt. Kamal, the only son, dreams of marrying the most beautiful girl in the village and escaping the life of a farmer. Yet it will be up to Sreypov, the youngest, to bravely challenge her father and strive for a better future. Three Flames is a vivid story of one family's yearning for freedom and of a young girl's courage to face down tradition. “Lyrical and poignant, Three Flames weaves the stories of three generations of a poor, Cambodian farming family as they struggle to survive and hold on to their humanity . . . Beautifully written and told with great compassion, Alan Lightman's novel gives readers a family that is rich in stories, history, and heart, proving in the end that love shines even in the midst of great darkness.” —Loung Ung, author of First They Killed My Father