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A riveting first-hand account of a physician who's suddenly a dying patient, In Shock "searches for a glimmer of hope in life’s darkest moments, and finds it.” —The Washington Post Dr. Rana Awdish never imagined that an emergency trip to the hospital would result in hemorrhaging nearly all of her blood volume and losing her unborn first child. But after her first visit, Dr. Awdish spent months fighting for her life, enduring consecutive major surgeries and experiencing multiple overlapping organ failures. At each step of the recovery process, Awdish was faced with something even more unexpected: repeated cavalier behavior from her fellow physicians—indifference following human loss, disregard for anguish and suffering, and an exacting emotional distance. Hauntingly perceptive and beautifully written, In Shock allows the reader to transform alongside Awidsh and watch what she discovers in our carefully-cultivated, yet often misguided, standard of care. Awdish comes to understand the fatal flaws in her profession and in her own past actions as a physician while achieving, through unflinching presence, a crystalline vision of a new and better possibility for us all. As Dr. Awdish finds herself up against the same self-protective partitions she was trained to construct as a medical student and physician, she artfully illuminates the dysfunction of disconnection. Shatteringly personal, and yet wholly universal, she offers a brave road map for anyone navigating illness while presenting physicians with a new paradigm and rationale for embracing the emotional bond between doctor and patient.
**SHORTLISTED FOR THE STAUNCH BOOK PRIZE 2020** A triumphant blend of horror, suspense and pitch-black comedy, from the Booker-shortlisted author of Eileen and My Year of Rest and Relaxation While on her daily walk with her dog in the nearby woods, our protagonist comes across a note, handwritten and carefully pinned to the ground with stones. Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body. Shaky even on her best days, she is also alone, and new to this area, having moved here from her long-time home after the death of her husband, and now deeply alarmed. Her brooding about the note grows quickly into a full-blown obsession, as she explores multiple theories about who Magda was and how she met her fate. Her suppositions begin to find echoes in the real world, and the fog of mystery starts to form into a concrete and menacing shape. But is there either a more innocent explanation for all this, or a much more sinister one - one that strikes closer to home? In this razor-sharp, chilling, and darkly hilarious novel, we must decide whether the stories we tell ourselves guide us closer to the truth or keep us further from it. **AN EVENING STANDARD BEST BOOK TO LOOK FORWARD TO IN 2020**
A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.
Discusses the types of biological warfare experiments conducted by the Japanese during World War II and the scientists who worked on them, and examines the deal made with the U.S. government in exchange for results of those tests
At the creation of the world, God gave mankind the responsibility to exercise dominion over the earth. Man was to use the earth and its abundance of resources to satisfy his physical needs, but he was also to care for the earth and its creatures as a wise and godly steward. Reading about endangered species or another oil spill will make it abundantly clear that the human race has failed miserably in its God-given mandate. How did we get to this point? Where should we go from here? This classic by Francis Schaeffer, now repackaged, looks at contemporary ecological crises through the lens of theology and Scripture. Renowned for his work in applied philosophy and theology, Schaeffer answers serious philosophical questions about creation and ecology. He concludes that we must return to a profoundly and radically biblical understanding of God’s relationship to the earth, and of our divine mandate to exercise godly dominion over it. Repackaged and republished, Pollution and the Death of Man carries an important and relevant message for our day. With concluding chapter by Udo Middelmann.
In this introduction to philosophy of biology, Kim Sterelny and Paul E. Griffiths present both the science and the philosophical context necessary for a critical understanding of the debates shaping biology at the end of the 20th century.
"Ann Humphry's suicide in 1991 made headlines worldwide. One of the reasons her death was so compelling was her allegation, in her suicide note, that she was driven to kill herself by her husband, Derek Humphry, Co-founder of the Hemlock Society and author of the number-one best-seller Final Exit." "In Deadly Compassion Rita Marker relates the explosive details of this tragic death and the dark side of the euthanasia movement. Combining the shocking, true-life story of Ann's despair and suicide with compelling arguments against ever allowing the legalization of euthanasia, Rita Marker has written a book that is disturbing, moving, and thoroughly convincing." "Rita Marker tells Ann's account of her life with Derek Humphry: from their happy times together co-founding the Hemlock Society to his leaving her after she was diagnosed with cancer. Here is the story of Ann's terrible guilt after she and Derek helped her parents kill themselves - with Ann smothering her mother to death with a laundry bag when the pills didn't work - and her belief that Derek would allow her no grief and no remorse. And here too, is the story of a remarkable friendship. When Ann felt alone and abandoned, she turned to Rita Marker - having known Rita only as her most vocal opponent on the subject of legalizing euthanasia." "In Deadly Compassion, Rita Marker also explores all of the issues surrounding euthanasia - and some of the most famous right-to-die cases. She discusses in depth the career of Jack Kevorkian, who has written articles advocating medical experiments on death-row prisoners - while they are still alive. And she explains the ramifications of euthanasia in a country without adequate health insurance, like America, where people who really want to live might choose death rather than bankrupt their families." "Deadly Compassion is essential reading for anyone who has misgivings about giving doctors the right to kill. It is also the story of the senseless death of a sensitive woman who discovered that her life's work was a dreadful mistake - and who believed that the man she loved wanted her dead."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A new novel in the #1 New York Times bestselling series: Lt. Eve Dallas must separate rumors from reality when a woman who traffics in other people’s secrets is silenced. The chic Manhattan nightspot Du Vin is not the kind of place Eve Dallas would usually patronize, and it’s not the kind of bar where a lot of blood gets spilled. But that’s exactly what happens one cold February evening. The mortally wounded woman is Larinda Mars, a self-described “social information reporter,” or as most people would call it, a professional gossip. As it turns out, she was keeping the most shocking stories quiet, for profitable use in her side business as a blackmailer. Setting her sights on rich, prominent marks, she’d find out what they most wanted to keep hidden and then bleed them dry. Now someone’s done the same to her, literally—with a knife to the brachial artery. Eve didn’t like Larinda Mars. But she likes murder even less. To find justice for this victim, she’ll have to plunge into the dirty little secrets of all the people Larinda Mars victimized herself. But along the way, she may be exposed to some information she really didn’t want to know...
Death and the American South is an edited collection of twelve never-before-published essays, featuring leading senior scholars as well as influential up-and-coming historians. The contributors use a variety of methodological approaches for their research and explore different parts of the South and varying themes in history.