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Expertise in Jazz Guitar Improvisation is an examination of musical interplay and the ways implicit (sub-conscious) and explicit (conscious) knowledge appear during improvisation. The practice-based research inquiry includes: interviews and interplay with five world-class jazz guitarists, Lage Lund, Jack Wilkins, Ben Monder, Rez Abbasi and Adam Rogers; a modal matrix for analyzing structure, time and form in jazz guitar improvisation, and musical analysis based on cognitive theories. By explaining the cognitive and musical foundations for expertise in jazz guitar improvisation, this book illuminates how jazz guitarists' strategies are crucially dependent on context, style and type of interplay. With accompanying video provided as an e-resource, this material will be of interest to anyone fascinated by Jazz and Psychology of Music.
Written for the intermediate to advanced jazz guitarist, this book assumes an adequate knowledge of chord scales and jazz theory. The topics include playing modally, chord substitutions, Coltrane substitutions, diminished and melodic minor scales as well as dealing with pentatonics. Companion audio download available online
Expand the boundaries of your knowledge and improvisation skills with this exciting book, which picks up where the improv lessons in Intermediate Jazz Guitar leave off. Topics include improvising over altered dominant chords, the diminished scale, the whole-tone scale, targeting the altered chords, revamping licks, modes of the minor scales and more! Loaded with easy-to-read scale diagrams and example phrases, this book is packed with essential information for the improvising jazz guitarist. All music is shown in standard notation and TAB.
A guitar player's guide to music theory. This book is a complete theory course with recorded examples that put everything in an applicable, musical context. The recording includes all the musical examples and play-along tracks.
This book/CD is a treasure-trove of improvisational techniques. Twenty-nine techniques are covered including: arpeggios, targeting, chromaticism, side-slipping, negative tonal space, poly-rhythms, resolution, melodic expansion and more. Anyone interested in the art of jazz improvisation, regardless of ability, will find this book indispensable. Jay guarantees something for everyone. All examples are presented in standard notation and tablature. Companion CD includes all examples.
In this book, Jody Fisher, author of the best-selling Complete Jazz Guitar Method, helps guitarists with their most common problems. Jazz Skills clarifies everything from understanding altered chords to spelling out changes in solos and developing a better technique. A great supplement for any serious guitarist's studies, this easy-to-use book will fill the gaps for even the most experienced player.
(Berklee Guide). Learn the essential tools and skills for playing jazz guitar. This practical guidebook will help you master the theory, technique, and conceptual framework for how to play jazz: comping chords, soloing, and playing with expression, facility, and good hand health. The accompanying audio tracks provide demonstrations of key technical concepts with play-along tracks to help you develop phrasing and location concepts on the fingerboard. It also provides examples to train your ear with call-and-response exercises similar to what you might be asked to perform at an audition or jury. A unique section on audition preparation for colleges and professional music programs, with an extended interview with Berklee College of Music's director of admissions, will help you advance in your career.
Develop your jazz skills. Covers: three-octave diatonic scale patterns; triads and triad pairs; guide tones and non-chordal tones; common jazz phrases; and harmonized fourths.
Improvisation for Classical, Fingerstyle, and Jazz Guitar - Creative Strategies, Technique and Theory: Is the product of over twenty five years experience as a professional musician and guitar tutor. Contains more than sixty exercises, in both standard notation and guitar tablature, ranging from simple, clear examples of the topics under discussion, to longer more complex sections of music that illustrate how these ideas can be developed. Suggests new techniques, and strategies, offering guitarists practical ideas for solo or group performance, recording, music exams, and expanding musical horizons. Demonstrates how to use improvisation as a universal way of making music, enabling Classical, Fingerstyle, and Jazz players to learn the essential skills to create sophisticated and rewarding improvised pieces. Places theory and practice in a much broader context, by including discussions on the historical development of improvisation, along with supplementary information on a wide range of inter-related literature and listening. Contains an extensive appendix showing how to adapt and apply the CAGED system, demonstrating how its five basic patterns can be transformed into hundreds of interlocking modes, scales, arpeggios and chords. www.paulcostelloguitar.co.uk www.facebook.com/pages/Paul-Costello-Guitar/328473160531215
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