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"This book encourages readers to think creatively about buildings in terms of their function and how these functions have changed over time in American history. The work presents material culture as lived experience and is designed to expand the encounter with material culture to look beyond house styles to how various household spaces (kitchens, living rooms, bedrooms, etc.) have been seen and felt in American life. This volume is the third in a series, Vernacular Architecture Studies, focused on introductory texts on aspects of material culture, often aimed at non-specialists"--
A well-illustrated, holistic overview of how American domestic spaces have changed over four hundred years, Experiencing American Houses encourages readers to think creatively about houses in terms of their function as opposed to their appearance. This captivating volume helps the reader step into the lived experience of the evolving American house: understanding, for example, why a nineteenth-century dining room might include a bed or why the kitchen as we know it did not evolve until the turn of the twentieth century. By carrying her study from the colonial period to the present, Elizabeth Collins Cromley makes the domestic spaces of the past feel like vital precursors to today's experience. Beginning with cooking spaces, Cromley examines how multi-use areas consolidated into dedicated rooms for cooking, from fires on an earthen floor to sleek modern spaces with twenty first-century appliances. Next, the author looks at ways social class, income, and local custom framed which kinds of spaces became suitable for socializing and entertaining, and what they should be called: sitting room, drawing room, hall, living room, family room, or parlor. Distinct from cooking spaces, Cromley discusses eating spaces, which morphed from multi-use areas to separate dining rooms and back again. The author covers spaces for sleeping, health, and privacy, as well as circulation--the ways that we move through a house--analyzing the functions of such little-studied features as hallways, back doors, and staircases. Finally, Cromley takes on the evolution of storage, which began mainly because of the need to store and preserve food. Clothing closets grew from oddly shaped afterthoughts to generous walk-ins, while increases in material wealth led to the need for storage outbuildings. This accessible volume, informed by up-to-date scholarship in vernacular architecture and disciplines far beyond it, provides students and readers necessary context to understand the development of the historic and contemporary houses they encounter.
"Hubka argues that even "vernacular architecture" scholars tend to embrace a model for understanding home forms that relies on iconic architects and theories about how ideas proceed downward from aesthetic ideals to home construction, even though this model fails to adequately characterize the vast majority actual homes that people live in, particularly in recent times after the widespread growth of suburban America. This controversial book proposes new ways to categorize houses"--
« Invitation to Vernacular Architecture: A Guide to the Study of Ordinary Buildings and Landscapes is a manual for exploring and interpreting vernacular architecture, the common buildings of particular regions and time periods. Thomas Carter and Elizabeth Collins Cromley provide a comprehensive introduction to the field. » « Rich with illustrations and written in a clear and jargon-free style, Invitation to Vernacular Architecture is an ideal text for courses in architecture, material culture studies, historic preservation, American studies, and history, and a useful guide for anyone interested in the built environment. »--
Detailed, accurate illustrations of 43 homes in wide range of styles: Mark Twain House, House of the Seven Gables, Nathan Hale Homestead, Robert Frost Place, The Breakers, many more. Informative captions.
Winner of the 2014 John Collier Jr. Award Winner of the Jo Anne Stolaroff Cotsen Prize Life at Home in the Twenty-First Century cross-cuts the ranks of important books on social history, consumerism, contemporary culture, the meaning of material culture, domestic architecture, and household ethnoarchaeology. It is a distant cousin of Material World and Hungry Planet in content and style, but represents a blend of rigorous science and photography that these books can claim. Using archaeological approaches to human material culture, this volume offers unprecedented access to the middle-class American home through the kaleidoscopic lens of no-limits photography and many kinds of never-before acquired data about how people actually live their lives at home. Based on a rigorous, nine-year project at UCLA, this book has appeal not only to scientists but also to all people who share intense curiosity about what goes on at home in their neighborhoods. Many who read the book will see their own lives mirrored in these pages and can reflect on how other people cope with their mountains of possessions and other daily challenges. Readers abroad will be equally fascinated by the contrasts between their own kinds of materialism and the typical American experience. The book will interest a range of designers, builders, and architects as well as scholars and students who research various facets of U.S. and global consumerism, cultural history, and economic history.
Houses in Motion: The Experience of Place and the Problem of Belief in Urban Malaysia is about the transformation of urban space and the reordering of the demographic character of Brickfields, one of the oldest neighborhoods in Kuala Lumpur. Baxstrom offers an ethnographic account of the complex attempts on the part of the state and the community to reconcile techno-rational conceptions of law, development, and city planning with local experiences of place, justice, relatedness, and possibilities for belief in an aggressively changing world. The book combines classic methods of anthropological research and an engagement with the work of theorists such as Gilles Deleuze and Henri Lefebvre, and moves beyond previous studies of Southeast Asian cities by linking larger conceptual issues of ethics, belief, and experience to the concrete trajectories of everyday urban life in the region.
A classic examination of superb design through the centuries. Widely regarded as a classic in the field, Experiencing Architecture explores the history and promise of good design. Generously illustrated with historical examples of designing excellence—ranging from teacups, riding boots, and golf balls to the villas of Palladio and the fish-feeding pavilion of Beijing's Winter Palace—Rasmussen's accessible guide invites us to appreciate architecture not only as a profession, but as an art that shapes everyday experience. In the past, Rasmussen argues, architecture was not just an individual pursuit, but a community undertaking. Dwellings were built with a natural feeling for place, materials and use, resulting in “a remarkably suitable comeliness.” While we cannot return to a former age, Rasmussen notes, we can still design spaces that are beautiful and useful by seeking to understand architecture as an art form that must be experienced. An understanding of good design comes not only from one's professional experience of architecture as an abstract, individual pursuit, but also from one's shared, everyday experience of architecture in real time—its particular use of light, color, shape, scale, texture, rhythm and sound. Experiencing Architecture reminds us of what good architectural design has accomplished over time, what it can accomplish still, and why it is worth pursuing. Wide-ranging and approachable, it is for anyone who has ever wondered “what instrument the architect plays on.”
A thought-provoking tour of the eighteenth-century houses belonging to some of America's most important early leaders looks inside the domestic world of the Founding Fathers to chronicle the private lives, families, culture, interests, and aspirations of Jefferson, Washington, Adams, Hamilton, and others in each of the original thirteen colonies.
What goes into a home? For Karim Rashid, the dynamic young product and interior design guru, a living room is accented with a combustible mixture of hot pinks and iridescent orange. The Connecticut home of David Easton, one of the reigning kings of traditional design, features a vast central space overlooking a classically proportioned garden. Holly Hunt, the hip young West Coast designer, has married an American sensibility with French country charm in her Parisian apartment. All of these homes are distinctive, and all show remarkable taste, which is hardly surprising given that their owners have the sharpest eyes in the Western Hemisphere. The 20 designers featured in American Designers' Houses" consider their homes part laboratory, part showroom, and entirely personal. In interviews that are akin to guided tours, the designers point out favorite objects, reminisce about their work and clients, and share design tips. By focusing on interior designers' own homes, this fascinating book captures their style in its purest and most personal expression, uncompromised by clients' demands, and will encourage readers to develop their own unique decorating style.