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Therapist Dr. Pahnee, hired by young Miller Le Ray's mother, finds his own reality unraveling as he tries to deal with a patient dedicated to telling the truth who is unable to distinguish between fact and fiction, while grappling with his own growing attraction to the boy's mother.
This fictional memoir, the first of an autobiographical trilogy, traces a self professed failure's nightmarish decent into the underside of American life and his resurrection to the wisdom that emerges from despair.
There is nothing more devastating than the death of a loved one. And whether it comes suddenly and unexpectedly, or at the end of a long and painful illness, every death is experienced anew, a shocking loss that takes our breath away and leaves us disoriented and lost. Grief is mysterious, misunderstood, and experienced differently from individual to individual, yet there are certain universal elements. In this compassionate epistolary handbook on grief, a pastor offers comfort and understanding to a man suffering a profound loss, showing grief as a healthy process that God can use to mend broken hearts. Revised and updated, this twentieth-anniversary edition features prayers and scripture meditation, as well as a new introduction and epilogue. Simple, profound, personal, compassionate … When You Lose Someone You Love tenderly walks the grief-stricken through sorrow to peace and, eventually, renewed joy.
Frederick Exley was at once unique and prototypical. He inhabited his own bizarre universe and obeyed no rules except his own, yet he was a familiar and characteristic American literary type: an author whose reputation rests on a single book. His life, which he described, and disguised, and distorted in all three of his books, rivaled his "fiction. Everything he did involved a struggle, and the most important struggle of his life was his writing; out of that strife came A Fan's Notes, which Jonathan Yardley believes is one of the best books of our time. Exley was an alcoholic who drank in copious amounts, yet he always sobered up when he was ready to write. In his younger days he did time in a couple of mental institutions, which imposed involuntary discipline on him and helped him start to write. He was personally and financially irresponsible--he had no credit cards, no permanent address, and ambiguous relationships with everyone he knew--yet people loved him and took care of him. The center of Fred's strange world was Watertown in upstate New York, where he was born and grew up. Other important points of his compass included various places in Florida and Hawaii, and a funky bar in New York's Greenwich Village called the Lion's Head. No matter where he was, in the dark of night he phoned friends and subjected them to interminable monologues. To many, these were a nuisance and an imposition, but later, in the light of day, they were remembered with affection and gratitude. In Misfit, the Pulitzer Prize-winning book critic of The Washington Post portrays in full one of the most tormented, distinctive, and talented writers of the postwar years. Exley's story, which inYardley's telling reads as if it were a novel, reveals a singular personality: raunchy, vulgar, self-centered, and even infantile, yet also loyal, self-deprecating, and unfailingly humorous. Sympathetic and affectionate, honest and unsparing, Yardley's portrait gives us a man who sacrificed everything in order to write and who becomes, even more than before, his own most memorable creation.
Lessons from the groundbreaking grassroots campaign that helped launch a new political revolution Rules for Revolutionaries is a bold challenge to the political establishment and the “rules” that govern campaign strategy. It tells the story of a breakthrough experiment conducted on the fringes of the Bernie Sanders presidential campaign: A technology-driven team empowered volunteers to build and manage the infrastructure to make seventy-five million calls, launch eight million text messages, and hold more than one-hundred thousand public meetings—in an effort to put Bernie Sanders’s insurgent campaign over the top. Bond and Exley, digital iconoclasts who have been reshaping the way politics is practiced in America for two decades, have identified twenty-two rules of “Big Organizing” that can be used to drive social change movements of any kind. And they tell the inside story of one of the most amazing grassroots political campaigns ever run. Fast-paced, provocative, and profound, Rules for Revolutionaries stands as a liberating challenge to the low expectations and small thinking that dominates too many advocacy, non-profit, and campaigning organizations—and points the way forward to a future where political revolution is truly possible.
For young Miller Le Ray, life has become a search. A search for his dad, who may or may not have joined the army and gone to Iraq. A search for a notorious (and, unfortunately, deceased) writer, Frederick Exley, author of the “fictional memoir” A Fan’s Notes, who may hold the key to bringing Miller’s father back. But most of all, his is a search for truth. As Miller says, “Sometimes you have to tell the truth about some of the stuff you’ve done so that people will believe you when you tell them the truth about other stuff you haven’t done.” In Exley as in his previous bestselling novel, An Arsonist’s Guide to Writers’ Homes in New England, Brock Clarke takes his reader into a world that is both familiar and disorienting, thought-provoking and thoroughly entertaining. Told by Miller and Dr. Pahnee, both unreliable narrators, it becomes an exploration of the difference between what we believe to be real and what is in fact real.
The death of Edmund Wilson precipitates an odyssey through the distorted literary landscape of America in search of Wilson's essence as the pre-eminent man of letters and the author's own creative wellsprings
Offers quotes on personal principles - consumerism, crime, dishonesty, and confused beliefs. This book contains quotes that will help us bring integrity, kindness, fairness and courage into our workplace, our family, and our personal lives.
"Of his generation's metafictioneers, Fred Exley has created the richest and most American body of work .... LAST NOTES tells tales about corruption, confession, and the often terrible beauty of the bonds of love." - VILLAGE VOICE Frederick Exley, the splenetic and prodigiously self-destructive narrator and protagonist of A FAN'S NOTES and PAGES FROM A COLD ISLAND, is alive, if not exactly well. In this exhilarating, scalding new novel, Ex recounts his death watch for his older brother, his imprisonment by a nightmarish Irishman, and his sexual enthrallment to a beautiful flight attendant whose lies are even more inventive than his own. Searching compulsively for love and inevitably betraying it, lashing out at the country in which he is perpetually an alien, Exley remains one of the most riveting characters- and mesmerizing writers - in contemporary American fiction. "[Exley] can weave a number of seemingly unrelated incidents into a single, allusive narrative leading to an unexpected, usually prickly epiphany. His books seem like the loquacious meanderings of one of the more literary and entertainingly cynical, if often terrifyingly frank, guys one might meet in a neighborhood bar.... They reveal themselves as structurally complex, thoroughly imagined, consummate works of art." -BOSTON GLOBE