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In Exiles in a Global City, Clare Carroll explores Irish migrants’ experiences in early modern Rome (1609-1783) and interprets representations of their cultural identities in relation to their interaction with world-wide Spanish and Roman institutions. This study focuses on some sources in Roman archives not previously considered by Irish historians. The book examines a wide array of cultural productions—Ó Cianáin’s account of O’Neill’s progress from Ireland to Rome, Luke Wadding’s history of the Franciscan order, the portraits at S. Isidoro, the first printed Irish grammar, the letters of Oliver Plunkett, the records of a hospice for converts, Charles Wogan’s memoir, and reports on the national college—for how they transformed emerging senses of an Irish nation.
Exiles in a Global City explores how early modern Irish migrants in Rome represented their cultural identities in relation to world-wide Spanish and Roman institutions and focuses on some sources not previously considered by Irish historians.
In the lightning-paced sequel to The Icon Thief, Europe’s turbulent past and terrifying future are set to collide in the streets and prisons of London—and beyond. Rachel Wolfe, a gifted FBI agent assigned to a major investigation overseas, discovers that a notorious gun runner has been murdered at his home in London, his body set on fire. When a second victim is found under identical circumstances, the ensuing chase plunges Wolfe and her colleagues into a breathless race across Europe, a secret war between two ruthless intelligence factions, and a hunt for a remorseless killer with a deadly appointment in Helsinki. At the heart of the mystery lies one of the strangest unsolved incidents in the history of Russia—the unexplained death of nine mountaineers in the Dyatlov Pass five decades before. And at the center of it all stands a figure from Wolfe’s own past, the Russian thief and former assassin known in another life as the Scythian…
Berlin: no man's land, frontier, a city adrift in the sands of Central Europe. Destroyed, divided and held captive during a century of chaos and upheaval, borderless Berlin has yet remained a city where drifters, dreamers and outsiders can find a place--and finally run free. In City of Exiles, Stuart Braun evokes the restless spirits that have come and gone from Berlin across the last century, the itinerants who are the source of the Berliner Luft, the special free air that infuses this beguiling metropolis.
Certain cities—most famously New York, London, and Tokyo—have been identified as “global cities,” whose function in the world economy transcends national borders. Without the same fanfare, formerly peripheral and secondary cities have been growing in importance, emerging as global cities in their own right. The striking similarity of the skylines of Dubai, Miami, and Singapore is no coincidence: despite following different historical paths, all three have achieved newfound prominence through parallel trends. In this groundbreaking book, Alejandro Portes and Ariel C. Armony demonstrate how the rapid and unexpected rise of these three cities recasts global urban studies. They identify the constellation of factors that allow certain urban places to become “emerging global cities”—centers of commerce, finance, art, and culture for entire regions. The book traces the transformations of Dubai, Miami, and Singapore, identifying key features common to these emerging global cities. It contrasts them with “global hopefuls,” cities that, at one point or another, aspired to become global, and analyzes how Hong Kong is threatened with the loss of this status. Portes and Armony highlight the importance of climate change to the prospects of emerging global cities, showing how the same economic system that propelled their rise now imperils their future. Emerging Global Cities provides a powerful new framework for understanding the role of peripheral cities in the world economy and how they compete for and sometimes achieve global standing.
The Routledge Handbook of Spanish in the Global City brings together contributions from an international team of scholars of language in society to offer a conceptual and empirical perspective on Spanish within the context of 15 major cosmopolitan cities from around the world. With a unique focus on Spanish as an international language, each chapter questions the traditional and modern notions of language, place, and identity in the urban context of globalization. This collection of new perspectives on the sociology of Spanish provides an insightful and invaluable resource for students and researchers seeking to explore lesser-known areas of sociolinguistic research.
Based on the structured analysis of selected North American novels, this work examines global cities as a literary phenomenon (»DiverCity«). By analyzing Dionne Brand's Toronto, »What We All Long For« (2005), Chang-rae Lee's New York, »Native Speaker« (1995), and Karen Tei Yamashita's Los Angeles, »Tropic of Orange« (1997), Melanie U. Pooch provides the connecting link for exploring the triad of globalization and its effects, global cities as cultural nodal points, and cultural diversity in a globalizing age as a literary phenomenon. Thus, she contributes to a global, interdisciplinary, and multi-perspectival understanding of literature, culture, and society.
This book focuses on the political exile of Catholic Christian Democrats during the global twentieth century, from the end of the First World War to the end of the Cold War. Transcending the common national approach, the present volume puts transnational perspectives at center stage and in doing so aspires to be a genuinely global and longitudinal study. Political Exile in the Global Twentieth Century includes chapters on continental European exile in the United Kingdom and North America through 1945; on Spanish exile following the Civil War (1936–39), throughout the Franco dictatorship; on East-Central European exile from the defeat of Nazi Germany and the establishment of Communist rule (1944–48) through the end of the Cold War; and Latin American exile following the 1973 Chilean coup. Encompassing Europe (both East and West), Latin America, and the United States, Political Exile in the Global Twentieth Century places the diasporas of twentieth-century Christian Democracy within broader, global debates on political exile and migration.
Many Christians in the West sense that traditional Christian teaching is losing traction in the public square. What does faithful Christian witness look like in a post-Christian culture? Paul Williams, the CEO of one of the world's largest and oldest Bible societies, interprets the dissonance Christians often experience while trying to live out their faith in the 21st century. He provides constructive tools to help readers understand culture in myriad contexts and offer a missional response. Williams calls for a truly missional understanding of post-Christendom Christianity whereby local churches are reimagined as embassies of the kingdom of God and Christians serve as ambassadors in all spheres of life and work. This book invites readers to embrace the language of exile and imagine a hopeful mission of the scattered and gathered church in the post-Christian West. It shows a clear pathway for fruitful missional engagement for the whole people of God, helping Christians make sense of the world in which they live, more authentically integrate faith with everyday life, and orient all of their efforts within God's missional purpose for the world.
Hou Hanru is undoubtedly one of the most dynamic and innovative curators and critics on the contemporary art scene today. Known for such ground-breaking exhibitions as Cities on the Move (co-curated with Hans Ulrich Obrist), Out of the Center, Parisien(ne)s and the Kwangju Biennial in Korea, his work addresses questions of globalization and identity, understanding contemporary art practice as it exists beyond geographical and regional boundaries. This dense, excellent collection of his writings and interviews is divided into four sections: "From China to the International," " From 'Exile' to the Global," "Global Cities and Art," and "Interviews, Dialogues, Conversations."