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When a frightened girl and boy arrive on the Twiss family's doorstep to escape the Blitz, Charlotte wonders how she will keep her war guests from missing their parents back home, or from cowering every time a plane flies overhead. Though the war is being waged across the Atlantic, Charlotte begins to feel its danger, as her brother George defies their parents and enlists in the Navy. After months of receiving letters from overseas, suddenly there is no word from him -- has the unthinkable happened and George's ship been sunk by a German submarine? Charlotte Twiss's diary shows her innermost feelings about her life on the Canadian homefront, as she helps her war guests "settle in" and wonders whether her brother is safe from harm.
The onset of the Cold War in the 1940s and 1950s precipitated the exile of many U.S. writers, artists, and filmmakers to Mexico. Rebecca M. Schreiber illuminates the work of these cultural exiles in Mexico City and Cuernavaca and reveals how their artistic collaborations formed a vital and effective culture of resistance.
At the height of the Cold War in the 1950s, the United States government unleashed covert operations intended to weaken the Soviet Union. As part of these efforts, the CIA committed to supporting Russian exiles, populations uprooted either during World War Two or by the Russian Revolution decades before. No one seemed better prepared to fight in the American secret war against communism than the uprooted Russians, whom the CIA directed to carry out propaganda, espionage, and subversion operations from their home base in West Germany. Yet the American engagement of Russian exiles had unpredictable outcomes. Drawing on recently declassified and previously untapped sources, Cold War Exiles and the CIA examines how the CIA's Russian operations became entangled with the internal struggles of Russia abroad and also the espionage wars of the superpowers in divided Germany. What resulted was a transnational political sphere involving different groups of Russian exiles, American and German anti-communists, and spies operating on both sides of the Iron Curtain. Inadvertently, CIA's patronage of Russian exiles forged a complex sub-front in the wider Cold War, demonstrating the ways in which the hostilities of the Cold War played out in ancillary conflicts involving proxies and non-state actors.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER This groundbreaking book offers the first global history of the loyalist exodus to Canada, the Caribbean, Sierra Leone, India, and beyond. At the end of the American Revolution, sixty thousand Americans loyal to the British cause fled the United States and became refugees throughout the British Empire. Liberty’s Exiles tells their story. This surprising new account of the founding of the United States and the shaping of the post-revolutionary world traces extraordinary journeys like the one of Elizabeth Johnston, a young mother from Georgia, who led her growing family to Britain, Jamaica, and Canada, questing for a home; black loyalists such as David George, who escaped from slavery in Virginia and went on to found Baptist congregations in Nova Scotia and Sierra Leone; and Mohawk Indian leader Joseph Brant, who tried to find autonomy for his people in Ontario. Ambitious, original, and personality-filled, this book is at once an intimate narrative history and a provocative analysis that changes how we see the revolution’s “losers” and their legacies.
Twelve original holiday stories from the top children's writers in the country! What an incredible gift book for Dear Canada fans! The twelve stories in this treasury are set around Christmas time and feature the young girls from a dozen previous Dear Canada books. Readers will be thrilled to reconnect with their favourites and get a glimpse of each character's life a year or so after the events in the actual diary are over. Anyone new to the Dear Canada series will be introduced to characters so compelling, they'll want to read more.
"Originally published in Great Britain by Persephone Books"--Title page verso.
Exile and Identity focuses on the experiences of hundreds of thousands of Polish women forcibly transported deep into the USSR as prisoners or "special settlers" after the Soviet invasion and annexation of eastern Poland in 1939. Using firsthand accounts ranging from the briefly factual to the intensely personal, Katherine R. Jolluck reconstructs the daily lives and attitudes of Polish women based on reports collected upon their amnesty and evacuation from the USSR. These moving stories provide a clear and detailed picture of the conditions in which these women were forced to live, and examine how those victimized interpreted and coped with their daily traumas.
Rebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood émigrés directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (1955, Jules Dassin, director) to international blockbusters like The Bridge on the River Kwai (1957, Carl Foreman and Michael Wilson, screenwriters) and acclaimed art films like The Servant (1963, Joseph Losey, director). At once a lively portrait of a lesser-known American “lost generation” and an examination of an important transitional moment in European cinema, the book offers a compelling argument for the significance of the blacklisted émigrés to our understanding of postwar American and European cinema and Cold War relations. Prime provides detailed accounts of the production and reception of their European films that clarify the ambivalence with which Hollywood was regarded within postwar European culture. Drawing upon extensive archival research, including previously classified material, Hollywood Exiles in Europe suggests the need to rethink our understanding of the Hollywood blacklist as a purely domestic phenomenon. By shedding new light on European cinema’s changing relationship with Hollywood, the book illuminates the postwar shift from national to transnational cinema.
During World War 2, London was transformed into a European city, as it unexpectedly became a place of refuge for many thousands of European citizens seeking refuge from military campaigns on the Continent of Europe.
At the height of the Cold War, as part of an effort to weaken the Soviet Union, the United States government recruited Russian exiles in the hope that they would be a powerful weapon in the American secret war. The CIA directed these uprooted citizens to carry out propaganda, espionage, and subversion operations, but with unpredictable outcomes.