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"Utilizing fresh documents from archives opened after the collapse of the Soviet Union, as well as British and Zionist sources, the authors examine the means by which internal power struggles and personal interventions in the uppermost echelons of the Soviet leadership enabled the Zionists to disseminate their message and recruit thousands of members before the massive arrests of the mid-1920s. They further reveal the extent to which personal contacts between Zionists and Soviet officials were vital in initiating and sustaining the phenomenon of exile to Palestine and assess the crucial role of Anglo-Soviet cooperation in facilitating the immigration of Zionist convicts." "A selection of twenty-two translated and annotated documents from Israeli and Russian archival collections is included. This book will be of great interest to all students of Jewish and Israeli history, Russian and Soviet studies and the history of British rule in Palestine."--BOOK JACKET.
Edward Said was an exiled individual – the 'out of place' Palestinian in the USA. He saw the consequences of the 1948 dismantling of Palestine and the establishment of Israel through his parents' experiences and through the collective statelessness imposed on the Palestinians. His own personal experience of exile intensified when he moved to the USA. Yet despite the significance of exile to Said's lifeand work, no scholarship has yet focused on this theme in his writings or traced its ongoing applicability and importance. Rehnuma Sazzad fulfils this pressing need in literary and cultural research by providing the first comprehensive definition of Said's theory of exile and reveals its legacy in relation to five Middle Eastern intellectuals: Naguib Mahfouz, Mahmoud Darwish, Leila Ahmed, Nawal El Saadawi and Youssef Chahine. By selecting a novelist, poet, feminist, filmmaker and essayist, Sazzad shows how, for Said, the ideal intellectual is a metaphorical exile, demonstrating a willing homelessness. This book creates a portrait of redoubtable intellectual practice and in the twenty-first-century context, when the frontiers of belonging are being constantly redrawn, Edward Said's Concept of Exile adds new depths to discourses of resistance, home and identity.
With their powerful blend of political and aesthetic concerns, Edward W. Said's writings have transformed the field of literary studies. This long-awaited collection of literary and cultural essays offers evidence of how much the fully engaged critical mind can contribute to the reservoir of value, thought, and action essential to our lives and culture.
A landmark history of one hundred years of war waged against the Palestinians from the foremost US historian of the Middle East, told through pivotal events and family history In 1899, Yusuf Diya al-Khalidi, mayor of Jerusalem, alarmed by the Zionist call to create a Jewish national home in Palestine, wrote a letter aimed at Theodore Herzl: the country had an indigenous people who would not easily accept their own displacement. He warned of the perils ahead, ending his note, “in the name of God, let Palestine be left alone.” Thus Rashid Khalidi, al-Khalidi’s great-great-nephew, begins this sweeping history, the first general account of the conflict told from an explicitly Palestinian perspective. Drawing on a wealth of untapped archival materials and the reports of generations of family members—mayors, judges, scholars, diplomats, and journalists—The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory. Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel, but backed by Britain and the United States, the great powers of the age. He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel’s 1982 invasion of Lebanon to the endless and futile peace process. Original, authoritative, and important, The Hundred Years' War on Palestine is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces arrayed against the Palestinians, it offers an illuminating new view of a conflict that continues to this day.
An Arab Israeli man, back in Jerusalem to see his estranged father, narrates “a novel about just how sad, fractured and tricky cultural identity can get” (Seattle Times). Having emigrated to America years before, a nameless memoirist now residing in Illinois receives word that his estranged father, whom he has not spoken to in fourteen years, is dying. Leaving his wife and their three children, he returns to Jerusalem and to his hometown of Tira in Palestine to be by his family’s side. But few are happy to see him back and, geographically and emotionally displaced, he feels more alienated from his life than ever. Sitting by his father’s hospital bed, the memoirist begins to remember long-buried traumas, the root causes of his fallout with his family, the catalyst for his marriage and its recent dissolution, and his strained relationships with his children—all of which is strangely linked to a short story he published years ago about a young girl named Palestine. As he plunges deeper into his memory and recounts the history of his land and his love, the lines between truth and lies, fact and fiction become increasingly blurred. Hailed as “an unusually gifted storyteller with exceptional insight” (Jewish Tribune), Bernstein Award–winning writer Sayed Kashua presents a masterful novel about the stories Palestinians and Israelis tell themselves about their lives and their histories.
'Richard North Patterson has outdone himself - Exile is his best novel yet.' Bill Clinton From one of America's most compelling novelists comes the mesmerising story of a lawyer who must defend the woman he loves against a charge of conspiring to assassinate a prime minister. David Wolfe's life is approaching an exhilarating peak: he's a successful San Francisco lawyer, he's about to get married, and he's being primed for a run for Congress. But when the phone rings and he hears the voice of Hana Arif - the woman with whom he had a secret affair in law school -he begins a completely unexpected journey. The next day, the prime minister of Israel is assassinated by a suicide bomber while visiting San Francisco; soon, Hana herself is accused of being the mastermind behind the murder. Hana may well be guilty but David cannot turn away the one woman he can never forget... Culminating in a tense and startling trial with international ramifications, Exile is that rare novel that both entertains and enlightens. At once an intricate tale of betrayal and deception, a moving love story, and a fascinating journey into the lethal politics of the Middle East, this is Richard North Patterson at his most brilliant and engrossing.
The International Art Exhibition for Palestine took place in Beirut in 1978 and mobilized international networks of artists in solidarity with anti-imperialist movements of the 1960s and '70s. In that era, individual artists and artist collectives assembled collections; organized touring exhibitions, public interventions and actions; and collaborated with institutions and political movements. Their aim was to lend support and bring artistic engagement to protests against the ongoing war in Vietnam, the Pinochet dictatorship in Chile, and the apartheid regime in South Africa, and they were aligned in international solidarity for anti-colonial struggles. Past Disquiet brings together contributions from scholars, curators and writers who reflect on these marginalized histories and undertakings that took place in Baghdad, Beirut, Belgrade, Damascus, Paris, Rabat, Tokyo, and Warsaw. The book also offers translations of primary texts and recent interviews with some of the artists involved.
The diaries of Dr Hussein Fakhri al-Khalidi offer a unique insight to the peculiarities of colonialism that have shaped Palestinian history. Elected mayor of Jerusalem – his city of birth – in 1935, the physician played a leading role in the Palestinian Rebellion of the next year, with profound consequences for the future of Palestinian resistance and British colonial rule. One of many Palestinian leaders deported as a result of the uprising, it was in British-imposed exile in the Seychelles Islands that al-Khalidi began his diaries. Written with equal attention to lively personal encounters and ongoing political upheavals, entries in the diaries cover his sudden arrest and deportation by the colonial authorities, the fifteen months of exile on the tropical island, and his subsequent return to political activity in London then Beirut. The diaries provide a historical and personal lens into Palestinian political life in the late 1930s, a period critical to understanding the catastrophic 1948 exodus and dispossession of the Palestinian people. With an introduction by Rashid Khalidi the publication of these diaries offers a wealth of primary material and a perspective on the struggle against colonialism that will be of great value to anyone interested in the Palestinian predicament, past and present.
What does it means to be Palestinian in the diaspora?This collection of 100 personal reflections on being Palestinian is the first book of its kind. Reflecting on Palestinian identity as it is experienced at the individual level, issues of identity, exile, refugee status, nostalgia, belonging and alienation are at the heart of the book. The contributors speak in many voices, exploring the richness and diversity of identity construction among Palestinians in the diaspora.Included are contributions from Palestinians living in the Anglo-Saxon diaspora, mainly the UK and North America. They come from a variety of professional backgrounds: business people, lawyers, judges, fiction writers, poets, journalists (press, TV and radio), film-makers, diplomats and academics. Men and women, young and old, Christians and Muslims offer essays, as do Palestinians from different generations (first, second and third generations). This mix of professional, gender, faith and generational categories ensures that a variety of voices are heard.The editor sets the scene with an Introduction, and his Epilogue deals with issues of identity, exile and diaspora as concepts that give sense to the personal reflections.Key FeaturesThe first book to gather personal reflections on what it means to be PalestinianContributes to the debate on what it means to be PalestinianAsks what the diaspora is for PalestiniansLooks at how being Palestinian varies across gender, generation, religious affiliation and professional interest.FROM APF:Is being Palestinian a 'pain in the neck', or a 'sentence to suffer gladly'? Does Palestinian identity reside in cross-stitch embroidery, sweet knafeh and the poetry of Mahmoud Darwish, or defending the rights of oppressed communities around the world? Does being Palestinian in diaspora mean anything at all? In this ground-breaking volume, the first of its kind, 102 contributors from North America and the United Kingdom reflect in their own words on what it means to be Palestinian in diaspora. Exploring how Palestine is both lost and found, bereaved and celebrated in diaspora, and the tangled ties between 'home' and 'homeland', Being Palestinian takes the reader on an intimate journey into the diaspora to reveal a human story: how does it feel when you cannot find Palestine under 'P' in the encyclopaedia your father brings home? Why grow fig and orange trees in the Arizona desert? What does it mean to know every inch of a village that no longer exists? Touching, troubling but full of character and wit, the reflections in Being Palestinian offer a radically fresh look at the modern Palestinian experience in the West.
Now a major motion picture from award–winning director Eran Kolirin: A “disturbing and powerfully accomplished novel” of conflicting allegiances among Arab Israelis from the acclaimed author of Dancing Arabs (The Guardian). A young Arab journalist returns to his hometown—an Arab village in Israel’s borderland near the West Bank. There, his conflicted sense of belonging is forced into crisis when the village becomes a pawn in the endless power struggle that is the Middle East. Hoping to reclaim the simplicity of life among his kin, the prodigal son returns home to find that nothing is as he remembers: everything is smaller, the people are petty and provincial. But when Israeli tanks surround the village without warning or explanation, everyone inside is cut off from the outside world. As the situation grows increasingly dire, paranoia takes hold and the village community devolves into chaos. In Let It Be Morning, Arab Israeli author Sayed Kashua once again “relates the experience of those caught in the middle, the Arab-Israelis who are citizens but are separated from many of their countrymen by faith and heritage” (School Library Journal). “Kashua . . . writes about the Israeli Arabs’ balancing act with knowledge and passion.” —Publishers Weekly