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Residential motels have long been places of last resort for many vulnerable Americans—released prisoners, people with disabilities or mental illness, struggling addicts, the recently homeless, and the working poor. Cast aside by their families and mainstream society, they survive in squalid, unsafe, and demeaning circumstances that few of us can imagine. For a year, the sociologist Christopher P. Dum lived in the Boardwalk Motel to better understand its residents and the varied paths that brought them there. He witnessed moments of violence and conflict, as well as those of care and compassion. As told through the voices and experiences of motel residents, Exiled in America paints a portrait of a vibrant community whose members forged identities in response to overwhelming stigma and created meaningful lives despite crushing economic instability. In addition to chronicling daily life at the Boardwalk, Dum follows local neighborhood efforts to shut the establishment down, leading to a wider analysis of legislative attempts to sanitize shared social space. He also suggests meaningful policy changes to address the societal failures that lead to the need for motels such as the Boardwalk. The story of the Boardwalk, and the many motels like it, will concern anyone who cares about the lives of America's most vulnerable citizens.
Between the eighteenth and mid-twentieth centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another. This revelatory history of passing explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions. It also tells a tale of loss. As racial relations in America have evolved so has the significance of passing. To pass as white in the antebellum South was to escape the shackles of slavery. After emancipation, many African Americans came to regard passing as a form of betrayal, a selling of one’s birthright. When the initially hopeful period of Reconstruction proved short-lived, passing became an opportunity to defy Jim Crow and strike out on one’s own. Although black Americans who adopted white identities reaped benefits of expanded opportunity and mobility, Hobbs helps us to recognize and understand the grief, loneliness, and isolation that accompanied—and often outweighed—these rewards. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.
The fascinating story of émigré intellectuals, writers, artists, scientists, movie directors, and scholars — including Bertolt Brecht, Theodor Adorno, Albert Einstein, Hannah Arendt, Thomas Mann, Arnold Schoenberg, George Grosz, Erik Erikson, Billy Wilder and Fritz Lang — who fled Nazi Germany and changed America. Heilbut provides a vivid narrative of how they viewed their new country and how America reacted to their arrival as the atom bomb was being developed, the Cold War and McCarthyism were underway, and Hollywood dominated moviemaking. “The son of Jewish immigrants who fled Germany, Anthony Heilbut grew up in New York. Exiled in Paradise, a social history he wrote more than 35 years ago, is still the most immersive account of the German-speaking exiles who came to this country between 1933 and 1941 and of their outsize influence on the culture they found here... Mr. Heilbut provides an absorbingly detailed chronicle of some of these immigrant lives — among them Theodor Adorno, Hannah Arendt, Thomas Mann, Billy Wilder and Cold War physicists.” — Donna Rifkind, The Wall Street Journal “Still the best book on the topic” — Phillip Lopate, The New York Times Book Review “Insightful ... valuable and stimulating ... For some readers, especially the children of generations of émigrés, the book will provide a background to their most basic intellectual assumptions.” — Christopher Lehmann-Haupt, The New York Times “From one page to the next, the book transcends its stated purpose of providing a link between the history of the German-Jewish immigrants and their staggering cultural achievements to acquire the dimensions of that mysterious reality which even a Bresson cannot hope to define: a work of art.” — Marcel Ophuls, American Film Magazine “The story of these refugees has finally found its singular and single voice; it is that of Anthony Heilbut, himself the son of exiles ... His book turns into something more than a panorama about foreigners. It is a way of revealing to Americans themselves what their country really is like.” — Ariel Dorfman, The Washington Post “Anthony Heilbut has exercised impressive scholarship, and even a touch of poetry, to get to the heart of this diaspora.” — Time
In their long struggle for independence from British rule, Irish republicans had long looked west for help, and with reason. The Irish-American population in the United States was larger than the population of Ireland itself, and the bond between the two cultures was visceral. Irish exiles living in America provided financial support-and often much more than that-but also the inspiration of example, proof that a life independent of England was achievable. Yet the moment of crisis-"terrible beauty," as William Butler Yeats put it-came in the armed insurrection during Easter week 1916. Ireland's "exiled children in America" were acknowledged in the Proclamation announcing "the Provisional Government of the Irish Republic," a document which circulated in Dublin on the first day of the Rising. The United States was the only country singled out for offering Ireland help. Yet the moment of the uprising was one of war in Europe, and it was becoming clear that America would join in the alliance with France and Britain against Germany. For many Irish-Americans, the choice of loyalty to American policy or the Home Rule cause was deeply divisive. Based on original archival research, Ireland's Exiled Children brings into bold relief four key figures in the Irish-American connection at this fatal juncture: the unrepentant Fenian radical John Devoy, the driving force among the Irish exiles in America; the American poet and journalist Joyce Kilmer, whose writings on the Rising shaped public opinion and guided public sympathy; President Woodrow Wilson, descended from Ulster Protestants, whose antipathy to Irish independence matched that to British imperialism; and the only leader of the Rising not executed by the British-possibly because of his having been born in America--Éamon de Valera. Each in his way contributed to America's support of and response to the Rising, informing the larger narrative and broadly reflecting reactions to the event and its bitter aftermath. Engaging and absorbing, Schmuhl's book captures through these figures the complexities of American politics, Irish-Americanism, and Anglo-American relations in the war and post-war period, illuminating a key part of the story of the Rising and its hold on the imagination.
Thomas Wheatland examines the influence of the Frankfurt School, or Horkheimer Circle, and how they influenced American social thought and postwar German sociology. He argues that, contrary to accepted belief, the members of the group, who fled oppression in Nazi Germany in 1934, had a major influence on postwar intellectual life.
Explains the reasons for the large Irish emigration, and examines the problems they faced adjusting to new lives in the United States.
Sheds new light on old assumptions about American Indians and democracy.
During the first half of the twentieth century—decades of war and revolution in Europe—an "intellectual migration" relocated thousands of artists and thinkers to the United States, including some of Europe's supreme performing artists, filmmakers, playwrights, and choreographers. For them, America proved to be both a strange and opportune destination. A "foreign homeland" (Thomas Mann), it would frustrate and confuse, yet afford a clarity of understanding unencumbered by native habit and bias. However inadvertently, the condition of cultural exile would promote acute inquiries into the American experience. What impact did these famous newcomers have on American culture, and how did America affect them? George Balanchine, in collaboration with Stravinsky, famously created an Americanized version of Russian classical ballet. Kurt Weill, schooled in Berlin jazz, composed a Broadway opera. Rouben Mamoulian's revolutionary Broadway productions of Porgy and Bess and Oklahoma! drew upon Russian "total theater." An army of German filmmakers—among them F. W. Murnau, Fritz Lang, Ernst Lubitsch, and Billy Wilder—made Hollywood more edgy and cosmopolitan. Greta Garbo and Marlene Dietrich redefined film sexuality. Erich Korngold upholstered the sound of the movies. Rudolf Serkin inspirationally inculcated dour Germanic canons of musical interpretation. An obscure British organist reinvented himself as "Leopold Stokowski." However, most of these gifted émigrés to the New World found that the freedoms they enjoyed in America diluted rather than amplified their high creative ambitions. A central theme of Joseph Horowitz's study is that Russians uprooted from St. Petersburg became "Americans"—they adapted. Representatives of Germanic culture, by comparison, preached a German cultural bible—they colonized. "The polar extremes," he writes, "were Balanchine, who shed Petipa to invent a New World template for ballet, and the conductor George Szell, who treated his American players as New World Calibans to be taught Mozart and Beethoven." A symbiotic relationship to African American culture is another ongoing motif emerging from Horowitz's survey: the immigrants "bonded with blacks from a shared experience of marginality"; they proved immune to "the growing pains of a young high culture separating from parents and former slaves alike."
A visceral response to Tea Baggers and right-wing radicals. All the evidence you will ever need to beat back the willfully ignorant intent on driving this country off a cliff.
"Amor and Exile is the story of American citizens who fall in love with undocumented immigrants only to find themselves trapped in a legal labyrinth, stymied by their country's de facto exclusion of their partners"--Publishers website.