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Jonathan Gottschall teaches English at Washington and Jefferson College. --Book Jacket.
Over the past two decades, poststructuralism in its myriad forms has come to dominate literary criticism to the exclusion of virtually any other point of view. Few scholars have escaped the coercive authority of its programmatic radicalism. In Evolution and Literary Theory, Joseph Carroll vigorously attacks the foundational principles of poststructuralism and offers in their stead a bold new theory that situates literary criticism within the matrix of evolutionary theory.
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Yuri Tynianov was a key figure of Russian Formalism, an intellectual movement in early 20th century Russia that also included Viktor Shklovsky and Roman Jakobson. Tynianov developed a groundbreaking conceptualization of literature as a system within—and in constant interaction with—other cultural and social systems. His essays on Russian literary classics, like Pushkin’s Eugene Onegin and works by Dostoevsky and Gogol, as well as on the emerging art form of filmmaking, provide insight into the ways art and literature evolve and adapt new forms of expression. Although Tynianov was first a scholar of Russian literature, his ideas transcend the boundaries of any one genre or national tradition. Permanent Evolution gathers together for the first time Tynianov’s seminal articles on literary theory and film, including several articles never before translated into English.
The Oxford Handbook of Cognitive Literary Studies applies developments in cognitive science to a wide range of literary texts that span multiple historical periods and numerous national literary traditions.
Everything you were taught about evolution is wrong.
First Published in 1986. This collection of essays by an international team of scholars is the first sustained investigation in any language of the historical interactions between German film and literature. It is a book about adaptations and transformations, about why filmmakers adapt certain material at certain times. The major impetus at work is the desire to expand the field of adaptation study to include sociological, theoretical and historical dimensions, and to bring a livelier regard for intertextuality to the studies of German film and literature. It is concerned with the ways in which filmmakers in Germany- from Pabst and von Sternberg to Fassbinder, Herzog and Sanders-Brahms- have engaged and been engaged by, literary history.
A Companion to Literature in Film provides state-of-the-art research on world literature, film, and the complex theoretical relationship between them. 25 essays by international experts cover the most important topics in the study of literature and film adaptations. Covers a wide variety of topics, including cultural, thematic, theoretical, and genre issues Discusses film adaptations from the birth of cinema to the present day Explores a diverse range of titles and genres, including film noir, biblical epics, and Italian and Chinese cinema
Through an engaging and enlightening selection of readings and articles, The Light in the Dark: The Evolution, Mechanics, and Purpose of Cinema investigates cinema from a variety of diverse perspectives. The anthology explores the technical aspects of the filmmaking process, the ways in which certain elements of cinema are creatively combined toward emotional and intellectual effect, and the myriad ways cinema both interacts with and reflects culture. The opening chapter is comprised of readings that examine the nature and origin of cinematic technique, speaking to its early development as both a commercial and artistic endeavor. The second chapter reviews the core components of filmmaking, including mise-en-scène, editing, sound design, acting, and shot composition. In the final chapter, students explore film in cultural context. The readings examine particular stages in cinema's evolution, the role and implications of complex gender constructs, and the manner in which race and racial tensions have manifested themselves in filmic narratives. A highly contemporary and accessible anthology, The Light in the Dark is an excellent resource for courses in filmmaking and film studies. Michael Peter Bolus is the CEO of MEANSTREET Productions, a founding partner of the educational consulting firm CampusPro Group, the department chair of the Liberal Arts Program at The Los Angeles Film School, and a professor of film studies at Santa Monica College. He holds a Ph.D. in theatre studies from the City University of New York Graduate Center and a master's degree in creative writing from Boston University. He is the author of Aesthetics and the Cinematic Narrative: An Introduction (Anthem Press), and his articles, interviews, and criticism have appeared in a wide array of academic and scholarly journals.
Narrative comprehension, memory, motion, depth perception, synesthesia, hallucination, and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds film theory and cognitive science in a stimulating investigation of the work of iconic experimental artists such as Stan Brakhage, Robert Breer, Maya Deren, and Jordan Belson. In illustrating how avant-garde filmmakers draw from their own mental and perceptual capacities, author Paul Taberham offers a compelling account of how their works expand the spectator’s range of aesthetic sensitivities and open creative vistas uncharted by commercial cinema.