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First published in 1985, Between Men was a decisive intervention in gender studies, a book that all but singlehandedly dislodged a tradition of literary critique that suppressed queer subjects and subjectivities. With stunning foresight and conceptual power, Eve Kosofsky Sedgwick's work opened not only literature but also politics, society, and culture to broader investigations of power, sex, and desire, and to new possibilities of critical agency. Illuminating with uncanny prescience Western society's evolving debates on gender and sexuality, Between Men still has much to teach us. With a new foreword by Wayne Koestenbaum emphasizing the work's ongoing relevance, Between Men engages with Shakespeare's Sonnets, Wycherley's The Country Wife, Sterne's A Sentimental Journey Through France and Italy, Hogg's The Private Memoirs and Confessions of a Justified Sinner, Tennyson's The Princess, Eliot's Adam Bede, Thackeray's The History of Henry Esmond, Esq., and Dickens's Our Mutual Friend and The Mystery of Edwin Drood, among many other texts. Its pathbreaking analysis of homosocial desire in Western literature remains vital to the future of queer studies and to explorations of the social transformations in which it participates.
At the time of its first appearance in 1985 Between Men was viewed as an important intervention into Feminist as well as Gay and Lesbian studies. It was an important book because it argued that "sexuality" and "desire" were not a historical phenomenon but carefully managed social constructs. This insight (that actually originated with Michael Foucault) is often viewed as anti-humanist or post-humanist because it argues that men and women are simply the products of patriarchal power relations over which they have no control. By mobilizing Foucault's theories of the history of sexuality Sedgwick re-fashions Feminism and Gay and Lesbian Studies to make it seem as though Feminism and Gay and Lesbian studies are ideally situated to continue those interventions into the history of sexuality begun by Foucault.
Eve's portrayal in the Bible as a sinner and a temptress seemed to represent -- and justify -- women's inferior position in society for much of history. During the Enlightenment, women challenged these traditional gender roles by joining the public sphere as writers, intellectuals, philanthropists, artists, and patrons of the arts. Some sought to reclaim Eve by recasting her as a positive symbol of women's abilities and intellectual curiosity. In Eve's Enlightenment, leading scholars in the fields of history, art history, literature, and psychology discuss how Enlightenment philosophies compared to women's actual experiences in Spain and Spanish America during the period. Relying on newspaper accounts, poetry, polemic, paintings, and saints' lives, this diverse group of contributors discuss how evolving legal, social, and medical norms affected Hispanic women and how art and literature portrayed them. Contributors such as historians Mónica Bolufer Peruga and María Victoria López-Cordón Cortezo, art historian Janis A. Tomlinson, and literary critic Rebecca Haidt also examine the contributions these women's experiences make to a transatlantic understanding of the Enlightenment. A common theme unites many of the essays: while Enlightenment reformers demanded rational equality for men and women, society increasingly emphasized sentiment and passion as defining characteristics of the female sex, leading to deepening contradictions. Despite clear gaps between Enlightenment ideals and women's experiences, however, the contributors agree that the women of Spain and Spanish America not only took part in the social and cultural transformations of the time but also exerted their own power and influence to help guide the Spanish-speaking world toward modernity. The first interdisciplinary collection published in English, Eve's Enlightenment offers a wealth of information for scholars of eighteenth-century Spanish history, literature, art history, and women's studies. An introduction by editors Catherine M. Jaffe and Elizabeth Franklin Lewis provides helpful historical and contextual information.
Eve's Bible is for every woman who has ever said, "I've always wanted to read the Bible but . . ." Whatever the reason--"it's too complicated, too big, too old, too many men and too few women, and anyway, I don't know whether I believe it or not"--Eve's Bible helps readers explore the Old Testament regardless of religious affiliation. Eve's Bible challenges conventional ideas about women in the Bible, and shows readers how to draw upon their own truth to interpret the Bible in new and liberating ways. With Eve's Bible as their companion, readers will: * Recognize and read the Old Testament's literary building blocks * Learn how women in the biblical era lived * Learn why the biblical Deity is such a complex character * Derive meaning from scripture by balancing left-brained inquiry with heart-felt intuition *Become their own authority on the Bible A friendly guide that anticipates readers' questions and concerns, Eve's Bible helps readers find their way through the Bible with intelligence and verve.
Trapped aboard a space station, Sheena Steele's options are limited, to say the least. She's just been fired from her position and literally has nowhere to go, but still more worried about her best friend, Tishia Bach, who was facing execution. A mesmerizing emerald-eyed beauty, who attracts trouble from everywhere with her charismatic and alluring nature. Tish could hold the very secrets of life within her enigmatic body- and that's why she's a target. Only Sheena knows Tish's secret....for now. Their only hope seems to be finding refuge with Vigdor Beckenstein, a brilliant but obscure physicist that is intrigued by the extreme behavior of a frightened woman in love, and upon closer examination finds unusual, but attractive character traits. After disguising the fugitives and introducing them to society he rocks their world with a plan that only destiny could have designed, while well hidden secrets are unexpectedly revealed. Explosive unpredictability only surpassed by originality. This is the epic journey of two incredible women with all the odds stacked against them, thrown into elite circles and witnessing behind the scene corruption of world powers. Don't miss the sensational conclusion, Legend of the White Dragon.
Drawing from a wide range of sources--from biology and archaeology to mythology and religion--a noted historian presents an innovative approach to history that begins with humankind's evolutionary heritage and ends with a radical interpretation of the sexual forces that shaped our culture.
Explores the tension women experience between their bodies and their desire for a spiritual life.
In Contraception And Abortion From The Ancient World To The Renaissance, Riddle showed that women in ancient times relied on herbs to regulate fertility. In this volume, he shows that this ancient knowledge was not lost, but survived in coded form.
This unique collection of extracts is taken from women's journals and magazines - both British and American - on the eve of the twentieth century. Arranged by subject, the collection focuses on what this pivotal moment represented for women and includes an introduction to women's journalism of the period. The rapidly changing conditions then surrounding a woman's world are illustrated here by sections on: * monarchy * women and war * colonial women * the politics of emancipation * and girlhood.
The swooning Victorian ladies and the 1950s housewives genuinely needed to be liberated. That much is indisputable. So, First-Wave feminists held rallies for women's suffrage. Second-Wave feminists marched for Prohibition, jobs, and abortion. Today, Third-Wave feminists stand firmly for nobody's quite sure what. But modern women--who use psychotherapeutic antidepressants at a rate never before seen in history--need liberating now more than ever. The truth is, feminists don't know what liberation is. They have led us into a very boring dead end. Eve in Exile sets aside all stereotypes of mid-century housewives, of China-doll femininity, of Victorians fainting, of women not allowed to think for themselves or talk to the men about anything interesting or important. It dismisses the pencil-skirted and stiletto-heeled executives of TV, the outspoken feminists freed from all that hinders them, the brave career women in charge of their own destinies. Once those fictionalized stereotypes are out of the way--whether they're things that make you gag or things you think look pretty fun--Christians can focus on real women. What did God make real women for?