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Over the past seven years I've lived in more places than I can remember. I lived and worked in Shanghai, New York, Berlin, Bangkok, Munich and a few more places, not including the dozens of places I've stayed at for just a few days or weeks.While writing these lines I'm in a small town in Malaysia.I've basically lived out of a backpack for the past seven years. And the longer I'm doing this, the less stuff I need. Right now I carry less than 10 items around with me in a carry on backpack that weighs less than 10kg. I go wherever I want to go. I currently spend less than $800 a month. Including everything. My most precious possession is a $300 Acer laptop.I've started a clothing company in China, for the Chinese market, which failed miserably. I've launched more than 10 websites, some of them made some money, some of them didn't. I shut down all of them. I've written seven books (this is my eighth). None of them was a bestseller. I write a blog where I published more than 500 articles so far. I've more than 100,000 monthly readers spread across multiple platforms.I'm by no means successful. Or rich. But I have more than enough, by all means. I have access to everything I need. And I can buy and afford everything I need.I'm not a minimalist. Or a digital nomad. Or an entrepreneur. Or a blogger. Or an author.I'm mostly trying to just be myself. I'm trying to be myself in a world where it gets harder and harder every single day to just be yourself.It's not always been easy. As a matter of fact it's probably been hard more often than it's been easy. But every day of struggle and doubt has been worth it. Being yourself and creating your own life instead of just living a life is always worth the struggle.This right here is my story. This is what I've learned about life, myself and the world around me.I'm everywhere and nowhere. And I own nothing and everything...
An anthology of short stories by Joe McCartney. This collection features "The Graveyard Shift," "Zugzwang," "The Little Star," "A Horrible Little Shop," "I Dreamed of Diamonds," "The Comedian," "Queens," and "Everywhere and Nowhere."
* Shows how development agencies have responded to the need for gender equality at all levels of operation * Scrutinizes the efficacy of gender mainstreaming’s thirty-year history Gender mainstreaming emerged in early gender and development work and gained strength following the 1975 Conference on Women in Mexico City. After three decades of gender and development approaches, and a more recent emphasis on gender mainstreaming, Everywhere/Nowhere presents a timely reflection on the challenges and opportunities development agencies have faced as they attempt to translate gender mainstreaming policies into practice. Reports on gender mainstreaming within development agencies tend to concentrate on technical solutions with little attention to the political changes necessary for transforming the mainstream. Technical solutions (such as quantitative information about the number of female staff members hired or the allocation of a certain amount of resources to gender-related activities) are more frequently reported and more easily measured. An emphasis on technical solutions has resulted in limited impact within organizations and minimal changes to gender inequitable relations. Development agencies and their staff members are, however, finding innovative - or subtle - strategies to transform the mainstream through networking, coalition-building, and leadership initiatives. This book examines these approaches and analyses their contributions to gender mainstreaming.
A guide for counselors with globally mobile clients such as third culture kids (TCKs) that addresses how to work with this population on issues of identity, unresolved grief, loss, and rootlessness; where to find resources; and what theories and techniques work best.
The title of this book is a phrase often used to describe the fate of the Jewish people in the world and invokes one of the central arguments for the creation of the state of Israel. In this thoughtful collection of essays, Kim Chernin suggests that the Zionist struggle has left the Palestinian people in a similar predicament; now they, too, are merely guests in their former homeland. Confronting her own uncritical support of Israel, Chernin tries to reconcile her desire for a Jewish homeland with the reality of the violence carried out in order to secure it. Following an in-depth examination of the perspectives of both Jews and Palestinians, Chernin writes eloquently of the process by which she gradually learned to hear once-ignored Palestinian voices. By combining her knowledge of Jewish history with her insights as a psychotherapist, Chernin discovers the psychological mechanisms that have kept her and other Jews from fully comprehending the suffering of both parties in this seemingly endless conflict. She argues persuasively that by overcoming the mental blocks that prevent so many from seeing the Palestinian point of view, Jews can learn to feel empathy for them without diminishing their love and support for Israel.
The women's movement and feminism has been responsible for profound changes in American society, from greater access to education and jobs to increased choices in health and parenting. Its ideas and goals have largely become a part of everyday beliefs and norms. At the same time, obituaries of the women's movement appear regularly in the news and the current movement is criticized for being apolitical or ineffectual. In this sense, feminism today can be said to be at once "nowhere," no longer visible, and "everywhere," diffused into the culture.Through an extended case study of three communities, Jo Reger explores this paradox with a systematic and empirically-based look at the contemporary women's movement. She investigates some of the most debated topics about and between feminists in the 21st century, including the relationship of contemporary and second-wave generation feminists, the influence of identity politics on gender and sexuality, and the stubborn legacies of racism and classism. Where, with all these changes, is feminism today? The answers, she finds, are myriad and specific to each community. It is precisely the variations and convergences of feminist activism within particular communities, Reger reveals, that define the women's movement today.
We Are Everywhere is a whirlwind collection of writings, images and ideas for direct action by people on the frontlines of the global anticapitalist movement. This is a movement of untold stories, because those from below are not those who get to write history, even though we are the ones making it. We Are Everywhere wrenches our history from the grasp of the powerful and returns it to the streets, fields and neighbourhoods where it was made.
Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.
Noah Thorpe is spending the school term in Kangiqsualujjuaq, in Quebec's Far North, where his dad is an English teacher in the Inuit community. Noah's not too keen about living in the middle of nowhere, but getting away from Montréal has one big advantage: he gets a break from the bully at his old school. But Noah learns that problems have a way of following you—no matter how far you travel. To the Inuit kids, Noah is a qallunaaq—a southerner, someone ignorant of the customs of the North. Noah thinks the Inuit have a strange way of looking at the world, plus they eat raw meat and seal blubber. Most have never left the George River area—and it doesn't even have its own doctor, let alone a McDonald's. But Noah's views change when he goes winter camping and realizes he will have to learn a few lessons from his Inuit buddies if he wants to make it home.