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Priceless grimoire of a fearless 90-day blood pact with the Demonic Gatekeeper, Azazel. I reveal the FIRST ever grimoire of the Demonic Hierarchy under infernal authority of Azazel himself. * Unlock the magick of bestselling author E.A. Koetting's entire collection of cult classic books of black magick, now available for the FIRST time ever in both paperback and Kindle. * Can YOU pathwork every grimoire in The Complete Works of E.A. Koetting? * Browse a Table of Contents below: TABLE OF CONTENTS - Foreword p.9 Ch. 1 - The Meeting p.21 Ch. 2 - The Infernal Hosts p.47 Ch. 3 - The Pact p.61 Ch. 4 - Gateway to Damnation p.79 Ch. 5 - The Keys of Constraint p.95 Ch. 6 - The Grimoire of Legions p.109 Ch. 7 - Preparing the Vessel p.155 Ch. 8 - The Demonic King p.185 Ch. 9 - The Devil's Stone p.193 - Endnotes p.199 - Complete Works of E.A. Koetting p.201
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Written by an international team of scholars and edited by David W. Baker and Gordon J. Wenham, this series expounds the books of the Old Testament in a scholarly manner accessible to non-experts and shows the relevance of the Old Testament to modern read
Dark Mirrors is a wide-ranging study of two central figures in early Jewish demonology—the fallen angels Azazel and Satanael. Andrei A. Orlov explores the mediating role of these paradigmatic celestial rebels in the development of Jewish demonological traditions from Second Temple apocalypticism to later Jewish mysticism, such as that of the Hekhalot and Shi'ur Qomah materials. Throughout, Orlov makes use of Jewish pseudepigraphical materials in Slavonic that are not widely known. Orlov traces the origins of Azazel and Satanael to different and competing mythologies of evil, one to the Fall in the Garden of Eden, the other to the revolt of angels in the antediluvian period. Although Azazel and Satanael are initially representatives of rival etiologies of corruption, in later Jewish and Christian demonological lore each is able to enter the other's stories in new conceptual capacities. Dark Mirrors also examines the symmetrical patterns of early Jewish demonology that are often manifested in these fallen angels' imitation of the attributes of various heavenly beings, including principal angels and even God himself.
This book explores the influence of the Day of Atonement on the Gospels. Hans M. Moscicke investigates how the gospel writers utilized the Yom Kippur traditions of the Second Temple period to craft Christological goat typologies and examines how scapegoat and Azazel traditions in first-century Judaism shaped the theology of the Gospels.
Jewish writings from the period of Second Temple present a rich and complex variety of first-hand materials. Here, the editors have updated their classic sourcebook on Jewish beliefs and practices to take into account current thinking about the sources.
Judit M. Blair challenges the common view that azazel, lilith, deber, qeteb and reshef are names of 'demons' in the Hebrew Bible, claiming that major works on the subject proceed from the assumption that these terms were demons in the ancient Near East and /or later, or that they were deities who became 'demonised' by the authors of the Hebrew Bible. Without questioning the validity of traditional methods she supplements the existing works by making an exegesis based on a close reading of all the relevant texts of the Hebrew Bible in which these five terms occur. Close attention is paid to the linguistic, semantic, and structural levels of the texts. The emphasis is on a close examination of the immediate context in order to determine the function of each term. The author notes different signals within the texts, especially the use of the various poetical/rhetorical devices: personification, parallelism, similes, irony, and mythological elements.
Once the Fallen’s fearless ruler, a grieving Azazel must find the legendary siren meant to take his lost lover’s place . . . and kill her. He’s a devil of an angel. Azazel should have extinguished the deadly Lilith when he had the chance. Now, faced with a prophecy that will force him to betray the memory of his one true love and wed the Demon Queen, he cannot end her life until she leads him to Lucifer. Finding the First is the Fallen’s only hope for protecting mankind from Uriel’s destruction, but Azazel knows that ignoring his simmering desire for the Lilith will be almost as impossible. She’s an angel of a demon. Rachel Fitzpatrick wonders how Azazel could confuse her with an evil seductress. She’s never even been interested in sex! At least not before she set eyes on her breathtaking captor. And now she can’t think about anything else—besides escape. Angels and demons don’t mix. Rachel stirs a carnal need in Azazel that he never thought he’d feel again. Falling for a demon—even if she has no idea she’s the Lilith—means surrendering his very soul. But if he lets her go, he risks abandoning his heart, his dangerous lover, and possibly all of humanity, to Uriel’s deadly wrath.