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Exposing the true origin of the feline species and its plan to rule the world, "Everything Here Is Mine" mixes witty observations, unhelpful advice, and illustrations, all from nationally syndicated cartoonist Hollander.
A kind, loyal dog learns that having a lot of things doesn't always mean having what's most important "My name is Marcello Von Cauliflower Boneaparte Jackson and everything is mine." Marcello is kind, clever, and very loyal. Unfortunately, there is one problem. He believes that absolutely everything is his. A slipper? It's his. Pork chops from his owner Leo's dinner plate? They are absolutely his. An entire park? Oh that's his, too. Marcello (and his list of things that he owns) is out of control! Will Leo be able to remind him what is really important?
Amanda is a new mother, and she is breaking. After a fight with her partner, she puts the baby in the car and drives from Queens to her hometown in rural Ohio, where she shows up unannounced on the doorstep of her estranged childhood best friend. Amanda thought that she had left Carrie firmly in the past. After their friendship ended, their lives diverged radically: Carrie had a baby the summer after high school, became a successful tattoo artist, and never escaped Ohio’s conservative grid of close-cut grass. But the trauma of childbirth and shock of motherhood compel Amanda to go back to the beginning and to trace the tangled roots of friendship and family in her own life. Compelling and engaging, Everything Here Is under Control is a raw, honest, occasionally hilarious portrait of the complexity, conflicting emotions, and physical trauma of both modern motherhood and the intense, intimate friendships that women forge in their youth.
If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...
A twisty, terrifying supernatural mystery about twelve-year-old, her creepy new home in Florida, and the territorial ghost of the young girl who lived there before her. "A fiendishly creepy ghost story."--Chuck Wendig, New York Times bestselling author of Dust & Grim "Hide-under-the-covers terrifying, I loved it.”--Katherine Arden, bestselling author of Small Spaces Lily Horne is a drama queen. It's helped her rise to stardom in the school play, but it's also landed her in trouble. Her parents warn her that Florida has to be different. It's a fresh start. No theatrics. But this time, the drama is coming for her. Her new house is a real nightmare. . . The pool is full of slime, the dock is rotten, and the swamp creeps closer every day. But worst of all, the house isn't empty . . . it's packed full of trash, memories, and, Lily begins to fear, the ghost of the girl who lived there before her. And whatever is waiting in the shadows wants to come out to play.
Over the past seven years I've lived in more places than I can remember. I lived and worked in Shanghai, New York, Berlin, Bangkok, Munich and a few more places, not including the dozens of places I've stayed at for just a few days or weeks.While writing these lines I'm in a small town in Malaysia.I've basically lived out of a backpack for the past seven years. And the longer I'm doing this, the less stuff I need. Right now I carry less than 10 items around with me in a carry on backpack that weighs less than 10kg. I go wherever I want to go. I currently spend less than $800 a month. Including everything. My most precious possession is a $300 Acer laptop.I've started a clothing company in China, for the Chinese market, which failed miserably. I've launched more than 10 websites, some of them made some money, some of them didn't. I shut down all of them. I've written seven books (this is my eighth). None of them was a bestseller. I write a blog where I published more than 500 articles so far. I've more than 100,000 monthly readers spread across multiple platforms.I'm by no means successful. Or rich. But I have more than enough, by all means. I have access to everything I need. And I can buy and afford everything I need.I'm not a minimalist. Or a digital nomad. Or an entrepreneur. Or a blogger. Or an author.I'm mostly trying to just be myself. I'm trying to be myself in a world where it gets harder and harder every single day to just be yourself.It's not always been easy. As a matter of fact it's probably been hard more often than it's been easy. But every day of struggle and doubt has been worth it. Being yourself and creating your own life instead of just living a life is always worth the struggle.This right here is my story. This is what I've learned about life, myself and the world around me.I'm everywhere and nowhere. And I own nothing and everything...
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY Compared by critics to Kafka, Joyce, and Musil, H. G. Adler is becoming recognized as one of the towering figures of twentieth-century fiction. Nobel Prize winner Elias Canetti wrote that “Adler has restored hope to modern literature,” and the first two novels rediscovered after his death, Panorama and The Journey, were acclaimed as “modernist masterpieces” by The New Yorker. Now his magnum opus, The Wall, the final installment of Adler’s Shoah trilogy and his crowning achievement as a novelist, is available for the first time in English. Drawing upon Adler’s own experiences in the Holocaust and his postwar life, The Wall, like the other works in the trilogy, nonetheless avoids detailed historical specifics. The novel tells the story of Arthur Landau, survivor of a wartime atrocity, a man struggling with his nightmares and his memories of the past as he strives to forge a new life for himself. Haunted by the death of his wife, Franziska, he returns to the city of his youth and receives confirmation of his parents’ fates, then crosses the border and leaves his homeland for good. Embarking on a life of exile, he continues searching for his place within the world. He attempts to publish his study of the victims of the war, yet he is treated with curiosity, competitiveness, and contempt by fellow intellectuals who escaped the conflict unscathed. Afflicted with survivor’s guilt, Arthur tries to leave behind the horrors of the past and find a foothold in the present. Ultimately, it is the love of his second wife, Johanna, and his two children that allows him to reaffirm his humanity while remembering all he’s left behind. The Wall is a magnificent epic of survival and redemption, powerfully told through stream of consciousness and suffused with daydream, fantasy, memory, nightmare, and pure imagination. More than a portrait of a Holocaust survivor’s journey, it is a universal novel about recovering from the traumas of the past and finding a way to live again. Praise for The Wall “[A] majestic novel . . . Adler’s prose is tidal, surge after narrative surge rushing forward and then enigmatically receding, the moment displaced by memory, and memory by introspective soliloquy.”—Cynthia Ozick, The New York Times Book Review “A towering meditation on the self and spirit . . . The writing is sonorous and so entirely devastating that the reader is compelled to pore over every word.”—Publishers Weekly (starred review) “Masterful and utterly unique.”—The Jerusalem Post “Haunting and utterly heart-wrenching . . . a literary masterpiece.”—Historical Novels Review “An epic novel . . . an unforgettable portrait.”—The Jewish Week “[A] pensive portrait of a man struggling to find a place in the world after enduring transformative calamity . . . an eloquent record of suffering—and perhaps of redemption as well.”—Kirkus Reviews Praise for H. G. Adler’s novels The Journey and Panorama, translated by Peter Filkins “Modernist masterpieces worthy of comparison to those of Kafka or Musil.”—The New Yorker “Haunting . . . as remarkable for its literary experimentation as for its historical testimony.”—San Francisco Chronicle, on Panorama
Family is everything... I always knew my father was a cold, heartless bastard. But the moment he took Elle Castlemaine and her pathetic daughter into our home, barely a month after our mom died, he unleashed something savage inside me. I didn't care they lost their home. Didn't care their father was behind bars. Didn't care he betrayed the notorious Stidda Mafia boss, Benjamin Rossi, and now their lives were in danger. All I cared about was her. Ryth. I wanted to hurt her. Wanted to make her squirm. I wanted to make her pay for the moans coming from my father's bedroom. When he slipped a ring onto her mother's finger, Ryth became mine. Mine to bully. Mine to break. And I'll use my brothers to do it. She'll become our favorite obsession. Our sick, tormented game. She'll become the only thing I think about, until not thinking about her tears me apart. I'll hate her. I'll hate her so much it hurts...
Joel Chandler Harris was an American journalist, fiction writer, and folklorist best known for his collection of Uncle Remus stories. Harris wrote novels, narrative histories, translations of French folklore, children's literature, and collections of stories depicting rural life in Georgia. As fiction writer and folklorist, he wrote many 'Brer Rabbit' stories from the African-American oral tradition. He realized the literary value of the stories he had heard from the slaves of Turnwold Plantation. Harris set out to record the stories and insisted that they be verified by two independent sources before he would publish them. The stories, mostly collected directly from the African-American oral storytelling tradition, were revolutionary in their use of dialect, animal personages, and serialized landscapes. 1. The Uncle Remus Books — Uncle Remus: His Songs and His Sayings (1881) — Nights with Uncle Remus (1883) — Uncle Remus and His Friends (1892) — The Tar-Baby and Other Rhymes of Uncle Remus (1904) — Told by Uncle Remus (1905) — Uncle Remus and Brer Rabbit (1907) — Uncle Remus and the Little Boy (1910) — Uncle Remus Returns (1918) — Seven Tales of Uncle Remus (1948) 2. Mr. Thimblefinger Series — Little Mr. Thimblefinger and His Queer Country (1894) — Mr. Rabbit at Home (1895) — The Story of Aaron (So Named), the Son of Ben Ali (1896) — Aaron in the Wildwoods (1897) 3. The Novels — The Romance of Rockville (1878) — On the Plantation (1892) — Sister Jane (1896) — Gabriel Tolliver (1902) — A Little Union Scout (1904) — Shadow between His Shoulder Blades (1909) — The Bishop and the Boogerman (1909) 4. The Shorter Fiction — Mingo and Other Sketches in Black and White (1884) — Free Joe and Other Georgian Sketches (1887) — Daddy Jake, The Runaway: And Short Stories Told After Dark (1889) — Balaam and His Master and Other Sketches and Stories (1891) — Evening Tales (1893) — Stories of Georgia (1896) — Tales of the Home Folks in Peace and War (1898) — The Chronicles of Aunt Minervy Ann (1899) — Plantation Pageants (1899) — On the Wing of Occasions (1900) — The Making of a Statesman and Other Stories (1902) — Wally Wanderoon and His Story-Telling Machine (1903)
"Recommended for lovers of mythology and monsters, mystery and magic." — School Library Journal For centuries, Blackhope Tower has been shrouded in intrigue, centering on a labyrinth and painting in the Mariner’s Chamber. When fourteen-year-old Sunni Forrest visits the tower and sees her stepbrother, Dean, disappear, seemingly into the painting itself, she must find him and risk being drawn into the heart of the Blackhope enigma. This action-packed debut follows Dean, Sunni, and her friend Blaise on a journey to the heart of an age-old mystery.