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Tucker was supposed to be the designated driver. But there was something about the beauty of that last true summer night, that made him want to feel out-of-control just once. He drank so much and so quickly that he was instantly sick. That left Trey to drive. "I'll catch up to you later," were the last words Tucker would ever say to his friends as he heaved by the side of the road. It was the last time Tucker would ever see them alive. Tucker’s grief and guilt are just about unbearable and he wonders how he can continue living himself. When he meets the Ferryman who carries souls of the newly deceased across the rivers that divide the world of the living from the world of the dead, Tucker gets a chance to decide: live or die. The temptation to join his three best friends on the other side may be too much for Tucker to overcome. A gripping, haunting and emotional read.
Software applications have taken over our lives. We use and are used by software many times a day. Nevertheless, we know very little about the invisibly ubiquitous workers who write software. Who are they and how do they perceive their own practice? How does that shape the ways in which they collaborate to build the myriad of apps that we use every day? Coderspeak provides a critical approach to the digital transformation of our world through an engaging and thoughtful analysis of the people who write software. It is a focused and in-depth look at one programming language and its community – Ruby - based on ethnographic research at a London company and conversations with members of the wider Ruby community in Europe, the Americas and Japan. This book shows that the place people write code, the language they write it in and the stories shared by that community are crucial in questioning and unpacking what it means to be a ‘coder’. Understanding this social group is essential if we are to grasp a future (and a present) in which computer programming increasingly dominates our lives. Praise for Coderspeak 'Heurich perfectly captures the generous camaraderie, quirky spirit and intellectual curiosity at the heart of the Ruby world. Packed with tidbits of Ruby history, code snippets, and fascinating conversations, this book has something to teach every Rubyist.' Jemma Issroff, Ruby Core Team
Jesus Christ lifted our fear by giving us the capacity to face things that happen to us and to make something out of them. In Mastery, E. Stanley Jones shows us how to attain the moral and spiritual mastery that came to the disciples on the Day of Pentecost. He demonstrates that mastery of living comes not by being tense and anxious, but by being receptive to the grace of God and the power of the Holy Spirit. In daily inspirational readings, affirmations, and prayers for one full year, Jones offers us guidance in mastering our lives.guidance in mastering our lives.
An updated edition of the most comprehensive account of Bob Dylan's Nobel Prize-winning work yet published, with the full story of every recording session, every album, and every single released during his nearly 60-year career. Bob Dylan: All the Songs focuses on Dylan's creative process and his organic, unencumbered style of recording. It is the only book to tell the stories, many unfamiliar even to his most fervent fans, behind the more than 500 songs he has released over the span of his career. Organized chronologically by album, Margotin and Guesdon detail the origins of his melodies and lyrics, his process in the recording studio, the instruments he used, and the contribution of a myriad of musicians and producers to his canon.
The Song of Songs, which is Solomons. Let him kiss me with the kisses of his mouth: for thy love is better than wine. Because of the savour of thy good ointments thy name is as ointment poured forth, therefore do the virgins love thee (Song of Solomon 1:13). Our Lord is our great, great love, and we will do anything for Him because He first loved us. When the fragrance of our sins flooded His Fathers nostrils, all of heaven was searched for a remedy so that we could be united with God the Father. Jesus Christ, Son of God and Son of Man, volunteered to come to earth to face death and be crushed on a wooden cross to pay mans debts once and for all. He is our Rose of Sharon. I am the rose of Sharon and the lily of the valleys (Song of Solomon 2:1). His death on the cross and the shedding of sinless blood generated the sweetest fragrance all the way to heaven, which provided a way for all men to be free.
"Impacts of Modernities, the third volume of the Traces series, explores the problem of modernity, with an emphasis on the impact of Western modernity on East Asia. While the essays generally acknowledge modernity as a problem or even failure, in order to challenge modernization and modernization theory, the volume presents a number of different approaches to, and evaluations of, modernity in historical and contemporary frameworks. One group of essays looks at the complex relations between modernity and production of space, place and identity. Contributors consider the spatializing tendencies of modernity, looking at how resistance to modernization has tended to rely on the production of national and local identities, which may serve to reproduce and reinforce the logic of modernization in new registers. Of particular importance is the legacy of comparativism in our contemporary disciplines. Other essays explore the historically specific relations that arise between nation, empire and representation. Contributors reconsider the alleged particularity of national languages and scripts, asking whether the insistence on the particular does not already entail an access to the universal and thus maybe to empire. Still other essays question whether the prime characteristics of modern power -- subjection and sovereignty -- continue to define power relations within the contemporary world order. To what extent is it now possible to think power formations and resistance beyond the modern, otherwise than modernity?" -- Back cover.
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Taking time to reflect on your life experiences is key to personal growth and deep learning. This is especially true when those experiences are the most challenging or when they leave you feeling like things are falling apart all around you. Journaling is a powerful tool of self-exploration and reflection, and this book offers poetry and guiding prompts for deep, introspective writing. Get ready for a journey that explores what it means to “break” with the intention of “breaking open”. When we break open, we find purpose in the madness and chaos that sometimes manifests in our lives. Navigating those waters takes courage, self-compassion, and faith such that when you emerge on the other side, something beautiful is created. Be inspired, be moved, be curious. Look into your heart for your most authentic self-expression and allow your words to break open on the journal pages within this book.
Nietzsche regarded 'Thus Spoke Zarathustra' as his most important work, and his story of the wandering Zarathustra has had enormous influence on subsequent culture. Nietzsche uses a mixture of homilies, parables, epigrams and dreams to introduce some of his most striking doctrines, including the Overman, nihilism, and the eternal return of the same. This edition offers a new translation by Adrian Del Caro which restores the original versification of Nietzsche's text and captures its poetic brilliance. Robert Pippin's introduction discusses many of the most important interpretative issues raised by the work, including who is Zarathustra and what kind of 'hero' is he and what is the philosophical significance of the work's literary form? The volume will appeal to all readers interested in one of the most original and inventive works of modern philosophy.
Zarathustra was Nietzsche's masterpiece, the first comprehensive statement of his mature philosophy, and the introduction of his influential and well-known (and misunderstood) ideas including the "overman" or "superman" and the "will to power." It is also the source of Nietzsche's famous (and much misconstrued) statement that "God is dead." Though this is essentially a work of philosophy, it is also a masterpiece of literature, a cross between prose and poetry. A considerable part and parcel of Nietzsche's genius is his ability to make his language dance, and this is what becomes extraordinarily difficult to translate. It has been almost 40 years since Hollingdale's version for Penguin and almost 50 since Kaufmann's. However, anyone who appreciates the German original knows that these translations are merely adequate. While earlier translators have smoothed out the rough edges, cut corners and sometimes omitted troublesome passages outright, this one honors and respects the original as no other. Kaufmann and others are guilty of the deplorable tendency to "improve" on the original. Much is lost by this means, to say nothing of the interior rhythms, the grace notes, the not always graceful but omnipresent and striking puns and wordplays. And in not a few instances the current translation improves on Kaufmann's use of English or otherwise clarifies what Nietzsche is really saying