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In this book all the fiction, nonfiction, and poetry of popular Victorian author George Eliot is chronicled in one definitive reference. In addition to the seven Eliot novels, three novellas, and two short stories, all sixty-eight works of non-fiction are covered, and all poetry, long and short, is included. Using Eliot's own words, Newlin presents all the characters in the novels and other fiction, as well as useful plot and content summaries, and bibliographic data. All of Eliot's short poems are included complete, and her longer poetical pieces are extensively summarized and extracted. In addition, the set includes two short essays by Eliot which have been unknown to scholarship until now. There is also a chronology of the works set against a chronology of Eliot's life. This comprehensive reference includes a thematic concordance of every aspect of life written about by Eliot. Complete with more than 60 illustrations, many from the earliest editions of the Eliot works, it is the ultimate reference to the full body of George Eliot's literary output.
More than 4,500 characters are analyzed and thousands more minor characters presented in this monumental resource. Volumes I and II cover the novels - Volume III covers the shorter fiction - and nonfiction works are covered in Volume IV, along with a thematic concordance on nearly every aspect of life that Trollope wrote about.
From the Sunday Times bestselling author Penny Vincenzi, NO ANGEL is the first novel in the acclaimed Spoils of Time trilogy. 'Penny Vincenzi dazzlingly combines the old-fashioned virtues of gripping storytelling with the up-to-the-minute contemporary feel for emotional depth and insight into the lives of the characters. She is a supreme stylist and clever writer. Reading her is an addictive experience'-Elizabeth Buchan. In pre-war London, Lady Celia Lytton is the perfect host. Beautiful, intelligent and determined, she throws glittering parties, publishes bestselling books, and enjoys her young family and loving husband. But there are tragedies her family will not escape: the Titanic, the First World War, the flu epidemic. And beneath their perfect image, the Lyttons cannot ignore the changing world around them. In the shattering aftermath of the War, Celia is beginning to understand that there will be a price to pay for the life she has chosen, that is greater than she could ever have imagined...
1970- issued in 2 vols.: v. 1, General reference, social sciences, history, economics, business; v. 2, Fine arts, humanities, science and engineering.
A quick, easy and important educational comic guide to using gender-neutral pronouns. "A great, simple look at the importance of using correct pronouns; extremely accessible to those for whom gender-neutral language is a new concept." –– School Library Journal (starred review) Archie, a snarky genderqueer artist, is tired of people not understanding gender neutral pronouns. Tristan, a cisgender dude, is looking for an easy way to introduce gender neutral pronouns to his increasingly diverse workplace. The longtime best friends team up in this short and fun comic guide that explains what pronouns are, why they matter, and how to use them. They also include what to do if you make a mistake, and some tips-and-tricks for those who identify outside of the binary to keep themselves safe in this binary-centric world. A quick and easy resource for people who use they/them pronouns, and people who want to learn more! 2018 Chicago Public Library Best Books of the Year - Teen Nonfiction Publishers Weekly Favorite Reads of 2018 Autostraddle 20 Best LGBTQ Graphic Novels of 2018
Wilson singles out those whose lives illuminate the 19th century--Darwin, Marx, Gladstone, Kipling, and others--and explains through these signature lives how Victorian England started a revolution that still hasn't ended. of illustrations.
The fourth companion to a novel by or the works generally by Charles Dickens (1812-70) Newlin has produced. In a collection of primary documents, collateral readings, and essays, most of them excerpts from longer pieces he explores such aspects as what a gentleman of the early 19th century was, apprenticeship and the blacksmith, and making a fortune in Australia.
The Antinomies of Realism is a history ofthe nineteenth-century realist novel and its legacy told without a glimmer of nostalgia for artistic achievements that the movement of history makes it impossible to recreate. The works of Zola, Tolstoy, Pérez Galdós, and George Eliot are in the most profound sense inimitable, yet continue to dominate the novel form to this day. Novels to emerge since struggle to reconcile the social conditions of their own creation with the history of this mode of writing: the so-called modernist novel is one attempted solution to this conflict, as is the ever-more impoverished variety of commercial narratives – what today’s book reviewers dub “serious novels,” which are an attempt at the impossible endeavor to roll back the past. Fredric Jameson examines the most influential theories of artistic and literary realism, approaching the subject himself in terms of the social and historical preconditions for realism’s emergence. The realist novel combined an attention to the body and its states of feeling with a focus on the quest for individual realization within the confines of history. In contemporary writing, other forms of representation – for which the term “postmodern” is too glib – have become visible: for example, in the historical fiction of Hilary Mantel or the stylistic plurality of David Mitchell’s novels. Contemporary fiction is shown to be conducting startling experiments in the representation of new realities of a global social totality, modern technological warfare, and historical developments that, although they saturate every corner of our lives, only become apparent on rare occasions and by way of the strangest formal and artistic devices. In a coda, Jameson explains how “realistic” narratives survived the end of classical realism. In effect, he provides an argument for the serious study of popular fiction and mass culture that transcends lazy journalism and the easy platitudes of recent cultural studies.