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Through seventeen powerful testimonies, Syrian-Palestinian poet Ramy Al-Asheq's Ever SInce I Did Not Die is a poignant autobiographical journey that vividly depicts what it means to live through war. The texts gathered in Ever Since I Did Not Die by Syrian-Palestinian poet Ramy Al-Asheq are a poignant record of a fateful journey. Having grown up in a refugee camp in Damascus, Al-Asheq was imprisoned and persecuted by the regime in 2011 during the Syrian Revolution. He was released from jail, only to be recaptured and imprisoned in Jordan. After escaping from prison, he spent two years in Jordan under a fake name and passport, during which he won a literary fellowship that allowed him to travel to Germany in 2014, where he now lives and writes in exile. Through seventeen powerful testimonies, Ever Since I Did Not Die vividly depicts what it means to live through war. Exquisitely weaving the past with the present and fond memories with brutal realities, this volume celebrates resistance through words that refuse to surrender and continue to create beauty amidst destruction--one of the most potent ways to survive in the darkest of hours.
This beautiful and moving poem, by an unknown author, was left by a soldier killed in Ulster "to all my loved ones". This special edition, sensitively illustrated with delicate drawings by Paul Saunders, is intended as a lasting keepsake for those mourning a loved one.
This book is a life raft in a grief storm. From the first gripping chapter, when Debbie's husband dies expectedly in her arms, she takes readers by the hand and offers them gentle insights for healing and hope, while sharing her powerful story of loss. As a psychotherapist specializing in trauma and grief, Debbie and her wisdom can help you too.
The author and psychotherapist shares her journey of illness and recovery in this inspiring guide to living your life to the fullest. In I Will Not Die an Unlived Life, Dawna Markova recounts her incredible journey from being diagnosed with a life-threatening illness to finding deeper meaning in her life. Along the way, she guides readers toward discovering their own sense of value and purpose. When we feel lost, Markova points out, we can either continue to live habitual lives and resign our strength—or we can choose to follow our passions. Many of us have times of feeling stagnant and sapped of energy. Rather than judging these moments negatively, Dr. Markova reframes them as periods of rest for our passions. In doing so, she challenges us to slow down and stay in touch with ourselves. Poetic and inspiring, I Will Not Die an Unlived Life is a powerful reminder that it is never too late to live your life.
WHY I DID NOT DIE A BOOK ON A LIFE OF RESILIENCE; A LIFE OF HARDINESS; A LIFE OF PLIABILITY LESSONS TAUGHT THROUGH REAL-LIFE NEAR-DEATH INCIDENTS. FATE LIFE & DEATH. A SIMPLE CYCLE. FATE ARE BIRTH & DEATH NOT PRESCRIBED? IS DEATH NOT A SIDE EFFECT OF LIVING? FATE ARE WE GIVEN MORE THAN ONE CHANCE, FOR OUR LAST DAY TO BE OUR LAST? HOW DOES ONE CONTEST FATE? FATE AFTER LIFE, DEATH HAS TO INEVITABLY FOLLOW. IT IS SIMPLY WRITTEN. IS THIS FATE?
A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.
Khorramshahr, Iran, May 1982—It was the bloodiest battle of one of the most brutal wars of the twentieth century, and Najah, a twenty-nine-year-old wounded Iraqi conscript, was face to face with a thirteen-year-old Iranian child soldier who was ordered to kill him. Instead, the boy committed an astonishing act of mercy. It was an act that decades later would save his own life. This is a remarkable story. It is gut-wrenching, essential, and astonishing. It’s a war story. A love story. A page-turner of vast moral dimensions. An eloquent and haunting act of witness to horrors beyond grimmest fiction, and a thing of towering beauty. More importantly, it is a story that must be told, and a richly textured view into an overlooked conflict and misunderstood region. This is the great untold story of the children and young men whose lives were sacrificed at the whim of vicious dictators and pointless, barbaric wars. Little has been written of the Iran-Iraq war, which was among the most brutal conflicts of the twentieth century, one fought with chemical weapons, ballistic missiles, and cadres of child soldiers. The numbers involved are staggering: —All told, it claimed 700,000 lives—200,000 Iraqis, and 500,000 Iranians. —Young men of military service age—eighteen and above in Iraq, fifteen and above in Iran—died in the greatest numbers. —80,000 Iranian child soldiers were killed, mostly between the ages of sixteen and seventeen. —The two countries spent a combined 1.1 trillion dollars fighting the war. Rarely does this kind of reportage succeed so power- fully as literature. More rarely still does such searingly brilliant literature—fit to stand beside Remarque, Hemingway, and O’Brien—emerge from behind “enemy” lines. But Zahed, a child, and Najah, a young restaurateur, are rare men—not just survivors, but masterful, wondrously gifted storytellers. Written with award-winning journalist Meredith May, this is literature of a very high order, set down with passion, urgency, and consummate skill. This story is an affirmation that, in the end, it is our humanity that transcends politics and borders and saves us all.
“Forty years of tireless activism coupled with and fueled by flawless art.” —Toni Morrison Some of Us Did Not Die brings together the seminal essays of June Jordan, the widely acclaimed Black American writer known for her fierce commitment to human rights and political activism. Spanning the length of her extraordinary career, and including her last writings, the essays in this collection reveal Jordan as an incisive analyst of injustice, democracy, and literature. Willing to venture into the most painful contradictions of culture and politics, Jordan comes back with lyrical honesty, wit, and wide-ranging intelligence that resonates sharply to this day.
From the globally acclaimed, best-selling novelist and author of We Should All Be Feminists, a timely and deeply personal account of the loss of her father: “With raw eloquence, Notes on Grief … captures the bewildering messiness of loss in a society that requires serenity, when you’d rather just scream. Grief is impolite ... Adichie’s words put welcome, authentic voice to this most universal of emotions, which is also one of the most universally avoided” (The Washington Post). Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie's beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure. Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the page—and never without touches of rich, honest humor—Adichie weaves together her own experience of her father’s death with threads of his life story, from his remarkable survival during the Biafran war, through a long career as a statistics professor, into the days of the pandemic in which he’d stay connected with his children and grandchildren over video chat from the family home in Abba, Nigeria. In the compact format of We Should All Be Feminists and Dear Ijeawele, Adichie delivers a gem of a book—a book that fundamentally connects us to one another as it probes one of the most universal human experiences. Notes on Grief is a book for this moment—a work readers will treasure and share now more than ever—and yet will prove durable and timeless, an indispensable addition to Adichie's canon.