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Why should America try to be more like countries that are worse in nearly every way? Europe has been declining under the weight of its antiquated institutions, economic fatigue, moral anemia and cultural surrender. Yet American politicians, technocrats, academics, and pundits argue, with increasing popularity, that Americans should look across the Atlantic for solutions to the nation’s problems, including on issues like health care, the welfare state, immigration, and a bloated bureaucracy. In Eurotrash, David Harsanyi argues we are looking in the wrong place. By every economic and societal measure, the United States is more tolerant than Europe. It is more welcoming of immigrants, but also far more successful at assimilating them. Minorities do far better in United States. Our economy is dominant. Only one European company appears in top 10 corporate powerhouses in the world and only seven in the top 50. Americans make up nearly half of the list. Americans are far more charitable and happier than Europeans. Our slightly lower life expectancy and our slightly higher infant mortality rate are not a result of substandard care, but a statistical misunderstanding based on the fact we treat every life as one worth saving. In this biting, fast-moving, and well-researched polemic, Harsanyi debunks prevailing notions about European supremacy and makes an unapologetic case for American exceptionalism, offering insight and reasoned arguments to counter current policy prescriptions.
Whether defined by comic excesses, cult horrors, or surreal vampire experimentations, trash and exploitation cinema represents the alternative face of European film. Although extremely popular with post-war audiences, these historically significant traditions of 'Eurotrash' have often been ridiculed or ignored by an established film criticism eager to define 'legitimate' European cinema as either avant-garde or socially realist. Alternative Europe: Eurotrash and Exploitation Cinema Since 1945 investigates these previously under-explored national traditions of film culture, with essays and festival reports uncovering the social and cultural trends and tensions within a wide range of European exploitation movies. The volume considers such engaging and challenging topics as Russian, Belgian and Italian horror cinema, Gothic musclemen movies, Nazi 'sexploitation' cycles, German erotic cinema and 1970s European 'rogue cop' thrillers. Alternative Europe also includes interviews with trash directors and icons such as Brian Yuzna, J'rg Buttgereit and Giovanni Lombardo Radice.
In 1980, there were exactly four professional bike racers in America. Six years later, an American cycling team would wear the coveted yellow jersey of the Tour de France. And that same team would go on to win Italy's greatest race--the Giro d'Italia--only two years later. Team 7-Eleven is the extraordinary story of how two Olympic speed skaters, Jim Ochowicz and Eric Heiden, pulled together a small group of amateur cyclists and turned them into one of the greatest cycling teams the sport has known. From humble beginnings in a barn in Pennsylvania to soaring victories in the French Alps, Team 7-Eleven is the complete history that has never been fully told--until now. The 7-Eleven Cycling Team--Team 7-Eleven for short--launched the careers of American cycling superstars Andy Hampsten, Davis Phinney, Bob Roll, Ron Kiefel, and many more. It also changed the cycling world, creating a new team structure based on multiple stars, unified goals, and personal sacrifice for the greater good. And yet at the time it was formed, the number of American cyclists with world-class experience could be counted--literally--on one hand. And the number of American teams that competed in Europe's biggest races was exactly zero. Team 7-Eleven is the amazing story of how two cycling fans found one exceptional sponsor and created the greatest American cycling team of its era. Written with the enthusiastic cooperation of the team members, Team 7-Eleven will impress cycling fans with behind-the-scenes stories of the team's founding, its growing pains, and its lasting success as the team that established America as a powerhouse in the world of professional cycling.
"Irvine Welsh's scintillating, disturbing, and altogether outrageous collection of stories—the basis for the 1998 cult movie directed by Paul McGuigan"--
'I am blown away by the level of detail Phil Cavell brings to his work.' – Elinor Barker MBE, multiple world champion and Olympic gold medallist 'The Midlife Cyclist is a triumph' – Cycling Plus 'An amazing accomplishment... a simple-to-understand précis of your midlife as a cyclist – you won't want to put it down.' – Phil Liggett, TV cycling commentator 'Phil is eminently qualified to write The Midlife Cyclist. Well, he is certainly old enough.' – Fabian Cancellara, Tour de France rider and two-time Olympic champion Renowned cycling biomechanics pioneer, Phil Cavell, explores the growing trend of middle-aged and older cyclists seeking to achieve high-level performance. Using contributions from leading coaches, ex-professionals and pro-team doctors, he produces the ultimate manifesto for mature riders who want to stay healthy, avoid injury – and maximise their achievement levels. Time's arrow traditionally plots an incremental path into declining strength and speed for all of us. But we are different to every other generation of cyclists in human history. An ever-growing number of us are determined to scale the highest peaks of elite physical fitness into middle-age and beyond. Can the emerging medical and scientific research help us achieve the holy triumvirate of speed and health with age? The Midlife Cyclist offers a gold standard road-map for the mature cyclist who aims to train, perform and even race at the highest possible level.
This volume explores the lower reaches of cinema and its paradoxical appeal. It looks at films from the B-movies of the 1930s to the mockbusters of today, and from the New York underground to the genre variations of Turkey's Yesilçam studios (and their YouTube afterlife). Critically examining the reasons for studying, denigrating, or celebrating the detritus of film history, it also considers the place of a trash aesthetic within and beyond 1960s American avant-garde and looks at the cult of trash in the fanzines of the 1980s. It draws on debates about cult, paracinema, and camp, arguing that trash cinema exists in relation to these but brings with it a particular history that includes the ordinary as well as the strange. Trash Cinema places these debates, and the strand of self-proclaimed low culture that emerged in the second half of the twentieth century, within a historical and international perspective. It focuses on American cinema history but addresses Eurotrash reception as well as the related field of garbology, examining trash cinema as a distinct but fluid category.
What's wrong with Europe? Ignoring the fact that the EU is a grotesque, officious money sucking totalitarian machine that devours national sovereignty and pukes out unwanted, unwelcome and intrusive legislation, there's a whole variety of other reasons including: Shops that open at 10am and close at 4pm - with a two-hour lunch break in between. Oompah bands. Restaurant staff with the manners of a gibbon and the sense of urgency of a sloth. Parisians. Police forces who are the bastard offspring of the Gestapo and the Stasi. The whole concept of 'mañana. 'National costumes that are as preposterous as they are pointless. Polish spelling. Drivers who view speed limits as targets rather than warnings. Yodelling. Bouzouki music. Street signs that are a homage to small typography rather than an actual guide to your location. Donkey abuse. Women who act under the misguided idea that armpit hair is remotely sexy. The 24hr clock. Using a comma as a decimal point. Father Abraham and the Smurfs. Eurodisco. Eurozone. Eurotrash. Eurovision. Anything else preceded by the word 'Euro' (apart from Euro sceptic). The Cheeky Girls. This is less of a guidebook and more of a warning...
“What are you working on?” “An anthology of blogs.” “I didn’t know you had a blog.” “I don’t. It’s an anthology of other people’s blogs.” “How do you find good blogs?” “I read. I surf. I look at blog contests. I follow links. I ask people about the blogs they like.” “Is a good blog hard to find?” “Yes. Very.” A Book of Blogs? WTF!! Sarah Boxer, a former New York Times reporter and critic, travels through the blogosphere (more than 80 million blogs — and counting) and finds some masterpieces along the way. Among the bloggers in the anthology are: two fashion critics mocking the inexplicable “fugliness” of celebrities a Marine Corps lieutenant stationed in Fallujah in 2006 a 19-year old student in Singapore cheerfully pining for her ex an illustrator’s tiny saga of a rodent and his ball of crap Odysseus’s sidekick telling his side of the Iliad and Odyssey Revealing and deceptive, grand and niggling, worldly and parochial, these blogs comprise a snapshot of life on the wild, wild Web.
Tracing the history of economic sanctions from the blockades of World War I to the policing of colonial empires and the interwar confrontation with fascism, Nicholas Mulder combines political, economic, legal, and military history to reveal how a coercive wartime tool was adopted as an instrument of peacekeeping by the League of Nations.This timely study casts an overdue light on why sanctions are widely considered a form of war, and why their unintended consequences are so tremendous.