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Drawing on analyses of the socio-cultural context of East and Central Europe, with a special focus on the Czech cultural dynamics of the Cold War and its aftermath, this book offers a study of the making and breaking of the centrally-controlled system of book production and reception. It explores the social, material and symbolic reproduction of the printed text, in both official and alternative spheres, and patterns of dissemination and reading. Building on archival research, statistical data, media analyses, and in-depth interviews with the participants of the post-1989 de-centralization and privatization of the book world, it revisits the established notions of ‘censorship’ and ‘revolution’ in order to uncover people’s performances that contributed to both the reproduction and erosion of the ‘old regime’.
Jacques Rupnik, one of the foremost experts on Eastern Europe, looks at the countries behind the Iron Curtain not merely as subjects of the Soviet Empire, but from within. Proposing a new way of thinking about the "other Europe"--One which takes seriously the predicament of individual nations squeezed between two superpowers -- Rupnik analyzes what made the Communist takeovers possible in the first place, describes the repressive delirium of the Stalinist era, and examines the demise of Marxism-Leninism both as ideology and as a credible system of government. Rupnik analyzes the lessons learned from previous attempts at reform and concludes that change is now taking place in the context of decay -- economic, social, environmental, and political -- and may bring about the retreat of the Communist Party. Finally he considers the "Gorbachev factor" : will reform in Moscow accelerate the dynamics of change, or will it force the Soviet Union to strengthen its hold on the outposts of its empire, the countries of the "other Europe"? - Jacket flap.
Like a navigator, Derrida sets out from a Europe that has always defined itself as the capital of culture, the headland of thought, in whose name and for whose benefit exploration of other lands, other peoples, and other ways of thinking has been carried out. If such Eurocentric biases are not to be repeated, Derrida warns, the question of Europe must be asked in a new way; it must be asked by recalling another heading. Not only is it necessary for Europe to be responsible for the other, but its own identity is actually constituted by the other. Rejecting the easy or programmatic solutions of Euruocentrism or anti-Eurocentrism, of total unification or complete dispersion, Derrida argues for the necessity of working with and from the Enlightenment values of liberal democracy while at the same time recalling that these values do not themselves ensure respect for the other.
Cinema of the Other Europe: The Industry and Artistry of East Central European Film is a comprehensive study of the cinematic traditions of Poland, Hungary, the Czech Republic and Slovakia from 1945 to the present day, exploring the major schools of filmmaking and the main stages of development across the region during the period of state socialism up until the end of the Cold War, as well as more recent transformations post-1989. In encouraging a more inclusive and comprehensive understanding of European cinema, much needed for the new unified Europe `enlarged' towards its Eastern periphery, this book maps out the interactions, key concerns, thematic spheres and stylistic particularities that make the cinema of East Central Europe a vital part of European film tradition. Cinema of the Other Europe is thus a timely appraisal of Film Studies debates ranging from the representation of history and memory, the reassessment of political content, ethics and society, the rehabilitation of popular cinema, and the rethinking of national and regional cinemas in the context of globalisation.
This book contributes to the debate on what Europe is by demonstrating the complexities and contradictions inherent in the concept. They are seen most clearly when Europe is viewed from a long historical perspective. During the closing decades of the twentieth century Europe emerged as one of the main points of reference in both the cultural and the political constructs of the global community. An obsession with the concept of European identity is readily identifiable. European identity is usually seen in relation to national identity, either in an uneasy opposition to it, that is, as an alternative to the nation, or in a situation in which it overlaps with and complements the nation. The structure of national identity is «projected» onto European identity, and this projection has an ideological underpinning, for no projection is ever non-interested or non-ideological. This process of identity construction provokes searching questions which the book aims to address. At the same time the book explores the opportunities offered by the concept of Europe to see how it may be used in the construction of the future. The approach is one of both deconstruction and reconstruction. The issue of Europe is closely related in the book to more general issues relating to the cultural construction of community. The book should therefore be seen as the companion of Myth and Memory in the Construction of Community, which also is published by PIE-Peter Lang in the series Multiple Europes.
Drawing on archaeological and narrative sources, this collection of studies offers a fresh look at some of the most interesting aspects of the current research on the medieval nomads of Eastern Europe.
First published in 1998, this volume focuses critically on the European identity of the law of the European Union, of national law and the law of human rights. It is primarily concerned with the ways in which European identity is created through the rejection of a malign Other constituted in opposition to all that a virtuous Europe and its law, are supposed to be. The construction of this Other is explored in claims of the EU legal order to a unity and coherence transcending the nation-state; in the assertion of a European identity through laws effecting cultural, immigration and security policies; and in the claims to a lofty 'European-ness' made by national law and the European Convention on Human Rights. A major contribution to the understanding of European Law in the terms of the debates over modernity and postmodernity, this book will interest those involved with studies of the European Union and its law, with critical legal studies and also with socio-legal studies.
European Memory in Populism explores the links between memory and populism in contemporary Europe. Focusing on circulating ideas of memory, especially European memory, in contemporary populist discourses, the book also analyses populist ideas in sites and practices of remembrance that usually tend to go unnoticed. More broadly, the theoretical heart of the book reflects upon the similarities, differences, and slippages between memory, populism, nationalism, and cultural racism and the ways in which social memory contributes to give substance to various ideas of what constitutes the ‘people’ in populist discourse and beyond. Bringing together a group of political scientists, anthropologists, and cultural and memory studies scholars, the book illuminates the relationship between memory and populism from different angles and in different contexts. The contributors to the volume discuss dominant notions of European heritage that circulate in the public sphere and in political discourse, and consider how the politics of fear relates to such notions of European heritage and identity across and beyond Europe and the European Union. Ultimately, this volume will shed light on how notions of a shared European heritage and memory can be used not only to include and connect Europeans, but also to exclude some of them. Investigating the ways in which nationalist populist forces mobilize the idea of a shared, homogeneous European civilization, European Memory in Populism will be of interest to scholars and students in the fields of European studies, heritage and memory studies, migration studies, anthropology, political science and sociology. Chapters 1, 4, 6, and 10 of this book are freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non-Commercial-No-Derivatives 4.0 license.
The interchange between Muslims and Europe has a long and complicated history, dating back to before the idea of 'Europe' was born, and the earliest years of Islam. There has been a Muslim presence on the European continent before, but never has it been so significant, particularly in Western Europe. With more Muslims in Europe than in many countries of the Muslim world, they have found themselves in the position of challenging what it means to be a European in a secular society of the 21st century. At the same time, the European context has caused many Muslims to re-think what is essential to them in religious terms in their new reality.In this work, H.A. Hellyer analyses the prospects for a European future where pluralism is accepted within unified societies, and the presence of a Muslim community that is of Europe, not simply in it.
The Other Europe is a general history of Eastern Europe, from the earliest times to the end of World War II. Walters provides an informed and interpretively refreshing focus on this key region. Walters' objective is to acquaint the student and nonspecialist reader with the complex past of this politically and culturally important area. The general lack of knowledge about Eastern Europe is in part due to the vast diversity of its lands (language barriers themselves have daunted many scholars) and to the fact that, before the imposition of the Soviet template in 1944-45, what is now called Eastern Europe was not usually perceived as a distinct geopolitical entity. "The other Europe" as defined by Walters encompasses Poland, Czechoslovakia, Hungary, Romania, Yugoslavia, Bulgaria, and Albania. Today these countries form the strategic zone between Western Europe and the Soviet Union. Walters emphasizes the phenomenon of nationalism because of its varied manifestations in the region, and he examines the way each nation sees itself, its neighbors, and the world beyond. The Other Europe describes the major events—predominantly revolution and war—that have shaped these countries' national consciousnesses and their distinctive cultural heritages.