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Europe as we've known it is a dying myth, but colonial relations live on.
As the French Presidential elections clearly demonstrated in the Spring of 2002, the popularity of far right parties is gaining ever more strength. From the National Front in France to the British National Party, anti-immigration, anti-European Union platforms are winning more voters. The numbers alone are striking: the National Front in France received nearly eighteen percent of the nationwide vote in 2002 Presidential run-off between Chirac and Le Pen; the Swiss People's Party received 23 percent of the popular vote in a 1999 election; and Jorg Haider's Austrian Freedom Party moved from near collapse to second place in the 1999 election. The essays in Shadows Over Europe explore this growing presence of extreme right political parties in governments throughout Europe. These parties can no longer be dismissed as anomalous or temporary. It is clear that they have established an enduring presence in European politics. The contributors to this volume explore the origins of this trend, why they have gained such support, and where these parties might be headed. They explore the policy orientations of these parties and their role in electoral politics across the continent. Together, these essays provide a significant contribution toward understanding the rise and impact of the far right in Europe.
"A history of Romania traces the author's intellectual development throughout his extensive visits to the country, sharing his observations about its reflection of European politics, geography and key events while exploring the indelible role of Vladimir Putin."--NoveList.
The essays in this collection, the fourth in a series on the problem of total war, examine the inter-war period.
“Kingdom of Shadows must be called a spy novel, but it transcends genre, as did some Graham Greene and Eric Ambler classics.”—The Washington Post Paris, 1938. As Europe edges toward war, Nicholas Morath, an urbane former cavalry officer, spends his days working at the small advertising agency he owns and his nights in the bohemian circles of his Argentine mistress. But Morath has been recruited by his uncle, Count Janos Polanyi, a diplomat in the Hungarian legation, for operations against Hitler’s Germany. It is Morath who does Polanyi’s clandestine work, moving between the beach cafés of Juan-les-Pins and the forests of Ruthenia, from Czech fortresses in the Sudetenland to the private gardens of the déclassé royalty in Budapest. The web Polanyi spins for Morath is deep and complex and pits him against German intelligence officers, NKVD renegades, and Croat assassins in a shadow war of treachery and uncertain loyalties, a war that Hungary cannot afford to lose. Alan Furst is frequently compared with Eric Ambler, Graham Greene, and John le Carré, but Kingdom of Shadows is distinctive and entirely original. It is Furst at his very best. Praise for Kingdom of Shadows “Kingdom of Shadows offers a realm of glamour and peril that are seamlessly intertwined and seem to arise effortlessly from the author’s consciousness.”—Janet Maslin, The New York Times “Subtly spun, sensitive to nuances, generous with contemporary detail and information discreetly conveyed. . . . It’s hard to overestimate Kingdom of Shadows.”—Eugen Weber, Los Angeles Times “A triumph: evocative, heartfelt, knowing and witty.”—Robert J. Hughes, The Wall Street Journal “Imagine discovering an unscreened espionage thriller from the late 1930s, a classic black- and- white movie that captures the murky allegiances and moral ambiguity of Europe on the brink of war. . . . Nothing can be like watching Casablanca for the first time, but Furst comes closer than anyone has in years.”—Walter Shapiro, Time
Women are conspicuously absent from traditional cultural histories of south-east Europe. This book addresses that imbalance by describing the contribution of women to literary culture in the Orthodox/ Ottoman areas of Serbia and Bosnia. The first complete literary history in relation to women's writing in south-east Europe. The author provides a broad chronological account of this contribution, dividing the book into two main parts; the earlier period up until the eighteenth century concentrates on the projections of gender through the medium of oral tradition and the lives of a handful of educated women in medieval Serbia and the few works of literature they left. Hawkesworth also looks at the written literature produced by women, first in the mid-nineteenth century and then at the turn of the century. The second part focuses on the trials and tribulations that affected feminism and women's literature throughout the twentieth century. The author finishes by highlighting the new women's movement, 1975-1990, a great period for women in Yugoslavia which created a stimulating atmosphere for outstanding pieces of women's journalism, prose and verse, culminating in the creation of new women's studies courses in many universities.
The New York Times bestseller “The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero.” —Entertainment Weekly (Editor's Choice) “One gorgeous read.” —Stephen King Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets--an epic story of murder, madness, and doomed love.
A broad exploration of the collision and coexistence of classical and modernizing forces within tragic drama during the Enlightenment.
In Spain today the civil war remains 'the past that will not pass away'. The author explores the origins, nature and long-term consequences of this exterminatory war in Spain, charting the resonant forms of political, social and cultural resistance to it and the memory/legacy these have left behind in Europe and beyond.
Whether victorious or not, Central European states faced fundamental challenges after the First World War as they struggled to contain ongoing violence and forge peaceful societies. This collection explores the various forms of violence these nations confronted during this period, which effectively transformed the region into a laboratory for state-building. Employing a bottom-up approach to understanding everyday life, these studies trace the contours of individual and mass violence in the interwar era while illuminating their effects upon politics, intellectual developments, and the arts.