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This is volume one of four. This very rare and long out of print biographical work is a must for any Mason with a desire for Masonic research. This is NOT a photocopy of the original work, but a completely new, re-type set edition. While a few editorial changes have been made the work is for the most part as it was when first published. The largest change is the addenda that was at the end of the 4th edition. The addenda was a collection of corrections and additions to the work. We have incorporated the corrections and additions into the work itself removing the need for the addenda. DON'T FORGET: This is a FOUR book set with each book sold separately. The ISBNs are: 1887560319, 1887560793, 1887560424 & 1887560068.
Many have heard of the Thirty-third Degree and the Scottish Rite, but lesser known is that it sprung from an equally important Masonic system. Created by the Frenchman Stephen Morin in the 1760s, the 25-degree system known as the "Order of the Royal Secret" used many of the most important Masonic degrees of the time. With its genesis in the French Caribbean, by 1764 these "high degrees" were established in New Orleans, and by 1767 they were brought to Albany, New York. Ultimately, its rituals were absorbed into the Scottish Rite at its creation in 1801. This original work, copied from a rare manuscript, provides the complete original system, from 4° Secret Master, to 25° Prince of the Royal Secret. Also included are the detached degrees of Select Master of 27°, Knight of the Royal Arch, and Grand Master Ecose, which appeared at the back of the original manuscript.
A surprisingly large number of English poets have either belonged to a secret society, or been strongly influenced by its tenets. One of the best known examples is Christopher Smart’s membership of the Freemasons, and the resulting influence of Masonic doctrines on A Song to David. However, many other poets have belonged to, or been influenced by not only the Freemasons, but the Rosicrucians, Gormogons and Hell-Fire Clubs. First published in 1986, this study concentrates on five major examples: Smart, Burns, William Blake, William Butler Yeats and Rudyard Kipling, as well as a number of other poets. Marie Roberts questions why so many poets have been powerfully attracted to the secret societies, and considers the effectiveness of poetry as a medium for conveying secret emblems and ritual. She shows how some poets believed that poetry would prove a hidden symbolic language in which to reveal great truths. The beliefs of these poets are as diverse as their practice, and this book sheds fascinating light on several major writers.