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This edition includes a line by line English translation together with the native Russian (written in Cyrillic) for the opera goer.
Eugene Onegin is the most popular of Tchaikovsky's operas. Entitled 'Lyrical Scenes after Pushkin' by the composer, the work takes as its basis the poem of the same name by the great Russian writer Alexander Pushkin. Its story of the unrequited love of Tatyana for the world-weary Onegin has exerted an irresistible hold over audiences for over a hundred years. With its combination of intimate private moments and sumptuous public scenes, the opera is one of the most fully achieved ever written.In this guide there is an article comparing Pushkin's original with its treatment in the opera, a detailed musical analysis and an appreciation of Tchaikovsky's particular skill as a word-setter. An essay on its performance history details the contributions of the most notable artists who have taken part in productions of the work. Illustrations, a thematic guide, the full libretto with English translation and reference sections are also included.Contains:Pushkin into Tchaikovsky, Caryl EmersonTchaikovsky's Eugene Onegin, Roland John WileyAn Appreciation of Eugene Onegin, Natalia ChallisA Domestic Love, Marina Frolova-WalkerEugene Onegin: A Selective Performance History, John AllisonEugene Onegin: Libretto by Pyotr Ilyich Tchaikovsky, Konstantin Shilovsky and Modest Tchaikovsky after the novel in verse by Alexander PushkinEugene Onegin: English Translation by Opernfuehrer
This tender, lyrical and passionate story of unrequited love holds a special place in Russian hearts. Tatyana's letter scene and the Polonaise are two much loved glories of the score; each act is tightly constructed around an antithesis of public and private scenes, and the dances are integral to the drama. The essence of both opera and poem is yearning, whether the artist's quest for his muse, or the lover for the beloved. Both poet and composer are true, in different ways, to this theme. The essays included in this guide explore the subtle and unexpected relationship between the words and music in Tchaikovsky's intimate 'Lyrical Scenes after Pushkin'.Contents: Pushkin into Tchaikovsky: Caustic Novel, Sentimental Opera, Caryl Emerson; Tchaikovsky's 'Eugene Onegin', Roland John Wiley; An Appreciation of 'Eugene Onegin', Natalia Challis; Eugene Onegin: Libretto by Konstantin Shilovsky and Pyotr Tchaikovsky; Eugene Onegin: English translation by David Lloyd-Jones
The great Russian composer Piotr Ilyich Tchaikovsky was a compulsive letter writer.
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
"Anna Akhmatova is known as one of twentieth-century Russia's greatest poets, a member of the quartet that included Mandelstam, Pasternak, and Tsvetaeva. This is the first paperback collection of her prose available in English." "The subjects of her memoirs are extraordinary: she describes Modigliani as she knew him in Paris, Blok near the end of his days, and Mandelstam as a close friend. The autobiographical prose section reveals the elusive poet's personality more clearly than any biography could, including her thoughts about how difficult it was to be a poet at a time when women writers were rarely taken seriously." --Book Jacket.
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A stunning, operatic, epic drama, like no other. Meet Hel, an ordinary teenager - and goddess of the Underworld. Why is life so unfair? Hel tries to make the bets of it, creating gleaming halls in her dark kingdom and welcoming the dead who she is forced to host for eternity. Until eternity itself is threatened. Francesca's first and wonderful foray into teen.
The first major Russian novel, A Hero of Our Time was both lauded and reviled upon publication. Its dissipated hero, twenty-five-year-old Pechorin, is a beautiful and magnetic but nihilistic young army officer, bored by life and indifferent to his many sexual conquests. Chronicling his unforgettable adventures in the Caucasus involving brigands, smugglers, soldiers, rivals, and lovers, this classic tale of alienation influenced Tolstoy, Dostoyevsky, and Chekhov in Lermontov’s own century, and finds its modern-day counterparts in Anthony Burgess’s A Clockwork Orange, the novels of Chuck Palahniuk, and the films and plays of Neil LaBute.