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Etudes Electric was composed in response to a need for original electric guitar literature. Selections from this volume may be performed in an applied music jury or recital in a university guitar program. the etudes are motivically intertwined and make a complete composition when performed in order. the pieces can however be performed singly or in any combination. the pieces appear twice in this edition—once unedited in standard notation alone, and then fully edited in standard notation with rhythmic tablature.
Franz Simandl (1840-1912) was a double-bassist and pedagogue most remembered for his book "New Method for the Double Bass." Simandl studied at the Prague Conservatory with Josef Hrabe before becoming the principal bassist in the Vienna Court Opera Orchestra. This collection of 30 Etudes ranges from basic to complex in scope and in difficulty.
Classical and Contemporary Studies for Bass Guitar combines essential studies from 19th century composer Giovanni Bottesini; the "Paganini of bass", with contemporary studies by Gilbert Isbin; one of the leading European composers for guitar, lute and bass. These 33 studies will help build not just your technique, but reading abilities and overall musicianship. The material is intended for serious bass students and can be played on a fretted or fretless bass. While Bottesini's works lie firmly in the classical genre, Isbin's studies bring in elements of classical, jazz and world music. All the studies are written in standard bass clef notation as well as tablature. Includes access to online audio recorded by Rob MacKillop for each study.
The versatility of the Electric Bass has been drawn the attention of musicians and jazz buffs throughout the world. While not a lick book itself, this book will teach you the skills necessary to master many contemporary bass lines and patterns. an ideal supplement to any bass method. This well-written text contains solos, etudes, and various studies in a number of positions. In addition, it integrates position playing with riffs, phrases, and chords. It is a valuable course of study that familiarizes the student with key relationships up the neck.
(Note this has standard notation only. There is a version with standard notation and TAB available, also)From the Foreword: Guitarists around the world are faced with a common set of obstacles when learning their instrument. When distilled, the essence of these obstacles becomes knowledge of technique vs musical knowledge. While both are important, the balance of the two disciplines is the key to being able to freely express one's musical ideas and operate at their creative peak. Whether composing or improvising, it is necessary to cultivate a broad musical vocabulary with depth and variety. In theory, once accomplished, one can use their technical ability to decorate the spaces in time with all of the colors of their musical knowledge.Noel Johnston, a brilliant guitarist in his own right and the author of this book you are now reading, was clever enough to identify and organize some of the most useful strategies for learning the "colors" of the modes. He has pulled back the curtain on the often confusing topic of modes by systematically exposing their personalities with fresh sounding etude exercises and a game of rolling the "modal dice." He devised a sportive way to explore their sounds during practice while intuitively ingraining them into your playing and writing. When you roll the modal dice you enter a world not dissimilar to muscle confusion in physical training. To make gains in physical exercise one must vary their training methods in a way that promotes new experience for each muscle group. By rolling the modal dice you also train yourself to adapt to a new creative environment which leads to being better prepared in any improvisational situation. The combined elements of this modal practice approach also improves one's ear training and pitch recognition.Noel Johnston's modal dice method reveals all guitarists' strengths and weaknesses while simultaneously providing fun ways to improve their overall musicality. This is by no means an insipid "Life Hack" guitar book nor is it a judgmental "Theory Wizard" treatise. This is a comprehensive way to enhance your understanding and appreciation of the modes and what they offer you as a guitarist/musician. If you have ever found yourself saying, "I wish there was a way that I could identify and understand why I like the sounds I hear in music" then this book is for you. Use it to your advantage and make the best music you can make. Thank Noel when you see him!(Dweezil Zappa - 2019
This volume explores a musical approach to developing jazz vocabulary around the drumset, featuring 60 exercises ranging in duration from short passages to extended solos. The book aims to teach a fundamental understanding of the jazz language, with an emphasis on musical components, such as melodicism, articulation, phrasing, texture, dynamics, and much more. Whether a beginner or seasoned pro, rock drummer or classical percussionist, the book will enhance every drummer's ability to play more musically.
(Guitar Educational). As a founding member and guitarist of progressive rock group Scale the Summit, Chris Letchford has earned a reputation as one of the genre's most technically fluent and unique players, seamlessly blending such diverse styles as jazz, instrumental rock, and metal. Equally adept on six-, seven-, or even eight-string guitar, Chris focuses on the six-string variety in Progressive Rock Guitar Licks , but includes a bonus section for the seven-string player. The 65 licks that comprise Progressive Rock Guitar Licks are demonstrated on the accompanying video and notated in both standard notation and tab. The licks are grouped according to the scales from which they are derived (A major, D harmonic minor, E Lydian, etc.) and include backing tracks, so you can immediately practice the licks with a full band! Techniques covered include: melodic and syncopated phrasing; slides, hammer-ons, and pull-offs; right- and left-hand tapping; alternate and sweep picking; string skipping; string bending; palm muting; arpeggios; vibrato; and more! The price of this book includes access to video and audio tracks online, for download or streaming, using the unique code inside the book!
(Berklee Guide). Increase your command of the guitar. Joe Stump reveals licks, techniques, and exerises to build your guitar technique. Learn licks and techniques comon in rock/metal sytles, and commit them to finger memory. The audio tracks include drum tracks for exercise practice, and backing tracks for Joe's technical etudes/solo transcriptions, which are notated in both tablature and traditional notation.
Compiled by Alwin Schroeder, a former cellist with the Boston Symphony Orchestra and an experienced teacher, this collection of 80 exercises constitutes the first book of a three-volume set. Schroeder drew upon his extensive experience to create original études for instructing students, and in this work he combines them with several others by his distinguished nineteenth-century European colleagues: Karl Schröder. Ferdinand Büchler, Friedrich Dotzauer, Auguste Franchomme, Friedrich Grützmacher, and Sebastian Lee. The carefully selected studies are arranged in order of increasing complexity, and Schroeder provides suggestions for fingering, bowing, and dynamics. Cello students and teachers will find these exercises a splendid resource for the improvement of technique and performance.