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First published in 1926, Drusilla Dunjee Houston (a self-taught historian), describes the origin of civilization and establishes links among the ancient Black populations in Arabia, Persia, Babylonia, and India. In each case she concludes that the ancient Blacks who inhabited these areas were all culturally related.
During the first seven centuries AD there arose at Aksum in the highlands of northern Ethiopia a unique African culture. Although its monuments have long been known, their full significance is only now being revealed. Ancient Aksum maintained wide-ranging international trade and produced an unparalleled coinage in gold, silver and copper. Its kings adopted Christianity in the fourth century AD and the Christian civilization of the Ethiopian highlands traces its origin to Aksumite roots. This book, based on the author's field research, presents an illustrated account of Aksumite civilization in its African and wider context.
"Focuses on the Aksumite state of the first millennium AD in northern Ethiopia and southern Eritrea, its development, florescence and eventual transformation into the so-called medieval civilisation of Christian Ethiopia. This book seeks to apply a common methodology, utilising archaeology, art-history, written documents and oral tradition from a wide variety of sources; the result is a far greater emphasis on continuity than previous studies have revealed. It is thus a major re-interpretation of a key development in Ethiopia's past, while raising and discussing methodological issues of the relationship between archaeology and other historical disciplines; these issues, which have theoretical significance extending far beyond Ethiopia, are discussed in full. The last millennium BC is seen as a time when northern Ethiopia and parts of Eritrea were inhabited by farming peoples whose ancestry may be traced far back into the local 'Late Stone Age'. Colonisation from southern Arabia, to which defining importance has been attached by earlier researchers, is now seen to have been brief in duration and small in scale, its effects largely restricted to ľite sections of the community. Re-consideration of inscriptions shows the need to abandon the established belief in a single 'Pre-Aksumite' state. New evidence for the rise of Aksum during the last centuries BC is critically evaluated. Finally, new chronological precision is provided for the decline of Aksum and the transfer of centralised political authority to more southerly regions. A new study of the ancient churches - both built and rock-hewn - which survive from this poorly-understood period emphasises once again a strong degree of continuity across periods that were previously regarded as distinct."--Publisher's website.
Adejumobi (history, Seattle U.) describes the history of Ethiopia for students and lay readers, devoting a large section to contemporary issues. The book includes an introductory overview of the country's geography, political institutions, economic structure, and culture. It explores shifting global and local power configurations from the late nineteenth century to the twentieth and related implications in Ethiopia and the Horn of Africa region, in addition to how the country sustained resources while involved with international, regional, and local politics. The country's independence, and social, political, and economic reforms are also discussed. Biographical sketches of important individuals are included.
Of the books authored by Martin R. Delany (1812-1885), The Origin of Races and Color is perhaps the most obscure. Out-of-print until now, it has been available to the public only through select libraries. At the time of its publication in 1879, this valuable resource presented a bold challenge to racist views of African inferiority. Delany wrote in opposition to a developing oppressive intellectualism that used Darwin's thesis, "the survival of the fittest," to support its demented theories of Black inferiority. Skillfully blending biblical history, archaeology and anthropology, Delany offered evidence to the "serious inquirer" suggesting the first humans were African, and that these Africans were ". . . builders of the pyramids, sculptors of the sphinxes, and original god-kings. . . ." With such radical assertions, Delany advanced a model of ancient history that contradicted the very foundation of intellectual racism. He believed knowledge of one's past was essential, and that it could provide Black people with the regenerative force necessary to inspire their self-improvement. Were he alive today, Delany would certainly feel at home with the present generation of Africancentrists, especially since he developed and articulated so many of their arguments more than a century ago.
This Bulletin and the exhibition it accompanies, "The Nelson A. Rockefeller Vision: In Pursuit of the Best in Arts of Africa, Oceania, and the Americas," reflect on an extraordinary act of philanthropy that was also a catalyst for momentous change in the art world. In establishing the Museum of Primitive Art (MPA) in 1956—the precursor to what is today the Department of the Arts of Africa, Oceania, and the Americas (AAOA) at the Metropolitan Museum—Nelson Rockefeller was a true pioneer, assembling what remains the greatest collection of fine art from these disparate fields. Perhaps even more important than this singular achievement, however, was Rockefeller's long campaign to place his collection at the Metropolitan Museum as a gift to the city and to the world, which he finally achieved in 1969 after nearly forty years of effort. Rockefeller's gift carried the unequivocal message that artists from Africa, Oceania, and the Americas are equal in every respect to those of their peers across the globe and throughout history. Yet until that time there was, famously, skepticism in the Western art world on this point as well as resistance from earlier generations of Metropolitan directors in viewing non-Western art as part of the institution's mission. Relying on his formidable powers of persuasion, Rockefeller eventually brokered an agreement to transfer the collections, staff, and library of the of the MPA to the Metropolitan, an astounding triumph that fundamentally changed the character of the museum, making the collections truly encyclopedic.