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Prisons systematically dehumanise the imprisoned. Visualised through mugshots and surveillance recordings, the incarcerated lose control of their own image and identity. The criminal justice system in the United States does not only carry out so-called justice in ways that compound inequality, it also minimises the possibility for empathetic encounters with those who are most marginalised. It is therefore urgent to understand how prisoners are portrayed by the carceral state and how this might be countered or recuperated. How can understanding the visual representation of prisoners help us confront the invisible forms of power in the American prison system? Ethical Portraits investigates the representation of the incarcerated in the United States criminal justice system, and the state’s failure to represent those incarcerated humanely. Through wide-ranging interviews and creative nonfiction, Hatty Nestor deconstructs the different roles of prison portraiture, such as in courtroom sketches, DNA profiling, and the incarceration of Chelsea Manning.
This book investigates the historical evolution of 'humanitarian photography' - the mobilization of photography in the service of humanitarian initiatives across state boundaries.
Since its invention in 1839, photography has often been at the center of important ethical debates and sensational trials, and photographers have frequently had to undergo censorship or manipulation of their work (sometimes with important repercussions for their reputations). This volume brings together a wide range of images, from the early days of photography to the present, that have been the focus of controversy or of legal proceedings. Some of these pictures are well known; others are published here for the first time. Controversies permits us a better understanding of how a society or culture perceives itself, enabling us to consider contemporary debates with a more critical eye. The book features works by Michael Light, Oliviero Toscani, Gary Gross, Frank Fournier, Andres Serrano, Annelies Strba, Marc Garanger, Man Ray and Lewis Carroll, among others.
Unveiling the unconventional : Kehinde Wiley's portrait of Barack Obama / Taína Caragol -- "Radical empathy" : Amy Sherald's portrait of Michelle Obama / Dorothy Moss -- The Obama portraits, in art history and beyond / Richard J. Powell -- The Obama portraits and the National Portrait Gallery as a site of secular pilgrimage / Kim Sajet -- The presentation of the Obama portraits : a transcript of the unveiling ceremony.
Teaching morally and teaching morality are understood as mutually dependent processes necessary for providing moral education, or the communication of messages and lessons on what is right, good and virtuous in a student’s character. This comprehensive and contextualized volume offers anecdotes and experiences on how an elementary schoolteacher envisions, enacts, and reflects on the ethical teaching and learning of her students. By employing a personally developed form of moral education that is not defined by any particular philosophical or theoretical orientation, this volume relates that classroom-based moral education can, therefore, be conceived of and promoted as moral agency. Accentuated by the teacher’s voice to offer the experience of being in the classroom, this volume enables others to transfer relevant practices to their own teaching contexts.
What have the Psalms to do with ethics? Readers prize the Psalter for its richly theological prayers, but into these prayers are woven a variety of ethical issues. This book explores the ethics of the Psalter by examining the four portraits of the righteous person that punctuate Book I. It begins by studying these psalms as individual compositions and then employs both the canonical approach and dialogic criticism to identify the complex relationship between the portraits' vision of the righteous life and its outcome. Does the righteous person enjoy security and the good life? The answer may be surprising, but joining the psalmist on the rocky path of the interface of faith and experience is certain to prove a formative experience.
Throughout Germany’s tumultuous twentieth century, photography was an indispensable form of documentation. Whether acting as artists, witnesses, or reformers, both professional and amateur photographers chronicled social worlds through successive periods of radical upheaval. The Ethics of Seeing brings together an international group of scholars to explore the complex relationship between the visual and the historic in German history. Emphasizing the transformation of the visual arena and the ways in which ordinary people made sense of world events, these revealing case studies illustrate photography’s multilayered role as a new form of representation, a means to subjective experience, and a fresh mode of narrating the past.
Alice Crary offers a transformative account of moral thought about human beings and animals. Instead of assuming that the world places no demands on our moral imagination, she underscores the urgency of treating the exercise of moral imagination as necessary for arriving at an adequate world-guided understanding of human beings and animals.
Portraits are everywhere. One finds them not only in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn’t received much philosophical attention. While there are countless art historical studies of portraiture, contemporary philosophy has largely remained silent on the subject. This book aims to address that lacuna. It brings together philosophers (and philosophically minded historians) with different areas of expertise to discuss this enduring and continuously fascinating genre. The chapters in this collection are ranged under five broad themes. Part I examines the general nature of portraiture and what makes it distinctive as a genre. Part II looks at some of the subgenres of portraiture, such as double portraiture, and at some special cases, such as sport card portraits and portraits of people not present. How emotions are expressed and evoked by portraits is the central focus of Part III, while Part IV explores the relation between portraiture, fiction, and depiction more generally. Finally, in Part V, some of the ethical issues surrounding portraiture are addressed. The book closes with an epilogue about portraits of philosophers. Portraits and Philosophy tangles with deep questions about the nature and effects of portraiture in ways that will substantially advance the scholarly discussion of the genre. It will be of interest to scholars and students working in philosophy of art, history of art, and the visual arts.
What is God like? Answering this is the great quest of human existence. Because God is so different from us, we struggle to describe him. While doctrinal statements about God certainly have their place in Christian understanding, the Bible more often uses God's actions and roles to help us know him better. Indeed, some of the most helpful insights in Scripture arise when God is compared to something else: a rock, an eagle or a tower. And many "human" metaphors--metaphors taken from the world of actions and relationships--bring us even closer to understanding of God. In Portraits of God, Allan Coppedge suggests we look carefully at God as our Father, Redeemer, King, Judge, Priest and Creator. These portraits taken together give us an understaning of the Holy One for which no single category is adequate. These images work their way through the whole of Scripture. They are the doorway allowing us into the mysteries of God's very being. In Portraits of God, Coppedge offers a comprehensive survey, picturing a God who wants to be known personally and who has profoundly communicated himself. Coppedge finds the inexhaustible nature of God to be one of holiness reflected in and best described by the language of diverse roles. Approaching God in this way transforms us, as churches and individuals, to reflect God's own holy character. This is a book for students, pastors and churchgoers alike. Anyone desiring to know more deeply and wholly the Christian God revealed in the Bible will find in Portraits of God a treasure of scholarship and truth.