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Convicted of conspiracy to commit espionage for the Soviet Union against the United States, Ethel Rosenberg shares the story of her beliefs, loves, secrets, betrayals, and injustices in this compelling YA novel in verse. In 1953, Ethel Rosenberg, a devoted wife and loving mother, faces the electric chair. People say she’s a spy, a Communist, a red. How did she get here? In a series of heart-wrenching poems, Ethel tells her story. The child of Jewish immigrants, Ethel Greenglass grows up on New York City’s Lower East Side. She dreams of being an actress and a singer but finds romance and excitement in the arms of the charming Julius Rosenberg. Both are ardent supporters of rights for workers, but are they spies? Who is passing atomic secrets to the Soviets? Why does everyone seem out to get them? This first book for young readers about Ethel Rosenberg is a fascinating portrait of a commonly misunderstood figure from American history, and vividly relates a story that continues to have relevance today.
Convicted of conspiracy to commit espionage for the Soviet Union against the United States, Ethel Rosenberg shares the story of her beliefs, loves, secrets, betrayals, and injustices in this compelling YA novel in verse. In 1953, Ethel Rosenberg, a devoted wife and loving mother, faces the electric chair. People say she’s a spy, a Communist, a red. How did she get here? In a series of heart-wrenching poems, Ethel tells her story. The child of Jewish immigrants, Ethel Greenglass grows up on New York City’s Lower East Side. She dreams of being an actress and a singer but finds romance and excitement in the arms of the charming Julius Rosenberg. Both are ardent supporters of rights for workers, but are they spies? Who is passing atomic secrets to the Soviets? Why does everyone seem out to get them? This first book for young readers about Ethel Rosenberg is a fascinating portrait of a commonly misunderstood figure from American history, and vividly relates a story that continues to have relevance today.
Glenn Waldron's surprising comedy The Here and This and Now takes a look at the pharmaceuticals business, the salaryman and woman, and the quest for happiness. It premiered at Theatre Royal Plymouth in March 2017.
Caroline Bithell explores the history and significance of the natural voice movement and its culture of open-access community choirs, weekend workshops, and summer camps. Founded on the premise that 'everyone can sing', the movement is distinguished from other choral movements by its emphasis on oral transmission and its eclectic repertoire of songs from across the globe.
In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre—the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way.
Kompozytorzy polscy: Fryderyk Chopin, Maurycy Moszkowski, wykonawcy: Ignacy Friedman, Józef Hofmann, Eustachy Horodyski, Wanda Landowska, Ignacy J. Paderewski, Artur Rubinstein.
In a series of lengthy letters, the unsettled and unruly Ethel Sutherland writes to an initially unnamed and ungendered correspondent, and patiently discloses the troubled history of her past romantic attachments to both men and women. Not until the third letter does she reveal that her correspondent is Ernest, the man to whom she is engaged to be married. Wanting to make him understand how all of her past loves are included and sublimated in her love for him, she especially wants to explain how "women often love each other with as much fervor and excitement as they do men"; and although this love is curiously "freed from all the grosser elements of passion, as it exists between sexes," nevertheless it "retains its energy, its abandonment, its flush, its eagerness, its palpitation, and its rapture." Margaret Jane Mussey Sweat (1823-1908), a native of Portland, Maine, and wife of a United States congressman, published Ethel's Love-Life in 1859. The book is sometimes credited as an early—even the first—"lesbian" American novel, but such a label, Christopher Looby observes in his Introduction, somewhat misrepresents what is distinctive and surprising about the book. Ethel's Love-Life confounds our received binary distinctions between the spiritual and the carnal and, indeed, between the sexual and the nonsexual—the boundaries between such categories being not nearly as well-policed at the time as they later became. It is here reprinted, along with Sweat's Verses (1890) and five of her published essays, on Charlotte Brontë, George Sand, the contemporary novel, and the friendships of women.
A comprehensive biography of the life and career of American star of stage and film musicals, Ethel Merman, that chronicles her childhood, family, early film appearances, and success in the entertainment industry.