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The eighteen pieces collected in Mrs. Golightly and Other Stories bring together the many and subtle voices of Ethel Wilson, demonstrating her extraordinary range as a writer. From the gentle mockery of the title story to the absurdist reportage of “Mr. Sleepwalker,” Wilson exerts unerring narrative control. Revealing what is “simple and complicated and timeless” in everyday life, these stories also venture into irrational realms of experience where chance encounters assume a malevolent form and coincidence transmuted into nightmare. First published in 1961, Mrs. Golightly and Other Stories is a diverse and rewarding collection, unified by Ethel Wilson’s distinct and engaging wit.
Ellen Guppy is the reluctant heroine of Ethel Wilson’s final novel,Love and Salt Water. Saddened by a painful childhood, Ellen has adopted a skeptical independence and learned too well to hold her heart in reserve. But, as the novel unfolds, Ellen undergoes something of a sea-change; learning to accept love along with the sorrow that is rarely far from love. First published in 1956,Love and Salt Wateris a mature and, at times, disturbing synthesis of Ethel Wilson’s major themes: the independence of human lives, the strange alchemy of chance, and the healing illumination of love.
Precocious in childhood, irrepressible in old age, Miss Topaz Edgeworth’s singular accomplishment is to live out an entire century in unflagging – and mostly oblivious – optimism. At once outmoded and unconventional, tyrannical and benign, Topaz leads a largely unexamined life. But the magical quality of her consciousness, revealed through stunning narrative technique, makes her into one of the most delightful characters in Canadian literature. Published in 1949, The Innocent Traveller is Ethel Wilson’s most original literary achievement.
Walking out on a demoralizing second marriage, Maggie Lloyd leaves Vancouver to work at a fishing lodge in the interior of British Columbia. But the serenity of Maggie’s new surroundings is soon disturbed by the irrational jealousy of the lodge-keeper’s wife. Restoring her own broken spirit, Maggie must also become a healer to others. In this, she is supported by her eccentric friend, Nell Severance, whose pearl-handled revolver – the Swamp Angel – becomes Maggie’s ambiguous talisman and the novel’s symbolic core. Ethel Wilson’s best-loved novel, Swamp Angel first appeared in 1954. It remains an astute and powerful study of one woman’s integrity and of the redemptive power of compassion.
Ethel Wilson is one of Canada's most important writers. This biography draws on archival material and interviews to describe, in detail, her early life as an orphan in England and Vancouver and her long writer's apprenticeship, spanning from the publication of some children's stories in 1919 to the appearance of "Hetty Dorval" in 1947. 2003.
A New York Times Notable Book Here is the story of an all-Jewish basketball team traveling in a hearse through Depression-era America in search of redemption and big money. A hilarious road novel, The House of Moses All-Stars is also a passionate portrayal of a young Jewish man struggling to realize his dreams in a country struggling to recover its ideals. Charley Rosen gives us basketball as a metaphor for life. Aaron Steiner, the protagonist of The House of Moses All-Stars, is a man very close to the edge. The former college basketball star has watched his dreams of being a successful player fall apart, his marriage disintegrate, and his baby die. In desperation he accepts his friend’s offer to join a Jewish professional basketball team—The House of Moses All-Stars—which is traveling on a cross-country tour in a renovated hearse. Aaron’s teammates—a Communist, a Zionist, a former bank robber, and a red-headed Irishman who passes for a Jew—are, like Aaron, trying to escape their own troubled pasts. As the members of this motley crew travel west to California through an anti-Semitic land that disdains and rebuffs them, they discover a nation grappling with social and economic collapse and fear of foreigners, in conflict with its own democratic ideals of tolerance and opportunity. Told with a rueful eye, The House of Moses All-Stars looks critically and lovingly at what it means to be an outsider in America.
Beginning in the 1890s, reaching its first full realization by modernist writers in the 1920s, and brought to its heyday during the Canadian Renaissance starting in the 1960s, the short story has become Canada's flagship genre. It continues to attract the country's most accomplished and innovative writers today, among them Margaret Atwood, Mavis Gallant, Alice Munro, Carol Shields, and many others. Yet in contrast to the stature and popularity of the genre and the writers who partake in it, surprisingly little literary criticism and theory has been devoted to the Canadian short story. This collection redresses that imbalance by providing the first collection of critical interpretations of a range of thirty well-known and often-anthologized Canadian short stories from the genre's beginnings through the twentieth century. A historical survey of the genre introduces the volume and a timeline comparing the genre's development in Canada, the US, and Great Britain via representative examples completes it. The collection is geared both to specialists in and to students of Canadian literature. For the latter it is of particular benefit that the volume provides not only a collection of interpretations, but a comprehensive introduction to the history of the Canadian short story. Reingard M. Nischik is professor and chair of American Literature at the University of Constance, Germany.