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When a young scholar finds Eternal Hydra, a long-lost, legendary and encyclopedic novel by an obscure Irish writer, she brings the manuscript to an esteemed publisher, hoping to secure an international audience for the book. But Vivian's obsession with the dead author, who has materialized in her life, is challenged by the work of a contemporary historical novelist, and she's forced to face confounding questions about authorship, racism, and ethical behavior. Weaving between modern-day New York, 1930s Paris and New Orleans in the years following the Civil War, Eternal Hydra is a postmodern look at the making of a modernist masterpiece.
Investigates the use of plays as a form of autobiography, looking at how the line between real-life and fiction can become blurred.
Collects Strange Tales (1951) #151-168; Nick Fury, Agent of SHIELD (1968) #1-3, 5. Rarely before and rarely since has the comics industry seen a talent as innovative as Steranko. Blending together influences from pop art to Salvador Dali and Will Eisner to Wallace Wood, Steranko’s groundbreaking style is an incomparable visual language. Steranko is…revolutionary! Marvel is proud to present Steranko’s complete tenure on NICK FURY, AGENT OF S.H.I.E.L.D. in a single, massive King-Size edition that showcases all its glory! These are the stories that defined Nick Fury as the premier spymaster operating in the covert shadows of the Marvel Universe. His awesome tech, his steamy romances, his larger-than-life action-adventure — Steranko was behind it all, breaking all the old rules of comics storytelling as he went and creating a few new ones too!
The French dramatist and poet Alfred de Musset was a prominent figure of the Romantic Movement, who had come under the influence of Charles Nodier, Alfred de Vigny and Victor Hugo from an early age. He became a dandy and embarked on a life of hectic sexual and alcoholic dissipation, as vividly narrated in his notorious novel ‘The Confession of a Child of the Century’. His works capture the essence of his times, when traditional values were under attack and many were ruled by their emotions rather than reason. This eBook presents Musset’s complete translated works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Musset’s life and works * Concise introductions to the major texts * Translations taken from the 1905 ‘Complete Writings’ edition of Musset * All the novels and short stories, with individual contents tables * Many rare texts appearing for the first time in digital publishing * Excellent formatting * Rare plays and poetry available in no other collection * Easily locate the poems you want to read * Includes Musset’s non-fiction * Features two biographies – discover Musset’s literary life * Ordering of texts into chronological order and genres CONTENTS: The Novels Gamiani (1833) The Confession of a Child of the Century (1836) The Shorter Fiction Emmeline (1837) Tizianello (1838) Frederic and Bernerette (1838) Margot (1838) Croisilles (1839) The Two Mistresses (1840) The White Blackbird (1842) Pierre and Camille (1844) The Secret of Javotte (1844) The Grisette (1845) The Beauty Spot (1853) The Plays A Venetian Night (1830) Andre del Sarto (1833) The Follies of Marianne (1833) Lorenzaccio (1833) No Trifling with Love (1834) Fantasio (1834) Barberine (1835) The Chandler (1835) Prudence Spurns a Wager (1836) Caprice (1837) A Door Must be either Open or Shut (1845) Louison (1849) One Cannot Think of Everything (1849) Carmosine (1850) Bettine (1851) The Poetry The Poetry of Alfred de Musset The Non-Fiction Collected Essays The Biographies Life of Alfred de Musset (1905) by Paul de Musset Louis Charles Alfred de Musset (1911) by Walter Herries Pollock
The early years of the twenty-first century have witnessed a proliferation of non-fiction, reality-based performance genres, including documentary and verbatim theatre, site-specific theatre, autobiographical theatre, and immersive theatre. Insecurity: Perils and Products of Theatres of the Real begins with the premise that although the inclusion of real objects and real words on the stage would ostensibly seem to increase the epistemological security and documentary truth-value of the presentation, in fact the opposite is the case. Contemporary audiences are caught between a desire for authenticity and immediacy of connection to a person, place, or experience, and the conditions of our postmodern world that render our lives insecure. The same conditions that underpin our yearning for authenticity thwart access to an impossible real. As a result of the instability of social reality, the audience, Jenn Stephenson explains, is unable to trust the mechanisms of theatricality. The by-product of theatres of the real in the age of post-reality is insecurity.