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September 11 2001 marked a change inAustralian attitudes towards immigrants. The spotlight was on Muslims. This collection of thought-provoking essays looks at multiculturalism's successes and failures in providing a secure, well-integrated, free and fair Australia. Philosopher and writer Raimond Gaita has gathered some of Australia's leading writers in the field to examine an issue that goes to the heart of Australia's identity. Author and lawyer Waleed Aly examines the role that the media has played in anti-Islamic myth-making in popular Western culture. Writer and researcher Shakira Hussein looks at how Australia's immigration policy has changed the cultural landscape. Geoffrey Brahm Levey writes on multiculturalism and terror and Raimond Gaita on 'the war on terror'.
In this collection of essays Tariq Modood argues that to grasp the nature of the problem we have to see how Muslims have become a target of a cultural racism, Islamophobia.
This book critically engages with the contemporary breakdown of trust between Muslim and non-Muslim communities in the West. It argues that a crisis of trust currently hampers intercultural relations and obstructs full participation in citizenship and civil society for those who fall prey to the suspicions of the state and their fellow citizens. This crisis of trust presents a challenge to the plurality of modern societies where religious identities have come to demand an equal recognition and political accommodation which is not consistently awarded across Europe, especially in nations which view themselves as secular, or where Islamic culture is seen as alien. This volume of interdisciplinary essays by leading scholars explores the theme of trust and multiculturalism across a range of perspectives, employing insights from political science, sociology, literature, ethnography and cultural studies. It provides an urgent critical response to the challenging contexts of multiculturalism for Muslims in both Europe and the USA. Taken together, the contributions suggest that the institutionalisation of multiculturalism as a state-led vehicle for tolerance and integration requires a certain type of trustworthy ‘performance’ from minority groups, particularly Muslims. Even when this performance is forthcoming, existing discourses of integration and underlying patterns of mistrust can contribute to Muslim alienation on the one hand, and rising Islamophobia on the other.
Interviews with young Muslims in Chicago explore the complexity of identities formed at the crossroads of Islam and hip hop This groundbreaking study of race, religion and popular culture in the 21st century United States focuses on a new concept, “Muslim Cool.” Muslim Cool is a way of being an American Muslim—displayed in ideas, dress, social activism in the ’hood, and in complex relationships to state power. Constructed through hip hop and the performance of Blackness, Muslim Cool is a way of engaging with the Black American experience by both Black and non-Black young Muslims that challenges racist norms in the U.S. as well as dominant ethnic and religious structures within American Muslim communities. Drawing on over two years of ethnographic research, Su'ad Abdul Khabeer illuminates the ways in which young and multiethnic US Muslims draw on Blackness to construct their identities as Muslims. This is a form of critical Muslim self-making that builds on interconnections and intersections, rather than divisions between “Black” and “Muslim.” Thus, by countering the notion that Blackness and the Muslim experience are fundamentally different, Muslim Cool poses a critical challenge to dominant ideas that Muslims are “foreign” to the United States and puts Blackness at the center of the study of American Islam. Yet Muslim Cool also demonstrates that connections to Blackness made through hip hop are critical and contested—critical because they push back against the pervasive phenomenon of anti-Blackness and contested because questions of race, class, gender, and nationality continue to complicate self-making in the United States.
The essays in Muslim American Hyphenations: Cultural Production and Hybridity in the Twenty-first Century contest the lack of nuance in the public debates about American Islam and reclaim a self-determined identity by twenty-first century Muslim American writers, artists, and performers. Muslim American Hyphenations covers a wide spectrum of cultural representation based upon a shared religion that encompasses multiethnic and polylinguistic communities in the American landscape, challenging both the sacred-secular binary and the confines of multiculturalism. The contributors to this volume explore the codes of belonging in different American spheres, from transnational and local negotiations of immigrant and domestic Muslim Americans with nation, race, class, and gender, to the performance of faith in the creative manifestations of these identities. In their analyses, these scholars propose that Muslim American cultural productions provide an alternative space of dissensus and the utopian potentiality of connections with other minoritarian communities.
Amid mounting fears of violent Islamic extremism, many Europeans ask whether Muslim immigrants can integrate into historically Christian countries. In a groundbreaking ethnographic investigation of France’s Muslim migrant population, Why Muslim Integration Fails in Christian-Heritage Societies explores this complex question. The authors conclude that both Muslim and non-Muslim French must share responsibility for the slow progress of Muslim integration. “Using a variety of resources, research methods, and an innovative experimental design, the authors contend that while there is no doubt that prejudice and discrimination against Muslims exist, it is also true that some Muslim actions and cultural traits may, at times, complicate their full integration into their chosen domiciles. This book is timely (more so in the context of the current Syrian refugee crisis), its insights keen and astute, the empirical evidence meticulous and persuasive, and the policy recommendations reasonable and relevant.” —A. Ahmad, Choice
This volume considers literary fiction by Muslim writers, dealing with the interaction of Muslim and non-Muslim cultures and exploring liberal orthodoxies such as secularism and multiculturalism. It covers writers such as Rushdie, Kureishi, Hamid, Aslam and Shamsie in essays by experts in English, South Asian, and postcolonial literatures in English.
Modood provides a distinctive contribution to public debates about multiculturalism at a most opportune time. He engages with the work of other leading commentators like Bhikhu Parekh and Will Kymlicka and offers new perspectives on the issue ofracial integration and citizenship today.
Our contemporary celebration of difference, respect for pluralism, and avowal of identity politics have come to be regarded as the hallmarks of a progressive, modern democracy. Yet despite embracing many of its values, we have at the same time become wary of multiculturalism in recent years. In the wake of September 11, 2001 and the many terrorist attacks that have occurred since then, there has been much debate about the degree of diversity that Western nations can tolerate. In Multiculturalism and its Discontents, Kenan Malik looks closely at the role of multiculturalism within terrorism and societal discontent. He examines whether it is possible--or desirable--to try to build a cohesive society bound by common values and he delves into the increasing anxiety about the presence of the Other within our borders. Multiculturalism and its Discontents not only explores the relationship between multiculturalism and terrorism, but it analyzes the history of the idea of multiculturalism alongside its political roots and social consequences.
This edited volume is a compilation of original scholarly papers on the theme of cultural diversity in Islamic thought and practice under conditions of early and late modernity, with a specific contemporary focus on the crisis of religious tolerance in the Muslim world. Particular emphasis is placed upon Islamic concepts of cultural diversity as they contrast to the traditional Western liberal approach that takes a neutral position on tolerance to cultural difference.