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Contents: Introduction, Culture Defined, Epochs of Indian Culture, The Continuity of Indian Culture, The Cultural Influences of Islam, Shaikh Nizamuddin Auliya, Amir Khusrau, The Nature of Indian Culture, Tulsidas, Chaitanya and Mirabai, Kabir, Perspective of Indian Culture, Cultural Interactions in South India (1400-1800), India s Epochs in World-Culture, Indian Culture and External Influence, Indian Culture in the World Perspective, The Degeneration of Indian Culture.
Since first contact, Natives and newcomers have been involved in an increasingly complex struggle over power and identity. Modern “Indian wars” are fought over land and treaty rights, artistic appropriation, and academic analysis, while Native communities struggle among themselves over membership, money, and cultural meaning. In cultural and political arenas across North America, Natives enact and newcomers protest issues of traditionalism, sovereignty, and self-determination. In these struggles over domination and resistance, over different ideologies and Indian identities, neither Natives nor other North Americans recognize the significance of being rooted together in history and culture, or how representations of “Indianness” set them in opposition to each other. In Indian Country: Essays on Contemporary Native Culture, Gail Guthrie Valaskakis uses a cultural studies approach to offer a unique perspective on Native political struggle and cultural conflict in both Canada and the United States. She reflects on treaty rights and traditionalism, media warriors, Indian princesses, powwow, museums, art, and nationhood. According to Valaskakis, Native and non-Native people construct both who they are and their relations with each other in narratives that circulate through art, anthropological method, cultural appropriation, and Native reappropriation. For Native peoples and Others, untangling the past—personal, political, and cultural—can help to make sense of current struggles over power and identity that define the Native experience today. Grounded in theory and threaded with Native voices and evocative descriptions of “Indian” experience (including the author’s), the essays interweave historical and political process, personal narrative, and cultural critique. This book is an important contribution to Native studies that will appeal to anyone interested in First Nations’ experience and popular culture.
A defence of Indian civilisation and culture, with essays on Indian spirituality, religion, art, literature, and polity. Sri Aurobindo began the 'Foundations' series as an appreciative review of Sir John Woodroffe's book, 'Is India Civilised?', continued it with a rebuttal of the hostile criticisms of William Archer in 'India and Its Future', and concluded it with his own estimation of India's civilisation and culture. In Sri Aurobindo's view India is one of the greatest of the world's civilisations because of its high spiritual aim and the effective manner in which it has impressed this aim on the forms and rhythms of its life. A spiritual aspiration was the governing force of this culture , he wrote, its core of thought, its ruling passion. Not only did it make spirituality the highest aim of life, but it even tried...to turn the whole of life towards spirituality. Sri Aurobindo held that an aggressive defence of India culture was necessary to counter the invasion of the predominantly materialistic modern Western culture. His Foundations is precisely such a defence. Contents: Part I: The Issue; Is India Civilised?; Part II: A Rationalistic Critic on Indian Culture; Part III: A Defence of Indian Culture; Indian Culture and External Influence; The Renaissance in India. Subjects: Indology, Philosophy, Religion, Political Thought, Art, Literature.
This book maps the journey of the Indian poetic imagination—in Hindi, Panjabi and Indian English—from its original quasi-spiritual longings to its activist interventions in the public domain. As Indian poetry of the post-1990s gravitates towards a non-Orientalised postcolonial nationalism, it seeks to rewrite and disseminate the shifting coordinates of nationalist imagination in terms of the dissent of the subaltern discontents of the nation. The book is interdisciplinary: it studies Indian poetry from the new emerging imperatives of postcolonialism, new historiography (subaltern, dalit and diasporas), nationalism, and cultural studies. Covering the two major north Indian languages—Hindi and Punjabi—along with poetry in Indian English, the book is a close textual study of about 150 poetry collections in these languages. It is path-breaking in its study of secular poetry written in the so-called vernaculars, with critical attention to its participation in the political as well as cultural processes of nation-making. This cutting-edge book should be of interest to scholars of Indian writings in English, Hindi and Panjabi, gender studies, dalit and diaspora studies, postcolonial poetry and to students reading South Asian literature and culture.
These essays explore the blending of structural and historical approaches to American Indian anthropology that characterizes the perspective developed by the late Fred Eggan and his students at the University of Chicago. They include studies of kinship and social organization, politics, religion, law, ethnicity, and art. Many reflect Eggan's method of controlled comparison, a tool for reconstructing social and cultural change over time. Together these essays make substantial descriptive contributions to American Indian anthropology, presenting contemporary interpretations of diverse groups from the Hudson Bay Inuit in the north to the Highland Maya of Chiapas in the south. The collection will serve as an introduction to Native American social and cultural anthropology for readers interested in the dynamics of Indian social life.
Revisiting India’s Partition: New Essays on Memory, Culture, and Politics brings together scholars from across the globe to provide diverse perspectives on the continuing impact of the 1947 division of India on the eve of independence from the British Empire. The Partition caused a million deaths and displaced well over 10 million people. The trauma of brutal violence and displacement still haunts the survivors as well as their children and grandchildren. Nearly 70 years after this cataclysmic event, Revisiting India’s Partition explores the impact of the “Long Partition,” a concept developed by Vazira Zamindar to underscore the ongoing effects of the 1947 Partition upon all South Asian nations. In our collection, we extend and expand Zamindar’s notion of the Long Partition to examine the cultural, political, economic, and psychological impact the Partition continues to have on communities throughout the South Asian diaspora. The nineteen interdisciplinary essays in this book provide a multi-vocal, multi-focal, transnational commentary on the Partition in relation to motifs, communities, and regions in South Asia that have received scant attention in previous scholarship. In their individual essays, contributors offer new engagements on South Asia in relation to several topics, including decolonization and post-colony, economic development and nation-building, cross-border skirmishes and terrorism, and nationalism. This book is dedicated to covering areas beyond Punjab and Bengal and includes analyses of how Sindh and Kashmir, Hyderabad, and more broadly South India, the Northeast, and Burma call for special attention in coming to terms with memory, culture and politics surrounding the Partition.
This volume offers a collection of several of Professor Habib's essays, providing an insightful interpretation of the main currents in Indian history.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Contents: Introduction, Studies in Indian Architecture, Fort Architecture in Ancient and Medieval India, Art and Architecture: Northern India, Art and Architecture: South India, The Aspect and Orientation in Hindu Architecture, Kalinga Style of Architecture, Symbolism of the Dome, Art and Architecture, Muslim Architecture in India, A Plea for Indian Architecture.