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Henry Fielding's Miscellanies, three volumes of poetry, essays, and satires, have never been studied in detail. Uneven in quality, often highly personal, they offer important insights into the concerns and growth of the English novelist. Mr. Miller has provided a reference guide to the First volume of the three, analyzing the writings and the intellectual traditions in which Fielding worked. Included in Volume One are poetry, formal essays, a translation from the Greek, and several satirical sketches and Lucianic dialogues. Here is Fielding experimenting with literary styles; adumbrated here are many of the themes and methods of the later novels, Tom Jones and Amelia in particular. In recording Fielding's intense moral concerns, his comic genius, and his ironic, incisive portraits of man and society, Volume One of the Miscellanies is a microcosm of his intellectual world. Originally published in 1961. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This collection reflects the French influence on literary and representational theory which has been predominant in recent years. It contains stimulating essays on the fiction of Perault, Borges, James, Eco and Tournier. These are complemented by theoretical essays on power and representation which provide powerful critiques of Barthes, Derrida, Deleuze and Marin, writers central to the contemporary debate. Finally, two perceptive essays reflect upon and attempt to redirect current theory, drawing on and confronting the writings of Michel Foucault.
This book is about the empiricist challenge to literature, and its influence on eighteenth-century theories of fiction. British empiricism from Bacon to Hume challenged the notion that imaginative literature can be a reliable source of knowledge. This book argues that theorists of the novel, from Henry Fielding to Jane Austen, recognized the force of the empiricist challenge but refused to capitulate. It traces how, in their reflections on the novel, these writers attempted to formulate a theoretical link between the world of experience and the products of the imagination, and thus update the old defenses of poetry for empirical times. Taken together, the empiricist challenge and the responses it elicited signaled a transition in the longstanding debate about literature and knowledge, as an inaugural round in the persisting conflict between the empirical sciences and the literary humanities.