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The successor to the highly-praised collection of Christopher Rickss The Force of Poetry, this collection of critical essays still attends to poets and poetry: to John Donnes farewells to love, George Crabbes constraints, Hardys readings of history, and Robert Lowell as translator of Racine. But other literary worlds are also appreciated in Essays in Appreciation. Drama: Marlowes Doctor Faustus and the plague. History: the Earl of Clarendon and composition. The novel: Jane Austen and mothering. Victorian lives: E. C. Gaskells Charlotte Bronte, Froudes Carlyle, Hallam Tennysons Tennyson, and George Eliot and her age. Philosophy: J. L. Austin and his art of allusion. Finally, critical questions: literature and the matter of fact, and literary principles against theory; plus two notes on current critical issuesone on talk of the canon, and the other on Empson and political criticism. literary criticism of an intellectual zestfulness which makes everyone else in the field look half asleep The Spectator Ricks's grasp of literary detail is unequalled he has a microscopic eye for distinguishment of shades of meaning, with their bearings on emotional definition Anyone who has a feeling for literature will enjoy Essays in Appreciation. If you have none, here are good reasons to cultivate it. Times Literary Supplement
Charles Mack examines the evolving context of Renaissance art while offering fresh insight into the meaning of the Renaissance.
The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Everyone delights in the beauty of flowers, and some are thrilled by the immensity of mountains or of the night sky. But what is involved in serious aesthetic appreciation of the natural world? Malcolm Budd presents four interlinked studies in the aesthetics of nature, approaching the subject from a variety of angles. As well as developing Budd's own original ideas, the book provides a comprehensive treatment of Kant's classic aesthetics of nature, and an encyclopaedic critical survey of recent literature on the subject.
Classics of International Relations introduces, contextualises and assesses 24 of the most important works on international relations of the last 100 years. Providing an indispensable guide for all students of IR theory, from advanced undergraduates to academic specialists, it asks why are these works considered classics? Is their status deserved? Will it endure? It takes as its starting point Norman Angell’s best-selling The Great Illusion (1909) and concludes with Daniel Deudney’s award winning Bounding Power (2006). The volume does not ignore established classics such as Morgenthau’s Politics Among Nations and Waltz’s Theory of International Politics, but seeks to expand the ‘IR canon’ beyond its core realist and liberal texts. It thus considers emerging classics such as Linklater’s critical sociology of moral boundaries, Men and Citizens in the Theory of International Relations, and Enloe’s pioneering gender analysis, Bananas, Beaches and Bases. It also innovatively considers certain ‘alternative format’ classics such as Kubrick’s satire on the nuclear arms race, Dr Strangelove, and Errol Morris’s powerful documentary on war and US foreign policy, The Fog of War. With an international cast of contributors, many of them leading authorities on their subject, Classics of International Relations will become a standard reference for all those wishing to make sense of a rapidly developing and diversifying field. Classics of International Relations is designed to become a standard reference text for advanced undergraduates, post-graduates and lecturers in the field of IR.
This version includes color photos.Can you imagine waking up every Thursday morning to an engaging email containing an essay of gratitude? Better yet, could you envision finding this thank you note coming from your boss? For a year, Nicholas Kartsonis took his direct reports on a fascinating odyssey exploring a variety of topics. Most essays show gratitude for the wonders of modern science, with a focus on medical discoveries in infectious disease, vaccinology, and microbiology that have changed the course of humanity. Along the way, Nick also shares his appreciation for people, places, and events that have personally touched him in his own journey as a physician, a father, and a sports fan. He chose the timing of each essay to correspond to an important event in history, and uses this association to recount the significance of each achievement. This book showcases Nick's favorite stories, each showing the positive side of a world often dominated by negativity, mistrust, and skepticism.
An NYRB Classics Original Simon Leys is a Renaissance man for the era of globalization. A distinguished scholar of classical Chinese art and literature and one of the first Westerners to recognize the appalling toll of Mao’s Cultural Revolution, Leys also writes with unfailing intelligence, seriousness, and bite about European art, literature, history, and politics and is an unflinching observer of the way we live now. The Hall of Uselessness is the most extensive collection of Leys’s essays to be published to date. In it, he addresses subjects ranging from the Chinese attitude to the past to the mysteries of Belgium and Belgitude; offers portraits of André Gide and Zhou Enlai; takes on Roland Barthes and Christopher Hitchens; broods on the Cambodian genocide; reflects on the spell of the sea; and writes with keen appreciation about writers as different as Victor Hugo, Evelyn Waugh, and Georges Simenon. Throughout, The Hall of Uselessness is marked with the deep knowledge, skeptical intelligence, and passionate conviction that have made Simon Leys one of the most powerful essayists of our time.
The first-ever collection of essays by one of our most distinguished poets, the Pulitzer Prize–winner and former Poet Laureate of the United States. Synthesizing Gravity gathers for the first time a thirty-year selection of Kay Ryan’s probings into aesthetics, poetics, and the mind in pursuit of art. A bracing collection of critical prose, book reviews, and her private previously unpublished soundings of poems and poets—including Robert Frost, Stevie Smith, Marianne Moore, William Bronk, and Emily Dickinson—Synthesizing Gravity bristles with Ryan’s crisp wit, her keen off-kilter insights, and her appetite and appreciation for the genuine. Among essays like “Radiantly Indefensible,” “Notes on the Danger of Notebooks,” and “The Abrasion of Loneliness,” are piquant pieces on the virtues of emptiness, forgetfulness and other under-loved concepts. Edited and with an introduction by Christian Wiman, this generous collection of Ryan’s distinctive thinking gives us a surprising look into the mind of an American master. “Synthesizing Gravity is a delight, if a tart and idiosyncratic one . . . If Ryan gives us a view through a keyhole, it’s a view often made richer by its constraints.” —The New York Times Book Review “Reading Ryan’s writing will charge and recharge the mind . . . a wonderful entry point to her work.” —San Francisco Chronicle “Brilliant . . . For poetry enthusiasts and skeptics alike, this will be an inviting portal into the mind of one of America’s greatest living writers.” —Publishers Weekly (starred review) “Damn fine prose . . . What a wonderful voice [Ryan] displays.” —John Freeman, “Lit Hub’s Most Anticipated Books of 2020”
New essays on theological, political, and contemporary themes, by the Pulitzer Prize winner Marilynne Robinson has plumbed the human spirit in her renowned novels, including Lila, winner of the National Book Critics Circle Award, and Gilead, winner of the Pulitzer Prize and the National Book Critics Circle Award. In this new essay collection she trains her incisive mind on our modern political climate and the mysteries of faith. Whether she is investigating how the work of great thinkers about America like Emerson and Tocqueville inform our political consciousness or discussing the way that beauty informs and disciplines daily life, Robinson’s peerless prose and boundless humanity are on full display. What Are We Doing Here? is a call for Americans to continue the tradition of those great thinkers and to remake American political and cultural life as “deeply impressed by obligation [and as] a great theater of heroic generosity, which, despite all, is sometimes palpable still.”
"Now, with "The making of the American essay' the editor includes selections ranging from Anne Bradstreet's secular prayers to Washington Irving's satires, Emily Dickinson's love letters to Kenneth Goldsmith's catalog's, Gertrude Stein's portraits to James Baldwin's and Norman Mailer's mediations on boxing. In this volume the editor uncovers new stories in the American essay's past and shows us that some of the most fiercely daring writers in the American literary canon have turned to the essay in order to produce some of our culture's most exhilarating art."-- book jacket.