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This book includes my Exeter admissions essay and a collection of work I wrote for English classes during my time at the institution. I've organized the pieces by year and leave headers describing the type of assignment.
"Palmer was fourteen years old in September 1958 when he made the unlikely journey alone by train to Phillips Exeter Academy in New Hampshire. It is impossible to read this boy’s story―‘ninth child of ten, and the sixth of seven sons’―without feeling the loneliness of that first passage away from home―a black boy crossing into a bastion of white privilege―and the scale of the transformation that awaited him."―Carrie Brown, author of The Stargazer's Sister "My friendship with Larry has been among the most enduring of my Exeter friendships, but―before I read his memoir of social and racial dislocation―I never knew the story that unfolded in the home Larry left when he came to Exeter. Larry’s remarkable family story gives me a deeper appreciation of someone I met as a teenager and have known all my life. As a teammate and a friend, I always loved Larry. Now I understand him more."―John Irving “Larry Palmer’s Scholarship Boy is a poignant exploration of family, longing, and cultural disorientation, seen through the eyes of an African American teenager sent to live and study at a prestigious New England prep school in the 1950s. This absorbing story reminds us that the questions of race and identity we wrestle with today are nothing new, and progress, when it comes at all, often comes at a snail’s pace.”―Dinty W. Moore, author of Between Panic & Desire “Near the end of Larry Palmer’s fine memoir Scholarship Boy his family tries to assemble for a family portrait. The picture is difficult to compose: the family members are moving hither and yon, reassembling in different configurations, struggling to honor the intricacies that govern the Palmer clan. And they are a rich and complex family, with Lear-like grand personalities. Scholarship Boy is also a book about a very brilliant young man who went to Phillips Exeter, Harvard College, and Yale Law School. It is a tale of his loneliness, his desire to honor his parents’ dictates, his difficulty in living in two worlds, and his ability, thank goodness, to find mentors, institutions, and friends to sustain him. It is also a very poignant narrative, full of pathos and love, about one family’s participation in recent African American history, including segregation, school integration, and dreams fulfilled and nullified. Honest, gracefully written, and uncompromisingly vulnerable, Larry Palmer’s book is unceremoniously generous. Palmer does not grandstand: He is never simply this or that. He is, in the best sense, simply himself: A man trying to stand in a furious whirlwind.” ―Kenneth A. McClane, W.E.B. DuBois Professor of Literature Emeritus, Cornell University “On the surface, this is the story of a black boy’s adventure of finding his way in the all-white, blazers, ties and sports world of an all-boys boarding school in the 1950s. Its heart, however, is the family this boy comes from. As the next to the youngest of ten, it was the older brothers and sisters who gave this scholarship boy the chops to navigate the treacherous waters of an alien world with aplomb and make the best of his opportunities. What an apt tribute that each of them gets to step into the limelight of this luminous coming-of-age memoir.”―Annette Gendler, author of Jumping Over Shadows and How to Write Compelling Stories from Family History
“Part memoir, part investigative reporting . . . a richly layered and ultimately balanced account of the decades-long trend of sexual abuse at Horace Mann.” —Sarah Saffian, author of Ithaka In June 2012, Amos Kamil’s New York Times Magazine cover story, “Prep-School Predators,” caused a shock wave that is still rippling. In his piece, Kamil detailed a decades-long pattern of sexual abuse at the highly prestigious Horace Mann School in the Bronx. After the article appeared, Kamil closely observed the fallout. While the article revealed the misdeeds of three teachers, this was just the beginning: an extraordinary twenty-two former Horace Mann teachers and administrators have since been accused of abuse. In gripping detail, Kamil and his coauthor, Sean Elder, relate what happened as survivors of abuse came forward and sought redress. We see the school and its influential backers circle the wagons. We meet Horace Mann alumni who work to change New York State’s sexual abuse laws. We follow a celebrity lawyer’s contentious efforts to achieve a settlement. And we encounter a former teacher who candidly recalls his inappropriate relationships with students. Kamil and Elder also examine other institutions—from prep schools to the Catholic Church—that have sought to atone for their complicity in abuse and to prevent it from reoccurring. “Great is the truth and it prevails” may be the motto of Horace Mann, but for many alumni the truth remains all too hard to come by. This book is essential reading for anyone trying to understand how an elite institution can fail those in its charge, and what can be done about it.
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies
A revised edition of the phenomenally successful vocabulary-building guide. Originally designed to help students prepare for the SAT, this user-friendly guide has major crossover appeal for adults looking to improve specific skills.
Vincent Scully has shaped not only how we view the evolution of architecture in the twentieth century but also the course of that evolution itself. Combining the modes of historian and critic in unique and compelling ways--with an audience that reaches from students and scholars to professional architects and ardent amateurs--Scully has profoundly influenced the way architecture is thought about and made. This extensively illustrated and elegantly designed volume distills Scully's incalculable contribution. Neil Levine, a former student of Scully's, selects twenty essays that reveal the breadth and depth of Scully's work from the 1950s through the 1990s. The pieces are included for their singular contribution to our understanding of modern architecture as well as their relative unavailability to current readers. Levine offers a perceptive overview of Scully's distinguished career and introduces each essay, skillfully setting the scholarly and cultural scene. The selections address almost all of modern architecture's major themes and together go a long way toward defining what constitutes the contemporary experience of architecture and urbanism. Each is characteristically Scully--provocative, yet precise in detail and observation, written with passionate clarity. They document Scully's seminal views on the relationship between the natural and the built environment and trace his progressively intense concern with the fabric of the street and of our communities. The essays also highlight Scully's engagement with the careers of so many of the twentieth century's most significant architects, from Frank Lloyd Wright and Louis Kahn to Robert Venturi. In the tradition of great intellectual biographies, this finely made book chronicles our most influential architectural historian and critic. It is a gift to architecture and its history.