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This close look at what the Lord is doing to spread the gospel highlights the key scriptural principles that help Christians reach out in love to share the gospel in their own community.
A Deleuzian reading of Whitehead and a Whiteheadian reading of Deleuze open the possibility of a critical aesthetics of contemporary culture. In Without Criteria, Steven Shaviro proposes and explores a philosophical fantasy: imagine a world in which Alfred North Whitehead takes the place of Martin Heidegger. What if Whitehead, instead of Heidegger, had set the agenda for postmodern thought? Heidegger asks, “Why is there something, rather than nothing?” Whitehead asks, “How is it that there is always something new?” In a world where everything from popular music to DNA is being sampled and recombined, argues Shaviro, Whitehead's question is the truly urgent one. Without Criteria is Shaviro's experiment in rethinking postmodern theory, especially the theory of aesthetics, from a point of view that hearkens back to Whitehead rather than Heidegger. In working through the ideas of Whitehead and Deleuze, Shaviro also appeals to Kant, arguing that certain aspects of Kant's thought pave the way for the philosophical “constructivism” embraced by both Whitehead and Deleuze. Kant, Whitehead, and Deleuze are not commonly grouped together, but the juxtaposition of them in Without Criteria helps to shed light on a variety of issues that are of concern to contemporary art and media practices.
This collection of essays addresses Plutarch's writings on practical ethics from different perspectives, including regarding their overall structure, content, purpose, and underlying philosophical and social presuppositions.
THE SUBTITLE OF THIS VOLUME is “An Era of Expansion, (1878–1919).” It reflects the reality of the Congregation of the Mission under the leadership of Antoine Fiat, the superior general who governed the Community longer than St. Vincent de Paul. Like the founder, Fiat was a man of both prayer and action. Also like the founder, Fiat was often hesitant and delayed final decisions. His confreres spread to new missions, such as the republics of Central America and Argentina, and several missions or provinces had grown large enough to be given more autonomy, such as the two American provinces, the Antilles, Barcelona, Ecuador, Belgium and Holland, Madagascar, and Colombia. China continued to attract many missionaries as well as local Chinese vocations despite war and unrest. This volume, then, relates not only that the Vincentians, members of the Congregation of the Mission, grew in number and influence, but how they exercised their ministry. Persecution was their lot in some regions, but they forged ahead. As always, they sought to align their ministries at the end of the nineteenth and the beginning of the twentieth centuries with the original mission entrusted to them by the Church through Vincent de Paul: to bring the Gospel to the poor.
Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.