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One day, Magavin McCloud approaches his ex-wife, Gretchen, with a plan: He wants to take their twelve-year-old son, Keogh, to Montana. Confused, Keogh's mother eventually agrees with his statement that there are some things a woman just can't show a boy, and permits Magavin to take their son out of California to Bearspaw. Keogh soon discovers that living in Montana just isn't the same as California. It doesn't take him long to realize that growing up here is going to be a bit tougher than the dreamy picture his father first presented. Join Keogh as he tries to make friends, pursues adventures, and tries to make amends with a father who has uprooted him from everything he ever knew in Escape to Montana.
In this recently unearthed memoir, Civil War veteran James Howard Lowell offers a firsthand account of his brutal journey west on a wagon train attacked by Indian Dog Soldiers. The Boston Yank staggers snow blind through a Laramie Plains blizzard to reach Salt Lake City, where he meets Brigham Young. In Montana, he joins an old forty-niner to work a mining claim, practices "tomahawk jurisprudence" in Fort Benton and builds a mackinaw to head downriver through Deadman Rapids to trade with the Crow and Gros Ventre tribes. Lowell's great-great-granddaughter edits this tale populated with colorful characters, narrow escapes and important historical events, such as the Baker Massacre. It features Lowell's letters to his sweetheart and Civil War correspondence.
An account of one woman's life in the West during the second half of the nineteenth century from growing up on the Montana mining frontier to her ascent to young womanhood on a farm in southern California.
National Book Critics Circle Award Winner: “The terrifying story of the worst disaster in the history of the US Forest Service’s elite Smokejumpers.” —Kirkus Reviews A devastating and lyrical work of nonfiction, Young Men and Fire describes the events of August 5, 1949, when a crew of fifteen of the US Forest Service’s elite airborne firefighters, the Smokejumpers, stepped into the sky above a remote forest fire in the Montana wilderness. Two hours after their jump, all but three of the men were dead or mortally burned. Haunted by these deaths for forty years, Norman Maclean puts together the scattered pieces of the Mann Gulch tragedy in this extraordinary book. Alongside Maclean’s now-canonical A River Runs Through It and Other Stories, Young Men and Fire is recognized today as a classic of the American West. This edition of Maclean’s later triumph—the last book he would write—includes a powerful new foreword by Timothy Egan, author of The Big Burn and The Worst Hard Time. As moving and profound as when it was first published, Young Men and Fire honors the literary legacy of a man who gave voice to an essential corner of the American soul. “A moving account of humanity, nature, and the perseverance of the human spirit.” —Library Journal “Haunting.” —The Wall Street Journal “Engrossing.” —Publishers Weekly
The Pulitzer Prize winning author -- “an immensely gifted writer and a magical prose stylist” (Michiko Kakutani, The New York Times) -- offers his first major work of nonfiction, an autobiographical narrative as inventive, beautiful, and powerful as critics and readers have come to expect. A shy manifesto, an impractical handbook, the true story of a fabulist, an entire life in parts and pieces: MANHOOD FOR AMATEURS is the first sustained work of personal writing from Michael Chabon. In these insightful, provocative, slyly interlinked essays, one of our most brilliant and humane writers presents his autobiography and his vision of life in the way so many of us experience our own: as a series of reflections, regrets and re-examinations, each sparked by an encounter, in the present, that holds some legacy of the past. What does it mean to be a man today? Chabon invokes and interprets and struggles to reinvent for us, with characteristic warmth and lyric wit, the personal and family history that haunts him even as -- simply because -- it goes on being written every day. As a devoted son, as a passionate husband, and above all as the father of four young Americans, Chabon’s memories of childhood, of his parents’ marriage and divorce, of moments of painful adolescent comedy and giddy encounters with the popular art and literature of his own youth, are like a theme played -- on different instruments, with a fresh tempo and in a new key -- by the mad quartet of which he now finds himself co-conductor. At once dazzling, hilarious, and moving, MANHOOD FOR AMATEURS is destined to become a classic.
A lyrical coming-of-age memoir, Down from the Mountaintop chronicles a quest for belonging. Raised in northwestern Montana by Pentecostal homesteaders whose twenty-year experiment in subsistence living was closely tied to their faith, Joshua Doležal experienced a childhood marked equally by his parents’ quest for spiritual transcendence and the surrounding Rocky Mountain landscape. Unable to fully embrace the fundamentalism of his parents, he began to search for religious experience elsewhere: in baseball, books, and weightlifting, then later in migrations to Tennessee, Nebraska, and Uruguay. Yet even as he sought to understand his place in the world, he continued to yearn for his mountain home. For more than a decade, Doležal taught in the Midwest throughout the school year but returned to Montana and Idaho in the summers to work as a firefighter and wilderness ranger. He reveled in the life of the body and the purifying effects of isolation and nature, believing he had found transcendence. Yet his summers tied him even more to the mountain landscape, fueling his sense of exile on the plains. It took falling in love, marrying, and starting a family in Iowa to allow Doležal to fully examine his desire for a spiritual mountaintop from which to view the world. In doing so, he undergoes a fundamental redefinition of the nature of home and belonging. He learns to accept the plains on their own terms, moving from condemnation to acceptance and from isolation to community. Coming down from the mountaintop means opening himself to relationships, grounding himself as a husband, father, and gardener who learns that where things grow, the grower also takes root.
The Mountain and the Fathers explores the life of boys and men in the unforgiving, harsh world north of the Bull Mountains of eastern Montana in a drought afflicted area called the Big Dry, a land that chews up old and young alike. Joe Wilkins was born into this world, raised by a young mother and elderly grandfather following the untimely death of his father. That early loss stretches out across the Big Dry, and Wilkins uses his own story and those of the young boys and men growing up around him to examine the violence, confusion, and rural poverty found in this distinctly American landscape. Ultimately, these lives put forth a new examination of myth and manhood in the American West and cast a journalistic eye on how young men seek to transcend their surroundings in the search for a better life. Rather than dwell on grief or ruin, Wilkins' memoir posits that it is our stories that sustain us, and The Mountain and the Fathers, much like the work of Norman Maclean or Jim Harrison, heralds the arrival of an instant literary classic.
In the Two Medicine territory of Montana, the Pikuni Indians are forced to choose between fighting a futile war or accepting a humiliating surrender, as the encroaching numbers of whites threaten their very existence
This provocative, “critically important” memoir of working-class boyhood in rural Indiana offers a searing cultural analysis of toxic masculinity in American culture (NPR). As progressivism changes American society, and globalism shifts labor away from traditional manufacturing, the roles that have been prescribed to men since the Industrial Revolution have been rendered obsolete. Donald Trump's campaign successfully leveraged male resentment and entitlement, and now, with Trump as president and the rise of the #MeToo movement, it’s clear that our current definitions of masculinity are outdated and even dangerous. Deeply personal and thoroughly researched, the author of The People Are Going to Rise Like the Waters Upon Your Shore has turned his keen eye to our current crisis of masculinity using his upbringing in rural Indiana to examine the personal and societal dangers of the patriarchy. The Man They Wanted Me to Be examines how we teach boys what’s expected of men in America, and the long–term effects of that socialization―which include depression, shorter lives, misogyny, and suicide. Sexton turns his keen eye to the establishment of the racist patriarchal structure which has favored white men, and investigates the personal and societal dangers of such outdated definitions of manhood. “ . . . exposes the true cost of toxic masculinity . . . and takes aim at the patriarchal structures in American society that continue to uphold an outdated ideal of manhood.” —Book Riot