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In this second volume of the Called Out of Darkness trilogy, Father Robert Spitzer, S.J., draws together some of the best advice given by Catholic spiritual masters across the ages and brings it into harmony with modern scientific research, offering practical ways to live out the gospel in our busy days. It is a roadmap to a deeper relationship with the Lord and to authentic transformation through the imitation of Christ. Giving evidence that Jesus established just one Church, with Peter as its head, Spitzer shows that the Catholic Church—with its rich array of sacraments, teachings, prayer traditions, and lived examples of holiness—continues to be fertile ground for profound Christian conversion. But no true conversion is purely spiritual; it must bear fruit in our daily lives. Father Spitzer guides readers through the workings of moral transformation, with detailed sketches of all the cardinal and theological virtues, especially love. Using insights from Saint Ignatius of Loyola, as well as from modern psychology, Escape from Evil's Darkness concludes with an in-depth study of the sacrament of confession and the staggering power of God's loving mercy.
Когда на улицы Таркова опускается тьма, когда обычные люди, вчера ещё бывшие добрыми соседями, начинают убивать друг друга за банку консервов. Когда привычный порядок в одночасье сменяется диким беспределом… Обычный офисный хомяк внезапно превращается в жестокого и безжалостного Хищника. Клавиатура отброшена в сторону, в руках — тяжелый дробовик. Возврата к прошлому больше нет, остаётся только одно — стать самым страшным зверем в этих каменных джунглях. Добро пожаловать в Тарков! Эта книга написана под впечатлением от игры «Escape from Tarkov». Посмотрим поближе на одного из участников — Дикого! И если про метаморфозы уголовников все понятно, то как Диким становится обычный человек, вчерашний офисный работник? Сможет ли он переступить всё и превратиться в хищного зверя? Оказывается, да, причём достаточно быстро. Привыкшие к клавиатуре руки столь же спокойно станут нажимать уже не кнопку «Enter», а спусковой крючок. Не вызовет особого сомнения и необходимость обыскать ещё теплое тело противника. Недолго будут терзать муки совести. А вот сможет ли такой хищник остаться в душе человеком? И сохранить хоть какие-то положительные черты? Зайдём в Тарков — там всё и посмотрим.
Previously published in Japan in 2000. Translated from Japanese by Risa Kobayashi and Martin Brown. First published in English by AmazonCrossing in 2017.
When the lights go out, only the strong will survive the darkness... It's New Year's Eve, and the world is about to change. Forever. Out of nowhere, a catastrophic EMP event cripples the nation's power supply. Cars spiral off the streets. Planes hurtle from the skies. And in the powerless confusion, it doesn't take long for terrified survivors to resort to violence. Max is working as a security guard in the city centre when the power goes out. Surrounded by chaos, he knows he only has one choice: to get out of the city and get to the countryside. But will he make it out of a city that is rapidly collapsing? Aoife is on her way home from a terrible night out when her bus crashes, leaving her unconscious. When she wakes up, she is engulfed in darkness and surrounded by flames. Does she have what it takes to fight her way home to her friends? And in the darkness, a mysterious prisoner steps out of his cell with one goal in mind: revenge. On the first day of darkness, do you have what it takes to survive? Survive the Darkness is the first book in the new post apocalyptic EMP survival thriller series. If you enjoy stories of ordinary people thrown into harrowing new circumstances, you'll love the Survive the Darkness series.
We all have good luck and bad, courtesy of our very own white rabbits and black cats. One rarely ever notices them of course, because they're so exceptionally clever. Cecil Bean has certainly never noticed his. But when shadowy Millikin crosses Leek's path, rather than Cecil's, the hapless rabbit finds himself cast into a savage realm of peril and misfortune. So begins Leek's quest to return to his boy, whose luck has turned for the worse.
Joel C. Rosenberg delivers a spellbinding novel about one of the darkest times in human history.
A mother chronicles her journey to find a solution for her son's anxiety and depression.
Since the age of ten, Mia has rebelled against the iron fist of a fundamentalist preacher who lured her mother away to join a fanatical family of followers. At "Edenton," a supposed Garden of Eden deep in the South American jungle, everyone follows the reverend's strict and arbitrary rules--even about whom they can marry. Mia dreams of slipping away from the armed guards who keep the faithful in and the curious out. When the rebellious Gabe, a new boy, arrives with his family, Mia sees her chance to escape and to free her family. But the scandalous secrets the two discover beyond the compound's facade are more shocking than anything they imagined. While Gabe has his own terrible secrets, he and Mia bond together, more than friend and freedom fighters. But there's no time to think about love as they race against time to stop the reverend's paranoid plan to free his flock--but not himself--from this corrupt world. Can two kids crush a criminal mastermind? And who will die in the fight to save the ones they love from a madman whose only concern is his own secrets?
The Nobel Prize–winning author created the words for this unique play about religion in the twentieth century. The choruses in this pageant play represent a new verse experiment on Mr. Eliot’s part; and taken together make a sequence of verses about twice the length of “The Waste Land.” Mr. Eliot has written the words; the scenario and design of the play were provided by a collaborator, and the purpose was to provide a pageant of the Church of England for presentation on a particular occasion. The action turns upon the efforts and difficulties of a group of London masons in building a church. Incidentally, a number of historical scenes, illustrative of church-building, are introduced. The play, enthusiastically greeted, was first presented in England, at Sadler’s Wells; the production included much pageantry, mimetic action, and ballet, with music by Dr. Martin Shaw. Immediately after the production of this play in England, Francis Birrell wrote in The New Statesman: “The magnificent verse, the crashing Hebraic choruses which Mr. Eliot has written had best be studied in the book. The Rock is certainly one of the most interesting artistic experiments to be given in recent times.” The Times Literary Supplement also spoke with high praise: “The choruses exceed in length any of his previous poetry; and on the stage they prove the most vital part of the performance. They combine the sweep of psalmody with the exact employment of colloquial words. They are lightly written, as though whispered to the paper, yet are forcible to enunciate . . . . There is exhibited here a command of novel and musical dramatic speech which, considered alone, is an exceptional achievement.”