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In this important book, one of Latin America’s foremost critical theorists examines the use and abuse of memory in the wake of the social and political trauma of Pinochet’s Chile. Focusing on the period 1990–2015, Nelly Richard denounces the politics and aesthetics of forgetting that have underpinned both the protracted transition out of dictatorship and the denial of justice to its survivors and victims. What are the perils and social costs of a culture of forgetting? What forms do memories of injustice take in newly formed democracies? How might a history of violence and an ethics of reparation be reconciled in post-autocratic societies? In addressing these and other questions, Richard exposes the abuses of the past and the present while also attending to the residues of memory that are manifested in street protests, literature, and the media, and in artistic practices from architecture and urban design to installation and film. While cultural artifacts can be powerful devices for resistance and critique, Richard argues that they can also be complicit in reproducing and collaborating with forms of institutional and political oblivion. Both within Chile and beyond, Richard offers a trenchant critique of how authoritarian regimes and neoliberal states whittle away at memory’s critical capacity. At a time of seismic political realignments in Latin America and internationally, Eruptions of Memory makes a powerful case for the ethical, political, and aesthetic value of memory.
In this important book, one of Latin America’s foremost critical theorists examines the use and abuse of memory in the wake of the social and political trauma of Pinochet’s Chile. Focusing on the period 1990–2015, Nelly Richard denounces the politics and aesthetics of forgetting that have underpinned both the protracted transition out of dictatorship and the denial of justice to its survivors and victims. What are the perils and social costs of a culture of forgetting? What forms do memories of injustice take in newly formed democracies? How might a history of violence and an ethics of reparation be reconciled in post-autocratic societies? In addressing these and other questions, Richard exposes the abuses of the past and the present while also attending to the residues of memory that are manifested in street protests, literature, and the media, and in artistic practices from architecture and urban design to installation and film. While cultural artifacts can be powerful devices for resistance and critique, Richard argues that they can also be complicit in reproducing and collaborating with forms of institutional and political oblivion. Both within Chile and beyond, Richard offers a trenchant critique of how authoritarian regimes and neoliberal states whittle away at memory’s critical capacity. At a time of seismic political realignments in Latin America and internationally, Eruptions of Memory makes a powerful case for the ethical, political, and aesthetic value of memory.
Ash is still falling from the sky two years after a series of globally devastating volcanic eruptions. Sunlight is as scarce as food, and cities are becoming increasingly violent as people loot and kill in order to maintain their existence. Sixteen-year-old Miles Newell knows that the only chance his family has of surviving is to escape from their Minneapolis suburban home to their cabin in the woods, As the Newells travel the highways on Miles' supreme invention, the Ali Princess, they have high hopes for safety and peace. But as they venture deeper into the wilderness, they begin to realize that it's not only city folk who have changed for the worse.
What does it take for a volcanic eruption to really shake the world? Did volcanic eruptions extinguish the dinosaurs, or help humans to evolve, only to decimate their populations with a super-eruption 73,000 years ago? Did they contribute to the ebb and flow of ancient empires, the French Revolution and the rise of fascism in Europe in the 19th century? These are some of the claims made for volcanic cataclysm. Volcanologist Clive Oppenheimer explores rich geological, historical, archaeological and palaeoenvironmental records (such as ice cores and tree rings) to tell the stories behind some of the greatest volcanic events of the past quarter of a billion years. He shows how a forensic approach to volcanology reveals the richness and complexity behind cause and effect, and argues that important lessons for future catastrophe risk management can be drawn from understanding events that took place even at the dawn of human origins.
How much of the folk tales of our ancestors is rooted in fact, and what can they tell us about the future? In today's society it is the written word that holds the authority. We are more likely to trust the words found in a history textbook over the version of history retold by a friend – after all, human memory is unreliable, and how can you be sure your friend hasn't embellished the facts? But before humans were writing down their knowledge, they were passing it on in the form of stories. The Edge of Memory celebrates the predecessor of written information – the spoken word, tales from our ancestors that have been passed down, transmitting knowledge from one generation to the next. Among the most extensive and best-analysed of these stories are from native Australian cultures. These stories conveyed both practical information and recorded history, describing a lost landscape, often featuring tales of flooding and submergence. Folk traditions such as these are increasingly supported by hard science. Geologists are starting to corroborate the tales through study of climatic data, sediments and land forms; the evidence was there in the stories, but until recently, nobody was listening. In this book, Patrick Nunn unravels the importance of these tales, exploring the science behind folk history from around the world – including northwest Europe and India – and what it can tell us about environmental phenomena, from coastal drowning to volcanic eruptions. These stories of real events were handed down the generations over thousands of years, and they have broad implications for our understanding of how human societies have developed through the millennia, and ultimately how we respond collectively to changes in climate, our surroundings and the environment we live in.
Contributors to this volume—from anthropology, archaeology, environmental studies, geology, and biology—show that human societies have been incredibly resilient and adaptive from the impacts of volcanic eruptions over human history and prehistory.
Jonathan Nossiter, acclaimed filmmaker and former sommelier, had his first taste of wine at the age of three in Paris, from his father's fingertip. For him, wine is "memory in its most liquid and dynamic form," as essential an expression of culture as cinema, books, baseball, painting, even sex. With great wit and passion, he celebrates wine and its enthusiasts—and defends both from those who tell us what to drink and how to think about it. In Liquid Memory, the American expatriate investigates the infinite mysteries of terroir, the historical sense of place that makes wine a living, thrilling expression of cultural identity that can stretch back centuries. The book is a deliriously joyful master class in locating the soul of a wine, and in learning to trust your own palate and desires. Nossiter, who has already created an uproar in the world of wine with his film Mondovino, arms us against the tyranny of snobs, critics, and charlatans who would prevent us from taking part in what should be a gloriously democratic bacchanalia. From the sacred wine shops and three-star restaurants of Paris to the biodynamic vineyards of Burgundy, from the hipster bistros of New York to film locations in Rio de Janeiro and Athens, this singular journey invites us to consider how power, misused, can sometimes mask an absence of taste—and how our own personal taste can combat power in any sphere. A controversial bestseller in Europe, Liquid Memory is sure to rile the establishment, enlighten the thirsty, and reveal the inner life of the world's most mysterious, contradictory, and jubilatory drink.
"Suffused with her inimitable word play and stunning intelligence, and embodying a balance of mysticism and critical theory, Daly's clarion call to uncover the quintessence of the universe is quite an intriguing tune." -On the Issues
Statistics in Volcanology is a comprehensive guide to modern statistical methods applied in volcanology written by today's leading authorities. The volume aims to show how the statistical analysis of complex volcanological data sets, including time series, and numerical models of volcanic processes can improve our ability to forecast volcanic eruptions. Specific topics include the use of expert elicitation and Bayesian methods in eruption forecasting, statistical models of temporal and spatial patterns of volcanic activity, analysis of time series in volcano seismology, probabilistic hazard assessment, and assessment of numerical models using robust statistical methods. Also provided are comprehensive overviews of volcanic phenomena, and a full glossary of both volcanological and statistical terms. Statistics in Volcanology is essential reading for advanced undergraduates, graduate students, and research scientists interested in this multidisciplinary field.