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Treating sixteenth- and seventeenth-century erotic literature as part of English political history, Erotic Subjects traces some surprising implications of two early modern commonplaces: first, that love is the basis of political consent and obedience, and second, that suffering is an intrinsic part of love. Rather than dismiss such assumptions as mere conventions, Melissa Sanchez uncovers the political import of early modern literature's fascination with eroticized violence. Focusing on representations of masochism, sexual assault, and cross-gendered identification, Sanchez re-examines the work of politically active writers from Philip Sidney to John Milton. She argues that political allegiance and consent appear far less conscious and deliberate than traditional historical narratives allow when Sidney depicts abjection as a source of both moral authority and sexual arousal; when Edmund Spenser and William Shakespeare make it hard to distinguish between rape and seduction; when Mary Wroth and Margaret Cavendish depict women who adore treacherous or abusive lovers; when court masques stress the pleasures of enslavement; or when Milton insists that even Edenic marriage is hopelessly pervaded by aggression and self-loathing. Sanchez shows that this literature constitutes an alternate tradition of political theory that acknowledges the irrational and perverse components of power and thereby disrupts more conventional accounts of politics as driven by self-interest, false consciousness, or brute force. Erotic Subjects will be of interest to students and scholars of early modern literary and political history, as well as those interested in the histories of gender, sexuality, and affect more generally.
This book offers an analysis of the theorization of sexual citizenship, case studies in law, the relationship between sexual citizenship and bio-politics, and the erotic dissidence of sexual outlaws.
Sexual Subjects, a psychoanalytic book informed by gender theory, queer theory and feminism, addresses the tensions inherent in writing about lesbians and sexuality in the postmodern age. Adria Schwartz masterfully intertwines clinical anecdotes with engaging theoretical questions that examine the construction of important categories of identity--woman, feminist, mother, lesbian, and homo/hetero/bisexual. Schwartz also addresses specific issues which are problematic but nonetheless meaningful to self-identified lesbians such as roles in gender play, lesbian "bed death," and raising non-traditional families. Written from a psychoanalytic and postmodern perspective, this book is a significant contribution to the work done on the conceptualization of lesbian sexuality and identity.
Different eras and civilisations have treated erotic images with varying acceptance and different concepts of erotica and these tendencies are reflected within the works themselves. From ancient statues devoted to fertility to Renaissance engravings designed to encourage procreation within marriage, erotic art has always held an important place in society. Here, for the first time, 1,000 authentic images of erotic art have been brought together, spanning the centuries and civilisations to demonstrate the evolution of the genre. In an era such as ours when eroticism is abundant in advertising and the media, this book gives a refreshing insight into the background of erotic imagery, highlighting the artistic value of beautiful works of eroticism executed with skill.
Different eras and civilisations have treated erotic images with varying acceptance and different concepts of erotica and these tendencies are reflected within the works themselves. From ancient statues devoted to fertility to Renaissance engravings designed to encourage procreation within marriage, erotic art has always held an important place in society. Here, for the first time, 1,000 authentic images of erotic art have been brought together, spanning the centuries and civilisations to demonstrate the evolution of the genre. In an era such as ours when eroticism is abundant in advertising and the media, this book gives a refreshing insight into the background of erotic imagery, highlighting the artistic value of beautiful works of eroticism executed with skill.
This unique study of sexuality and society offers a provocative reframing of the subject—including what the author calls a periodic table of perversions. In Smut, Murray S. Davis investigates sex in a way that differs from nearly all previous books on the subject. Discarding the simplistic theory of sex as a natural instinct, he sets out to develop new explanations for its universal appeal. Drawing on a wide variety of literary forms, including the work of novelists, poets, and even comedians—and exploring everything from theology to pornography—Davis recaptures sex for the social sciences. First, Davis examines the difference between sexual arousal and ordinary experience, arguing that arousal alters a person's experience of the world. Positing an erotic reality distinct from everyday life, he demonstrates how different perceptions of time, space, human bodies, and other social types occur in each realm. Davis then asks why some people find this alternation between realities dirty, and offers a periodic table of perversions that summarizes the social elements out of which those who find sex dirty construct their world. Finally, Davis considers other conceptual grids affected by the alternation between everyday and erotic realities: the pornographic, which portrays individual, social relations, and social organizations being disrupted by sex; and the naturalistic, which conceives of them in a way that cannot be disrupted by sex. Throughout history these ideologies have battled for control over Western society, and, in his conclusion, Davis offers a prognosis for the future of sex based on these historical ideological cycles.
This book steers black sexual politics toward a more sex-positive trajectory, navigating the uncharted spaces where social constructionism, third-wave feminism, and black popular culture collide to locate a new site for sexuality studies that is theoretically innovative, politically subversive, and stylistically chic.
Chapter 1 Introduction -- chapter 2 New Cosmologies: Mapping the Postcolonial Feminist Legal Project -- chapter Liberal internationalism and the capabilities approach -- chapter 3 Erotic Disruptions: Legal Narratives of Culture, Sex and Nation in India -- chapter Narratives of culture, sex, nation -- chapter The Bandit Queen -- chapter Homosexuality -- chapter 4 The Tragedy of Victimisation Rhetoric: Resurrecting the 'Native' Subject in International/Postcolonial Feminist Legal Politics -- chapter Cultural essentialism -- chapter 'Death by culture' -- chapter 5 The Other Side of Universality: Cross-Border Movements and the Transnational Migrant Subject -- chapter Colonial subjects and the meaning of 'universality' -- chapter The Other in the contemporary moment -- chapter (b) Equating migration with trafficking.
Erotic Cartographies uses maps drawn by Trinidadian same-sex-loving women to demonstrate how their gender performance, erotic autonomy, and space-making practices contest their invisibility and exclusion from discourses of belonging, and challenge colonial discourses and practices related to gender, knowledge, and power in Trinidadian society.
While humanists have pondered the subject of love to the point of obsessiveness, philosophers have steadfastly ignored it. One might wonder whether the discipline of philosophy even recognizes love. The word philosophy means “love of wisdom,” but the absence of love from philosophical discourse is curiously glaring. So where did the love go? In The Erotic Phenomenon, Jean-Luc Marion asks this fundamental question of philosophy, while reviving inquiry into the concept of love itself. Marion begins his profound and personal book with a critique of Descartes’ equation of the ego’s ability to doubt with the certainty that one exists—“I think, therefore I am”—arguing that this is worse than vain. We encounter being, he says, when we first experience love: I am loved, therefore I am; and this love is the reason I care whether I exist or not. This philosophical base allows Marion to probe several manifestations of love and its variations, including carnal excitement, self-hate, lying and perversion, fidelity, the generation of children, and the love of God. Throughout, Marion stresses that all erotic phenomena, including sentimentality, pornography, and even boasts about one’s sexual conquests, stem not from the ego as popularly understood but instead from love. A thoroughly enlightening and captivating philosophical investigation of a strangely neglected subject, The Erotic Phenomenon is certain to initiate feverish new dialogue about the philosophical meanings of that most desirable and mysterious of all concepts—love.