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Some sculptures adorning the outer walls of the temples of medieval period of India, depict bold erotic themes of sexual act or union of male and females in unusual postures. This has evoked curiosity in many lovers of art and philosophy as to why erotic sculptures were part of temple architecture. This well illustrated research work explores the intentions of such sculptural representations and derives how the highly abstract, philosophical and universal topic of taming the mind through Raja yoga and forms of tantra yoga has been translated into the very attractive figurative form and presented in temples to give information about the esoteric knowledge.
This Book Would Be Of Great Interest To The Students Of Archaeology, Philosophy And Art, Besides Those Who Have Interest In Religion And History.
Dani鬯u's masterpiece on the Hindu temple, now translated for the first time into English, provides a stunningly illustrated tour of the major temple complexes of India.
Art Shrines Of Ancient India Deals With The Art Treasures Of Selected Archaeological Sites In The Various State.5 Of India. The Sites Dealt With Are: Sarnath, Sanchi, Kanchipuram, Mamallapuram Cmahabalipuram) , Temples Of Chamba, Aihole, Badami, Pattadakkal, Elephanta, Euora, Ajanta,Nalanda, Konarak, Halebid, Belur, Khajuraho, Suchindram, Mandu, Madurai, Chittor And Mount Abu. Profusely Illustrated, The Book Peeps In~O The Historical And Mythological Past Of Each Site And Evaluates The Artistic Contri- Butions Of The Various Ruling Dynasties: The Mauryas, The Sungas, The Guptas, The Pallavas, The Chalukyas, The Rashtrakutas, Thepalas, The Senas,. The Gangas, The Cholas, The Hoysalas, The Chandellas, The Pandyas And The Nayaks. The Book Also Deals With The Siva-Sakti Theme And Homage To The Sun In The Art Of Ancient India And Indicates How These Are Depicted In The Various Temples Of I!Ldia. This Book Will Be An Invaluable Guide To All Tourists, Especially Foreigners And Non- Resident Indians, Who Want To Savour, In A Short Time, The Rich Artistic Heritage Displayed In The Famous Temples And Archaeological Sites In India.
This Book Is Primarily An Introduction To The Magnificient World Of The Khajuraho Temples, Their History, Patronage, Court Culture, Religion, Iconography And The Distinctive Features Of Sculptures And Architecture.
At a glance, ancient Indian sculpture is quite attention-grabbing due to its structural form and somewhat devotional approach. It makes us curious and raises a lot of questions about it. There are a lot of books regarding the sculptures of India; however, there are something mysteries behind those ancient sculptures that need to unfold. This book's discussion point is related to some of the hidden rules and grammatical aspects of those ancient sculptures, focusing on Hindu doctrine and spiritualism. To understand the Indian sculptures widely, it is necessary to have information on those secret rules, grammar, spiritual theology, and Indian history. The writer of this book is an acclaimed Indian artist and award-winning blogger who is also passionate about traveling and photography. His experience in Indian art and culture grew with his travel across India. In this book, he also shared his direct experience of various aspects of Indian sculpture. It's a complete guide to making sense of the pauls of Indian sculpture through an artist's perspective.
This book chronicles the story of love which is considered an Indian creation. The first love story of the world was found in the Rig Veda and the first comprehensive work on love was written in India with Kamasutra becoming one of its offshoots. Love techniques were perfected over centuries and sculpted on the walls of temples of Khajuraho and Konarak. Since ancient times, rishis in India have believed that it was love which came first and then followed the world. The origin and evolution of love in India is traced by the author in an elaborate manner, providing invaluable insights which make this book a rare treasury in itself. The book draws from concrete sources including cave paintings, ancient archaeological findings and a mass of literature belonging to the Vedic and Buddhist eras to give a complete portrayal of love. Through love lyrics, humorous plays and erotic descriptions, Love in Ancient India takes you through a timeless saga of royalty and grandeur, beauty and infidelity, all of which are interspersed with the concept of the world’s most bewitching expression - love.
Examines Indian sculptures in color photographs and detailed explanations.
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.