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Is true love a physical element, or can it be something above and beyond the human experience in the physical world? This is a collection of poetry describing a love outside the box, outside human logic, and outside human interpretation due to fear of ones own sexuality. Is true love sexual due to the physical need? Is it possible one suffers because of labels and the lack of understanding of the true meaning of Gods love? The poet walks us through a pure paradise on earth untouched by Adam and Eve, untouched by judgment and criticism. The soul is untouched by masculinity and femininity. The soul, which is bodiless, knows no boundaries once it is connected with another soul. This is a pure dance that can be eternal once its touched by the intangible eros.
What does theology have to say about the place of eroticism in the salvific transformation of men and women, even of the cosmos itself? How, in turn, does eros infuse theological practice and transfigure doctrinal tropes? Avoiding the well-worn path of sexual moralizing while also departing decisively from Anders Nygren’s influential insistence that Christian agape must have nothing to do with worldly eros, this book explores what is still largely uncharted territory in the realm of theological erotics. The ascetic, the mystical, the seductive, the ecstatic—these are the places where the divine and the erotic may be seen to converge and love and desire to commingle. Inviting and performing a mutual seduction of disciplines, the volume brings philosophers, historians, biblical scholars, and theologians into a spirited conversation that traverses the limits of conventional orthodoxies, whether doctrinal or disciplinary. It seeks new openings for the emergence of desire, love, and pleasure, while challenging common understandings of these terms. It engages risk at the point where the hope for salvation paradoxically endangers the safety of subjects—in particular, of theological subjects—by opening them to those transgressions of eros in which boundaries, once exceeded, become places of emerging possibility. The eighteen chapters, arranged in thematic clusters, move fluidly among and between premodern and postmodern textual traditions—from Plato to Emerson, Augustine to Kristeva, Mechthild to Mattoso, the Shulammite to Molly Bloom, the Zohar to the Da Vinci Code. In so doing, they link the sublime reaches of theory with the gritty realities of politics, the boundless transcendence of God with the poignant transience of materiality.
Cynthia Willett brings together diverse insights from social psychology, classical and contemporary literature, and legal and justice theory to redefine the basis of the moral and legal person.Feminists, communitarians, and postmodern thinkers have made clear that classical liberalism, with its emphasis on individual autonomy and excessive rationalism, is severely limited. Although she is sympathetic with the liberal view, Willett finds it necessary to go further. For her, attention to the social dimensions of the family and civil society is critical if issues of race, gender, class, and sexuality are to be taken seriously. Interdependency, not autonomy, is of increasing significance in an era of globalization.Willett proposes an alternate normative theory that recognizes the impact of social forces on individual well-being. Citizenship in a democracy should not be defined solely on the basis of rights to autonomy, such as bare rights to property or free speech, she explains. Rather, citizenship should be defined first of all in terms of the rights, responsibilities, and capacities of the social person.It is within the African American tradition of political thought that Willett finds a more useful definition of human identity and political freedom. The African American experience offers a compelling vision of social change and a deeper understanding of what it means to be a social person. By focusing on everyday battles against racism, Willett contends, we can gain valuable insight into the meaning of justice.
Have you ever believed in a life after death? Do want to know what the most rattling secrets of the existence of mankind are? If questions such as these stir a sense of curiosity in your mind then this book is for you. Come with me as I take you to a journey in which we will see what life after existence really feels like. Along the way we will be coming across some of the most renowned geniuses that have embraced our planet ever since the beginning of time. Not only will we have in depth discussions on all of the biggest questions that have confused mankind over the years with these geniuses, but we will also be uncovering some of the most mindboggling secrets along the way. "Eros and Thanatos" follows the story of "DEM" and how I travelled the gates of hell and paradise with Dante. The stories we find in this book provide an interesting outlook on many of the most heated debates that the greats have long discussed but come to no conclusion despite thinking about countless concepts and ideas.
Marcella Althaus-Reid was one of the most fascinating and controversial theologians of the twentieth and early twenty-first century. Her strong personality and her iconoclastic work inspired a whole generation of theologians in the UK and worldwide. Marcella's creative life was cut short by her death from cancer in 2009. Yet she lives on, not least in those who have been inspired by her work and continue to engage with it. "Dancing Theology in Fetish Boots" draws together a number of world-class scholars and others who engage with the main themes of Marcella's work and show how the critical and controversial conversations which Marcella has begun can and do continue. It is therefore far more than a Festschrift, but a celebration of an intellectual life Marcella-style.
This is a collection of poems and short stories written over a long period of time. This is just a part of what I have written, there is more to come. Poetry is something I love to write, from my faith to life to everything in between.
Informed by the belief that critical pedagogy must move beyond the classroom if it is to be truly effective, this essay collection makes clear how cultural practices--as portrayed in film, sports, and in the classroom itself--enable cultural studies to deepen its own political possibilities and to construct diverse geographies of identity, representation and place. Contributors: Henry A. Giroux, Ava Collins, Nancy Fraser, Carol Becker, bell hooks, Michael Eric Dyson, Roger I. Simon, Chandra Talpede Mohanty, Simon Watney, Michele Wallace, Peter McLaren, David Trend, Abdul R. JanMohamed and Kenneth Mostern.
Combining critical analysis with personal history and poetry, Dancing Identity presents a series of interconnected essays composed over a period of fifteen years. Taken as a whole, these meditative reflections on memory and on the ways we perceive and construct our lives represent Sondra Fraleigh's journey toward self-definition as informed by art, ritual, feminism, phenomenology, poetry, autobiography, and-always-dance. Fraleigh's brilliantly inventive fusions of philosophy and movement clarify often complex philosophical issues and apply them to dance history and aesthetics. She illustrates her discussions with photographs, dance descriptions, and stories from her own past in order to bridge dance with everyday movement. Seeking to recombine the fractured and bifurcated conceptions of the body and of the senses that dominate much Western discourse, she reveals how metaphysical concepts are embodied and presented in dance, both on stage and in therapeutic settings. Examining the role of movement in personal and political experiences, Fraleigh reflects on her major influences, including Moshe Feldenkrais, Kazuo Ohno, and Twyla Tharp. She draws on such varied sources as philosophers Simone de Beauvoir and Martin Heidegger, the German expressionist dancer Mary Wigman, Japanese Butoh founder Tatsumi Hijikata, Hitler, the Bomb, Miss America, Balanchine, and the goddess figure of ancient cultures. Dancing Identity offers new insights into modern life and its reconfigurations in postmodern dance.
Mark Nwagwu’s My Eyes Dance is a novel of character and a novel of ideas. The character around whom most of the action accretes is Chioma Ijeoma, and the ideas surrounding most of the themes are about African ancestor worship and its attendant idea of totemism. Chioma, a great grand daughter of Pa Akadike of Okeosisi becomes the carrier of the ancestral genes by receiving an ancestral ‘walking stick’ that has a mind of its own and tries to influence Chioma’s actions at important moments in her life. The totem becomes Chioma’s alter ego, the projection of her life-drive which keeps her in contact with her profession and her society.
In Dreaming, Healing and Imaginative Arts Practice, Kathleen Anne Connellan brings dream theory together with art practice and art psychotherapy to demonstrate how releasing the imagination can open-up processes of healing. In this interdisciplinary and richly innovative book, Connellan focuses on nocturnal dreams, day dreams, memory and reverie, and she explores how to access, depict and use these dream images to discover personal healing. Unlike other dream journals, Connellan encourages visual recording and personal experimentation with a variety of materials and modalities, regardless of artistic ability. Each chapter is divided into a theoretical and practical half, where the theoretical section addresses the foundations of dream theory and philosophy, and the practical section offers step-by-step exercises that lead you to the creation of something restorative. Connellan covers a theme in each chapter which helps merge the unconscious with the conscious: the nature of dreaming and the constitution of the psyche, the archetype and our shadow selves, belonging, moving, pain and pleasure, and all the senses in remembering. Dreaming, Healing and Imaginative Arts Practice is a unique blend of scholarly research, beautiful illustration and hands-on practicality that allows the reader to interpret their dreams for self-expression and self-knowledge. This work will be of great interest to those studying post-graduate psychology, social work, art and arts therapy, and an essential resource for art therapists, creative therapists, alternative psychotherapists and social workers in practice and in training.