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First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Ten papers from 1992 symposia at Dartmouth College and Princeton University are augmented by an original chapter and a translation of a Greek article, to explore the myth and cult of Athena, contests and prizes associated with her worship, and art and politics generated around her. Among the topics are women in the Panathenaic and other festivals, the iconography of shield devices and column-mounted statues on amphoras, and the Panatheniaia in the age of Perikles. Paper edition (unseen), $22.95. Annotation copyright by Book News, Inc., Portland, OR
The revolutionary classical scholar Jane Ellen Harrison pieces together the origins of early Greek religion in this seminal 1927 work.
Vols. 1-8, 1880-87, plates published separately and numbered I-LXXXIII.
What did citizenship really mean in classical Athens? It is conventionally understood as characterised by holding political office. Since only men could do so, only they were considered to be citizens, and the community (polis) has appeared primarily as the scene of men's political actions. However, Athenian law defined citizens not by political office, but by descent. Religion was central to the polis and in this domain, women played prominent public roles. Both men and women were called 'citizens'. On a new reading of the evidence, Josine Blok argues that for the Athenians, their polis was founded on an enduring bond with the gods. Laws anchored the polis' commitments to humans and gods in this bond, transmitted over time to male and female Athenians as equal heirs. All public offices, in various ways and as befitting gender and age, served both the human community and the divine powers protecting Athens.
This volume provides a guide to research in the field of Greek Myth, introducing the main questions, theories and methods related to the study of Greek Myth today. The author points out, with critical reappraisal, the key themes and ideas in recent scholarship and makes suggestions for future lines of study. Aimed at students and scholars in Classics, it will also be of interest to larger audiences in the Humanities.